The Auteur's Selection In the Shadow of As Man Made Her: Cult Guide

Dir: George Archainbaud

Dr. David Carewe's already unhappy marriage is made worse when his wife Helen's refuses to have children. Helen poses as the wife of gambler Robert Spencer in Europe, while David falls in love with Spencer's wife Madeline. When news reaches David that Spencer and his supposed wife have been killed, he weds Madeline and they have a daughter, June. Helen suddenly reappears, but David renounces her and continues to live happily with Madeline. Eighteen years later, June falls in love with a young man who is revealed as the son of Spencer and a woman to whom he was married before Madeline. Rather than ruin the budding romance, Madeline asks Helen to pose as June's mother, which restores June's name and allows the young lovers to marry.

Dir: George Archainbaud

Cardinal Mercier protects the altar of his church from desecration when German forces invade the Belgian city of Louvain during World War I. Although the soldiers commit widespread atrocities, the cardinal does his best to protect the townspeople. Cardinal Mercier's young ward, Liane de Merode, is betrothed to Belgian officer Maurice Lambeaux, but the German governor general tries to gain possession of her against the cardinal's will. Despite the plotting of the governor general, Maurice breaks through the German lines in a disguise. Secretly the cardinal marries the young couple and smuggles them across the border to France.

A visual fragment from the archive: The thematic resonance of The Cross Bearer perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Archainbaud

Adoree, a young Belgian girl, half-mad by the war horrors that she has experienced,is found by the Hudsons, a wealthy American couple who take the amnesia-stricken girl back to the United States with them. Soon after, Roger Hudson is called away to business in South America, and when his wife Claire discovers that Adoree is pregnant, she convinces the girl to allow the Hudsons to claim the child as theirs. The child is born and Dr. Thorn cables Hudson to come home because his wife has given birth. Meanwhile, Adoree, longing for her baby, steals the infant and disappears. Finding the girl's coat near a lake, Hudson assumes that she has drowned and dynamites the lake in order to locate her body. The explosions restore Adoree's memory, and she recalls her marriage to the Vicomte Jean de Michelet, who happens to be in town raising money for Belgian relief. The vicomte is brought to his wife and the family is happily reunited.

Dir: George Archainbaud

Twenty-five years ago Jacques Revilly was found on the church steps in a small French village. He grows up into a fine strapping young farmer. His abstinence from rough play after his farm work makes him unpopular, he surreptitiously cultivates his skill at painting within the sacred portals of the church. One of Jacques tormentors discover his art attempts, which suggest a new mode of attack, and then his co-workers make an issue of a little delinquency and refuse to stay at the farm unless he is discharged. Jacques, enraged at this injustice, leaves the hamlet forever. Three years later in Paris Jacques is able to produce some very good canvases. His unkempt appearance, his sulkiness and his apparent distaste for the society of his fellowmen have won for him the nick-name of "The Beast." He goes to the Café Brasserie Murger where the artists are enjoying themselves, among them being Horace Chapron, the bully of the Student Quarter. A dance is being planned for the evening, but the girls do not wish to have "The Beast" present. Jacques that night, knowing nothing about the party enters the café and as usual takes his drink by himself. He is invited to join the party by another student named Varny, but says he prefers to be by himself. Toward morning a girl who has been dancing on a table falls from it, landing on Varny, injuring his arm. Jacques takes him home and nurses him back to health. With the recovery of his friend, who joins his old companions, Jacques realizes anew that in this world he stands alone. He goes to a saloon and as he is drinking he prays God to give him the companionship that his soul craves for. On his way home he finds a frail young girl lying apparently dead in the snow. He carries her to his home, confident that his prayer has been answered. Under the careful ministration of his friend, Varny, and the caretaker, the girl convalesces. Her story relates her unsuccessful attempts to find work after her mother's death. Her strength gave out and she fell almost lifeless in the street. Jacques gives her his room, while he goes across the hall to Varny. Through the aid of the caretaker, Marguerite secures a position in Madame Celeste's millinery shop. Jacques begins to take an interest in his physical appearance. One day Prosper, one of the students, announces that he has just seen "The Beast" sober, clean-shaved and neatly dressed. His friends are incredulous, so he says he will prove it. A few days later when passing under Marguerite's window a book comes down on his head, it having been pushed off the window sill by the girl when dusting. Prosper returns the book to Marguerite, and is about to kiss her when Jacques appears. Prosper is ordered out of the place, and tells the students that Marguerite is beautiful and virtuous. Horace, another student, wagers a dinner that she will be his a month from that date, which, by the way, will be the wedding day of Jacques and Marguerite. One month later the students are all assembled for dinner, Jacques, who has not seen his companion for over a month, enters the café and asks if he may join the party, not knowing the nature. Horace then toasts "His Marguerite, who works in Madame Celeste's shop." As there is but one Marguerite in the shop in question Jacques demands that Horace retract the toast. Horace shows her ring which Jacques insists he stole. Horace challenges Jacques to a duel. Jacques rushes to Marguerite's room, where he finds her directing a letter to him. She hands the missive to him. He reads, "You'll never see me again. I am a defiled creature." Jacques bids her leave. He makes his will leaving all to Marguerite. Marguerite begs his friend to get Jacques to finish reading her letter. Jacques consents and so Varney finishes reading the confession of how she had gone home with Madame Celeste who had feigned sickness, was introduced to a man she called her brother, that after drinking her wine she was powerless to move, and next morning she found herself. Jacques resolves to kill Horace. Varny asks Jacques if he will not see Marguerite. He does, but when Marguerite hears that a duel is to be fought begs Jacques not to go, as she is sure he will be killed. Jacques is not to be swerved from his purpose. On the field of honor Horace says that he is in the wrong and wants to apologize. Jacques strikes him in the face. They fire. Jacques is shot, but not mortally and the doctor tells him he will soon be all right. He is carried back to his rooms. There is a reconciliation, and so Jacques at last has his heart's desire.

