The Definitive Watchlist Seeking the Same Brilliance as All for a Husband: Cult Guide

Dir: Carl Harbaugh

Shirley Reynolds returns home from boarding school to find that her mother, weary of her husband's philandering, has filed for divorce. Hoping to effect a reconciliation, Shirley visits her father's apartment, where she interrupts a riotous party held in honor of his new mistress, Lola Wayne. Shirley prevents Lola's outraged father from killing her own father, but later, Wayne decides to wreak his revenge through Shirley and hires the lecherous Trask to lure her to ruin. On a particular evening, Wayne persuades Shirley to visit Trask's disreputable roadhouse, where Lola has arranged to meet with Reynolds. Suspicious, Shirley's sweetheart, Richard Ormsby, follows her to the inn. Reynolds hears Shirley struggling with Trask behind a locked door but is unable to assist her until Richard arrives. Trask, in his struggle to escape the two men, leaps from a window to his death, after which Wayne takes Lola home. Shirley then convinces her mother to forgive her remorseful husband.

Dir: Carl Harbaugh

Minnie, the village tomboy, meets a handsome Stranger after playing ball one afternoon. She invites him to see a bridge model her father has designed; but finding her intoxicated father in the act of destroying the model, she swears vengeance on the local bootleggers and joins a newspaper as sportswriter so as to expose their activities. Pike, the station agent, leader of the bootleggers, spreads a scandal about Minnie when she rejects him, but through the help of the Stranger everything is cleared up.

A visual fragment from the archive: The thematic resonance of The Tomboy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Carl Harbaugh

Robert Booth travels to Pittsburgh both to negotiate a million-dollar war contract with a foreign prince and to marry his sweetheart Ruth Hunneywell. Robert's rival Chester Firkins hires thugs to kidnap Robert so that he can win the contract for himself. Robert, however, escapes from the kidnappers, and after a series of adventures, during which he is pursued by the police and nearly blown up by a stick of dynamite, the daring Robert rescues Ruth, saves the prince's life and obtains the prized contract.

Dir: Carl Harbaugh

Broadway actress Sibyle Fane visits the home of Anna Mae Neil, daughter of a Hickville farmer, who is engaged to local druggist Virgil Cole. Impressed with Miss Fane, Virgil sells his business and sets out for New York City. Miss Fane advises Anna Mae to arrive in the city ahead of Virgil and monitor her fiancé under the guise of a famous model. The actress introduces Anna Mae to sculptress Violet Garden and songwriter Pinky Hale, who teach her the latest jazz steps. She flirts with Virgil in a fashionable restaurant and discovers his shifting affections at a party. Convinced of Virgil's unfaithfulness, Anna decides that talented young artist Peter Van Reuter is deserving of her love.

A visual fragment from the archive: The thematic resonance of Brave and Bold perfectly mirrors the editorial trajectory of our deep dive.

Dir: Carl Harbaugh

Jack Spurlock's college escapades, which include a particularly raucous incident involving a bear, finally get him expelled, and his father, John Spurlock, Sr., compels him to go to work in the family's wholesale grocery business. The eager young man inexplicably purchases a huge surplus of onions and then supports the onion workers when they go on strike. After Spurlock, Sr. finally agrees to recognize the Onion Workers' Union, he fires his son and cuts off his allowance. Jack is forced to work as a waiter until his sweetheart, Anita Grey, introduces him to Professor Jackson, who has patented a health tonic made chiefly from onions. The publicity attending the Onion Workers' strike results in a huge demand for Jackson's tonic. In order to produce more of the cure-all, Jack purchases his father's onion surplus, thus redeeming his place in Spurlock, Sr.'s good graces.

Dir: Carl Harbaugh

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Hickville to Broadway perfectly mirrors the editorial trajectory of our deep dive.

Dir: Carl Harbaugh

After Mary Page marries Fred Walton, she soon discovers that he is a womanizer. She tries to ignore Fred's affairs but, refuses to file for divorce even when Platt Sinclair, her husband's lawyer, urges her to do so. Mary does not realize that Sinclair is actually helping Fred, who is in love with his current mistress, Helen Lee, and wants to marry her. To escape her misery, Mary organizes a settlement house in the slums and there meets reporter Eric Mann, with whom she becomes very close. One night, as Sinclair goes to Mary's house to try to convince her to change her mind, he sees Eric through the window and informs Fred that she is seeing another man. Fred wants to sue Mary for divorce, but when Eric threatens Sinclair with disbarment, the suit is dropped. One night, Mary interrupts Fred during his evening with Helen on the same night that Jimmy Hope, a burglar, is robbing their house. The result of the night's activities are the death of Fred and the ultimate arrest of the real murderer who was obsessed with Hope.

Dir: Carl Harbaugh

John Montague Smith, a small town bank cashier forced to leave town when he is accused of bad business practices, catches a freight for the West. He rescues Jerry, a tramp, and both apply for work on a railroad construction gang but are refused employment by the foreman, Rand Barlow. John rescues Corona Baldwin from a runaway handcar, and as a result her father gives both men jobs. When John discovers that Barlow and Kinsey are delaying construction work to cause Colonel Baldwin to lose his franchise, he is promoted to foreman; and in spite of obstacles he completes the road. Barlow opens a drawbridge over which John is about to drive the first train, but he is foiled by Jerry. John rescues Kinsey and emerges from the battle victorious with Corona in his arms.

A visual fragment from the archive: The thematic resonance of Jack Spurlock, Prodigal perfectly mirrors the editorial trajectory of our deep dive.

Dir: Carl Harbaugh

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Harbaugh

Three New York families are introduced: wealthy Fred Hartley and his wife, who, feeling neglected, encourages the attentions of debonair J. Douglas Kerr, the middle-class Moore family, consisting of mother, daughter, and son Jimmie who supports them, and the Simons, an East Side Jewish family. When America enters the war, Hartley, Jimmie, and Davy Simon enlist. When Jimmy says goodbye to his sweetheart Becky, one of Davy's three sisters, her father refuses to consider him as a future son-in-law. Kerr sends Mrs. Hartley a cablegram reporting Hartley's death in the war. She puts off responding to Kerr's proposal, and after the armistice, Hartley finds her trying to break free from Kerr's embrace. When Kerr hastily exits, an irate butler grabs his trousers. Mr. Simon accepts Jimmie as Becky's fiancé, and Kerr is last seen squatting so that his overcoat covers his backside.