Recommendations
Senior Film Conservator

The United Kingdom-born brilliance of Aren't We All? offers a unique cinematic excellence, the juxtaposition of cinematic excellence and narrative makes it a Comedy outlier. Dive into this collection and find the spiritual successors to Harry Lachman's vision.
In the Pantheon of Comedy cinema, Aren't We All? to elevate Comedy to the level of high art.
A honeymoon couple quarrel and part, flirting with others until their reconciliation.
Aren't We All? was a significant production in United Kingdom, showcasing the immense talent of Kathleen Harrison, Maud Gill, Wallace Geoffrey. It continues to be a top recommendation for anyone studying Comedy history.
Based on the unique cinematic excellence of Aren't We All?, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Bud Fisher
Mutt and Jeff go on strike and make their own film.
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Dir: Alfred J. Goulding
Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Herbert Blaché
After Schuyler Rutherford's divorce from his rich wife Caroline, who was his meal ticket, his sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her sculptor friend Mary Carter, who offers her a job as her secretary. While working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her. Kathleen's plan succeeds, and then, to spite Robert, she announces her engagement to wealthy Murray Van Allan. After a series of incidents, Robert makes Kathleen realize that she really loves him and, after forgiving him, she agrees to be his wife.
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Dir: Frank Moser
The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Joseph Franz
John Whalen is ordained into the priesthood and assumes the leadership of a small-town New Jersey parish. His dying mother's last wish is for young doctor Edward Welsh and his sweetheart to be married. Rev. Whalen devotes much time and effort to overcoming the obstacles to the union, managing along the way to solve the problems of other townspeople.
View DetailsAnalysis relative to Aren't We All?
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Fitting Gift | Surreal | Layered | 96% Match |
| On Strike | Gothic | Linear | 92% Match |
| Run 'Em Ragged | Gothic | Abstract | 93% Match |
| The Great Cheese Robbery | Surreal | Linear | 87% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Harry Lachman's archive. Last updated: 6/28/2026.
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