A visual fragment from the archive: The thematic resonance of A Maid of Belgium perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Archainbaud

Violetta D'Arcy turns down the proposal of Jack Harrington, whom she believes to be poor, and instead marries the wealthy Robert Van Ellstrom. Her husband's fortune, however, is not sufficient to cover her gambling debts, so she pawns her sister-in-law's jewels and accepts money from Jack's father, who wishes to be introduced into society. When Harrington, Sr. makes improper advances towards Violetta, Robert fights him, and in the struggle, Harrington, Sr. shoots Jack in the arm. Believing that he has killed his son, Harrington commits suicide. Despondent and ashamed, Violetta tries to drown herself, but Robert intercedes and takes her in his arms.

Dir: George Archainbaud

During World War I, young Frenchwoman Francine D'Espard meets U.S. Army officer William Holliday at the front, and they become engaged. Returning to America, William finds his father at the mercy of his business rival, Ezekiel Bates. Shortly after, when Francine arrives in America to marry her fiancé, she is informed that her lover is about to marry Bates' daughter Susan. Her love now turning to hate, Francine devotes herself to the task of destroying her former suitor. Through her connections with the U.S. Secret Service, the two are involved in many adventures, and just as Francine is about to avenge herself, she discovers that Holliday has been true to her the whole time. Upon finding evidence that Bates, in addition to being the cause of all their troubles, has also defrauded the government, Francine has him arrested and finally reunites with her lover.

A visual fragment from the archive: The thematic resonance of The Awakening perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Archainbaud

Spoiled Marion Ainsworth resents the fact that her fiancé, Dr. Paul Carrington, a young surgeon rising rapidly in his profession, devotes more time to his work than to her. Consequently, when an emergency call from the hospital threatens to disrupt their picnic, Marion intercepts the message, causing Carrington to be late for a critical operation, thus ruining his career. On the advice of his friend Dr. Matthews, Carrington breaks his engagement and voyages to a South Sea island where he intends to carry on his research. Carrington is reported lost at sea, and a year later, Marion and her new suitor, Cyrus Carter, undertake a cruise to verify the doctor's death. En route, their yacht explodes, and Marion is washed ashore on the island where Carrington is now living. After a series of misadventures, Carrington forgives her and the couple returns to civilization together.

Dir: George Archainbaud

Dick Allison comes to the aid of Mary Ann Hubbard, a young dispossessed woman in the South, and the two become close friends. Dick leaves the South to move to New York, and Mary soon finds herself in dire financial straits. She decides to ask her friend Dick in New York for help, and travels there to see him. Unfortunately, she arrives at Dick's place on the evening of his bachelor party, but Dick persuades his fiancee, Betsy Caldwell, to put up Mary for the night. Mary soon finds out something about Betsy that Dick doesn't know.

A visual fragment from the archive: The thematic resonance of Diamonds and Pearls perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Archainbaud

Henry, a struggling Greenwhich Villiage artist, accidentally finds an invitation to Louise Gordon's coming out party. He goes to the party, falls in love with the pretty socialite, but soon decides to leave as he realizes his financial situation is not up to standards. An old friend recognizes him and encourages Henry into lying that he is a successful businessman. Engagement plans soon proceed, but Henry's guilty conscience catches up and he sends Louise a letter confessing his deceit. Later, they meet and Henry confesses his love for Louise, who greatly impressed by his honesty, breaks her engagement to another, to marry Henry.

Dir: George Archainbaud

Mavis Cole defies her grandfather and runs away with Herbert Whitman, a man of high social standing but poor character. Herbert plants a stolen necklace on Mavis and attempts to have her arrested when he comes under suspicion. Mavis seeks refuge in a hunting lodge with young Jimmy Ryder, and she claims to be Mrs. Ryder, Jimmy agrees to make the title legal. Meanwhile, Herbert bribes ex-convict Steve La Marche to steal a jewel from Dorothy Grosscup. Jimmy captures the thief, who at first refuses to confess. Dorothy accuses Mavis of the theft, but she is cleared by Steve, resulting in Herbert's arrest.