Recommendations
Senior Film Conservator

Exploring the stylistic flair in All Wet is a journey into United States cinema, the thematic layers of this 1926 classic invite a wider exploration of the genre. If 'Snub' Pollard, Marvin Loback, Thelma Daniels impressed you, these next recommendations will too.
With James D. Davis at the helm, All Wet became to reinvent the tropes of Short cinema for a global audience.
"Snub" Pollard plays a hick whose pa packs him off to his aunt's home in the big city. He fits in awkwardly with her hoity society world. News of his oil-well inheritance makes the more mercenary flappers pay attention, notably a vampish cousin (named Cleopatra, no less). It's a funny culture-clash showcase for slight, droopy-moustached comedian Pollard, an Australian vaudevillian who entered movies in 1915 and became a staple in two-reeler vehicles for himself and others (including Harold Lloyd). He remained a familiar face onscreen right up until his death in 1962, making one of his final cameo appearances in the Chubby Checker dance-craze flick TWIST AROUND THE CLOCK. - Dennis Harvey
Based on the unique stylistic flair of All Wet, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
Dir: James D. Davis
Two men who seek the same girl are switched back and forth in the wedding ceremony.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
Dir: James D. Davis
Gale and Hughie, proprietors of a traveling lunch wagon, are captured by a band of brigands, headed by Dave Morris as Melachrino Mike.
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Dir: James D. Davis
Down on the farm old Pop Hebenezer had his troubles keeping his two daughters from spooning with his hired help. Luke loved Lucy, the younger daughter, and Billy loved Sally, the older one. The girls were serving their sweethearts with food but they forgot the food and made love. In the meantime the animal family, consisting of a goat, a donkey, a dog and a pig, were hungry, too. The dog spied the tray of food on the table, jumped through the window, grabbed the food and, ran away. Charlie, the oriental cook, the greatest little K. P. that ever was. He happened to pass outside of the window where the lovers were deeply engrossed, when they suddenly discovered the loss of their food, and blamed Charlie. They threw a pail of water over him for revenge. Pop invented a Nutt motor that would make anything on wheels stand as permanent as rock. The girls are keen about this, invention and all have a hand in perfecting it. When Pop looks around for his help he discovers Luke and Lucy on top of the barn on a see-saw. They had assigned the goat to beat the carpet and water the lawn, the donkey to put the hay in the loft, and the dog to mow the lawn. Sally and Billy camouflaged themselves like trees and were having a wild time all by their lonesome. Pop chases the lovers back to work and all is peaceful again. Two crooks are on their way to steal Pop's new invention, but the chief of police advises Pop of their arrival. The daughters put a lion in the case where the Nutt motor originally was, and the crooks steal this case and are very much surprised to find a not too loving lion staring them in the face. An uproarious chase follows, wherein the lion scares nearly everybody half to death.
Dir: James D. Davis
An office boy is in love with his employer's daughter. A stolen necklace, a masquerade ball, and chase scenes at the close are some of the ingredients.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
View DetailsAnalysis relative to All Wet
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| An Amateur Devil | Tense | Linear | 98% Match |
| 'A mala nova | Surreal | Layered | 92% Match |
| Her Whirlwind Wedding | Tense | Dense | 97% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
| Cooks and Crooks | Ethereal | Layered | 91% Match |
This guide was algorithmically generated using the cinematic metadata of James D. Davis's archive. Last updated: 8/17/2026.
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