Visionary Picks In Alignment with the style of Bajirao Mastani: Cul...

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

Dir: Rolf Raffé

A visual fragment from the archive: The thematic resonance of Das Schweigen am Starnbergersee perfectly mirrors the editorial trajectory of our deep dive.

The fateful last days in the life of King Ludwig II of Bavaria.

Dir: Maurice Elvey

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: Wallace Worsley

A visual fragment from the archive: The thematic resonance of The Tavern Knight perfectly mirrors the editorial trajectory of our deep dive.

An orphan boy from the Kentucky hills joins the Union Army and rescues his adopted family from Morgan's raiders. He learns his real identity when he returns after the war.

Dir: John W. Brunius

Historical drama which features Gösta Ekman as the dashing rogue who steals the heart of the ethereal Mary Johnson.

Dir: B.A. Rolfe

A visual fragment from the archive: The thematic resonance of The Little Shepherd of Kingdom Come perfectly mirrors the editorial trajectory of our deep dive.

In the Roman Coliseum, at the beginning of the Christian era, the Emperor Turnerius, accompanied by his favorite, Nerissa, watches the bestial games in the arena. His son Gordian is asked by Grimaldo the magician to save the life of a Christian girl about to be thrown to the lions. He refuses, whereupon Grimaldo prophesies the fate of the Empire by telling the prince a story of the future: Two thousand years hence, in New York, a parallel situation takes place in which a young man is led to put a stop to the base plans of his father. The prince is so deeply affected by the injustice of the story that he plunges into the arena to save the girl, causing the emperor to die in a fit of rage, thus precipitating the coronation of his son as the new emperor.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

Dir: Frederic Zelnik

A visual fragment from the archive: The thematic resonance of En lyckoriddare perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Oswald

The dramatic story of Lady Hamilton's rise and fall in European society during the 1700s and early 1800s, including the romantic love story with Lord Nelson.

Dir: Arthur Günsburg

A fascinating piece of cinema that shares thematic elements.