Underground Favorites Parallel to the Artistry of Astray from the S...

Dir: Frank Powell

A fascinating piece of cinema that shares thematic elements.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of The Debt perfectly mirrors the editorial trajectory of our deep dive.

A reception given by the Count to celebrate his daughter Ann's engagement to Baron Moreno is disrupted by the news that a mine in which the whole village has invested is worthless. When the Count, who persuaded the townspeople to invest their savings in the venture, commits suicide, the baron jilts the now-destitute Ann. She marries Slater, an American promoter, and they move to the United States, hoping to earn enough to pay off her father's debts, but the baron follows Ann and forces his attentions on her. This provides Slater's mother, who is insanely jealous of her son's love for his wife, with the opportunity to break up their marriage. Slater orders his wife from the house and the baron offers her sanctuary. Ann's baby's incessant crying for her mother forces Slater to attempt a reconciliation, and when he looks for her, he finds her with the baron. In the ensuing fight, both men are mortally wounded. Ann returns to her child; she finds her mother-in-law repentant, and the three return to France to repay the debt.

Dir: Frank Powell

Farmer Leo Bannister is crazy about his neighbor Auriole Praed, but she finds him to becoming on too strong. She travels to Paris to see her brother, and there falls in love with and marries Otto Bettany, a young painter. When the couple return home, Bannister--still carrying a torch for Auriole--plots to claim Auriole for himself by using a beautiful young actress to work her "charms" on Otto and then showing Auriole how untrustworthy her new husband is.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of The Greater Woman perfectly mirrors the editorial trajectory of our deep dive.

Former newsboy and jockey Joe Braxton, becomes a millionaire rancher and decides to visit New York. He soon becomes the prey of swindler Tom Linson and socialite Viola Grayson. Linson defrauds Braxton's old employer, Colonel Downs, and attempts to corrupt Eleanor, the colonel's daughter. When Eleanor learns that Linson intends to destroy Joe on the stock exchange, she warns him, disregarding Linson's threat to ruin her reputation. Eleanor is too late, but Joe recovers his losses by riding Mongrel to victory in the Kentucky Futurity, after having stacked his last dollar on the horse's success.

Dir: Frank Powell

The husband and wife of a typical American family read the story of Albert and Louise, European peasants. Albert, called to war, is able to come home but once during the conflict. The captain of the enemy takes up his headquarters in Albert's house and forces his attention upon Louise. War over, Albert returns home rejoicing in the news of the birth of a son. He is told Louise has never looked at or touched the baby. Demanding an explanation Louise tells of the visit of the captain. Albert would kill the child, but Louise's motherhood asserts itself and she saves its life. The American family rejoice on completing the story that America is at peace.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of His Last Dollar perfectly mirrors the editorial trajectory of our deep dive.

Princess Fedora Romanoff, a wealthy, beautiful St. Petersburg widow, is betrothed to Vladimir Boroff, a young man of high social position in the Russian capital. On the eve of their wedding, Vladimir is murdered and Princess Fedora, transformed by the tragedy from a gentle, loving woman into a tigress, vows to devote her life to finding and punishing the slayer of her beloved. Her quest takes her to New York City.

Dir: Frank Powell

Wealthy Wall Street broker Thomas Maughm finally decides to divorce his spendthrift and reckless wife, and dictates a letter to that affect to his stenographer, Mary Moreland. While dictating the letter, he realizes that he is actually in love with Mary; when he tells her this, she confesses that she loves him, also, The pair make plans to meet in Boston later that night, but before Mary leaves, Maughm's wife confronts her and tells Mary that she still loves her husband. Ashamed, Mary convinces Maughm to go back to his wife. Complications ensue.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of Motherhood perfectly mirrors the editorial trajectory of our deep dive.

Driven from Russia by the persecution of the police, who had caused the death of his wife, was Ivan Pavloff, a Nihilist, accompanied by his two infant twin daughters Olga and Nina, en route to America in search of freedom. During the voyage Pavloff becomes acquainted with Mr. and Mrs. Victor Karenin, wealthy Russians returning from a tour of the Continent, and who had lost their only child while abroad. Mrs. Karenin becomes devoted to Pavloff's little daughter, Nina, and offers to help Pavloff when they arrive in America if he is unable to secure work. After becoming located in America, Pavloff finds that he cannot obtain employment, and goes to the Karenins to seek their aid. He consents to their proposition that they adopt Nina as their own child. Twenty years pass. Pavloff, now an American leader of the Nihilists, has won fame as a writer on Nihilism. His daughter, Olga, now educated, assists him in his work. Olga, through a newspaper discovers that her sister, Nina, is soon to marry John Huntington, connected with the State Department at Washington. As time passes Olga's father is induced to return to Russia and assist in the destruction of Savaroff, Chief of Police. The following day Olga and her father take solemn oath to revenge the death of her mother, and in order that they may not be discovered, or in case of arrest, that one or the other may reach Russia, and thus escape to fulfill their oath, they travel over different routes. They meet in Russia at the appointed time and place and become affiliated with the Nihilists. Back in America John Huntington has received an appointment to the diplomatic post in Warsaw. He pleads with Mr. Karenin to permit the marriage of his adopted daughter, Nina, to himself before he departs for Warsaw. Karenin objects, saying that he has arranged for Mrs. Karenin to tour Europe for the sake of her health, and he wishes Nina to accompany her. But upon their return he will consent to their marriage. A few weeks after Mrs. Karenin has sailed, Huntington receives final notice of his appointment and sails for Warsaw. At a meeting of the Nihilists, held at their headquarters in the Lamond Chateau, final arrangements are made for the killing of the chief. One of Savaroff's spies learns of the meeting and notifies him. The soldiers make a raid on the chateau. Pavloff and Olga are captured. Savaroff tries to secure the secrets of the Nihilists by torturing Pavloff with the horrible death rays. Pavloff refuses to reveal the secrets. Savaroff attracted by Olga's beauty agrees to save her father if she will give herself to him for the night. She finally consents and Pavloff is rewarded. Olga goes to Savaroff's home and awaits his arrival. While there she overhears a conversation between Savaroff's secretary and the Assistant Prefect of Police, and learns that her father has died. Savaroff enters, and she asks him what has become of her father. He tells her that he has recovered. During a struggle in which she pretends to appreciate his embrace, she slabs him to death with a knife. Savaroff having previously given instruction to the guards to permit Olga to leave the palace unmolested, she escapes easily. She goes to the Bristol restaurant, the rendezvous of the Nihilists, to meet Gaganov, a comrade. The same evening, John Huntington, having arrived in Warsaw to undertake his duties at the American Consulate, goes forth on pleasure bent, and drops in at the Bristol restaurant for refreshments. He is recognized by Olga as her sister's fiancé. It immediately occurs to her that if she can convince him of her peril he will aid her to escape to America. Huntington sees her, and knowing that Nina is in Europe, mistakes her for his sweetheart and rushes over to greet her. Instantly she conceives of a scheme to get out of the country without trouble, and permits Huntington to believe that she is Nina. Through this misidentification they escape to America. Meanwhile in Paris, Nina and her mother having failed to locate Huntington, decide to return to America before the holidays. In Warsaw the police are making every effort to locate Olga and send detectives, one to Hamburg and one to Paris. Petrovitch, the spy of the Russian police, on arrival in Paris, mistakes Nina for Olga. He determines to follow her to America and avenge the death of his cousin Savaroff. Amazov, the Hamburg detective, having lost the trail, proceeds to America in the hope of doing his duty after locating Olga. As the story ends the real destroyer of Savaroff pays the penalty, while Nina and her sweetheart are reunited in eternal happiness.

Dir: Frank Powell

James Wadsworth sets his sights on lovely society girl Anna Dalton and determines to marry her. To achieve that goal, he follows her everywhere she goes, including on a ship to South America. He comes up with a plan to make her love him: he throws her overboard, follows her over the side, and swims with her to a deserted island. His somewhat unorthodox method works and he wins over Anna, but problems arise when Richard Towne, Anna's fiancé who has been searching for her, finds the island and discovers the two.

Dir: Frank Powell

Mrs. Balfame is the social leader of the small town of Elsinore, and David Balfame, her husband, is the political leader, a drunken loutish man his wife has hated during their sixteen years of married life. While attending a club meeting Mrs. Balfame listens to a speech by Dr. Anna Steuer, her friend, stating that many of the women on the other side are glad to be rid of their beasts of husbands who made war possible. Later in her home Dr. Steuer shows Mrs. Balfame an untraceable poison. With these two facts in her mind, and urged on by a disgraceful scene at the Country Club caused by Mr. Balfame's drunkenness, Mrs. Balfame decides to kill her husband. Meanwhile, Mr. Balfame has wandered into Old Dutch's saloon and insults the proprietor and his son, Conrad, and also arouses the ire of a tough young man who is dancing with a girl. Discovering that he must go to Albany on political business he phones Mrs. Balfame and asks her to fix him a bracer and pack his grip. She replies that a glass of lemonade and aromatic ammonia will be left on the table for him. Mr. Balfame, still drunk, then starts for home, followed by the young man from Old Dutch's. Mrs. Balfame make a glass of lemonade, putting in the poison, and places it on the table. Then, discovering a man lurking on the grounds, she takes a revolver and hurries out to scare him off. Frieda, the maid of all work, sees Mrs. Balfame leave the house. As Balfame nears the house there is a shot and he falls. Mrs. Balfame rushes in and, still watched by Frieda, pours out the lemonade and rinses out the glass. On the testimony of Frieda and Conrad Mrs. Balfame is arrested, charged with her husband's death. Dwight Rush, a young lawyer who has long been in love with Mrs. Balfame, represents her. Mrs. Balfame does not love Rush, but promises to marry him if he obtains her freedom. Alys Crumley, a young artist, is in love with Rush, and through her jealousy of Mrs. Balfame tells of the conversation she overheard in which Dr. Steuer told Mrs. Balfame of the poison. Dr. Steuer is called as a witness, but is sick in a hospital, and from her dying bed makes a confession that she shot and killed Mr. Balfame because she could no longer see her dear friend abused by the brute. Rush finds his love for Mrs. Balfame has been diminishing as his interest in Alys is strengthened, but goes to claim Mrs. Balfame after the acquittal. Realizing the disparity in their ages, she sends him to seek happiness with Alys Crumley.