Recommendations
Senior Film Conservator

The evocative power of Be Big! (1931) continues to haunt audiences with its unique vision, its status as a United States icon makes it a perfect starting point for discovery. The following gems are essential viewing for anyone captivated by Be Big!.
The visceral impact of Be Big! (1931) stems from to serve as a cornerstone for Short enthusiasts worldwide.
In order to secretly attend a stag party in their honor, the boys urge their wives to travel ahead alone on a jointly-planned Atlantic City vacation by invoking Oliver's fake migraine as an excuse to remain behind.
Critics widely regard Be Big! as a cult-favorite piece of Short cinema. Its unique vision is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique unique vision of Be Big!, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: James W. Horne
A fascinating piece of cinema that shares thematic elements.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: James W. Horne
Although she loves Clive, a young lawyer, Margaret weds Deering to save her father from financial ruin, while passing years bring fame to Clive and result in his being elected district attorney, the man cannot forget Margaret. Deering conducts a magnificent gambling establishment in his mansion. His conduct toward Margaret causes her to hate him. In the meantime, having promised to break up the ring, headed by Garvin, which is protecting the gamblers, Clive arranges a raid upon the Deering establishment. Due to a leak, however, this raid comes to naught. While in the mansion, Clive comes face to face with Margaret. Deering watching the two, sees their old love well up anew. It causes the man to become more brutal than ever to his wife. The district attorney discovers his secretary to be the source of the leak which had frustrated the raid. A second raid proves successful. Before this takes place, Clive dispatches a note to Margaret urging her to leave before his men arrive. Deering, believing his wife had known of this raid all along, is wild with rage and attempts to kill her. This is frustrated and the gambler is arrested. He later makes a sensational escape and returns to his mansion in time to see Ramon, his partner, rifling the secret safe containing their funds. After mortally wounding the man, Deering attempts to kill Margaret. Dying, Ramon summons Clive and the police. The latter come just in time to save the woman. Again Deering tries to escape, but this time he meets his death in leaping from a balcony.
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Dir: James W. Horne
A series of 25 2-reel Western thrillers in which a cowgirl aids the cause of justice and humanity in the Old West, often aided by her fiancé and her rancher father. Each episode tells a complete story in itself.
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Dir: James W. Horne
Young clubman Bob Gilmore is called by telephone to his home, where his parents are giving him a birthday party. He overhears one of the male guests make a slurring remark about his mother's appearance, and punishes him right there, throwing the entire gathering into an uproar. Later in the evening he assumes guilt for a check which had actually forged by his foster father, in order to save the mother's feelings, but obtains a written confession from the guilty man for future use if necessary. Learning that he had been adopted from a foundling asylum in infancy, Bob decides to go to New York to see if he cannot learn his real name, which he understands begins with "Mor." He disguises himself and enters many homes, attired in evening clothes, and is soon known to the police as "The Midnight Man." In the meantime he has come into contact with members of the White Circle gang, and has many close physical encounters with them.
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Dir: James W. Horne
Adam, the proprietor of a country hotel, loses his heart to Nell, a soubrette. Unknown to the old man, the girl and his son Jack were formerly sweethearts, but had quarreled because of her refusal to leave the stage. Knowing of Adam's love for Nell, Mason, the leading man, and Eppstein, the manager, induce him to finance the show. This is on its last legs. The members of the company stop at Adam's hotel while in Preston and thus Nell meets Jack again. Upon her refusal to give up the stage, Jack angrily leaves her. When the show departs early next morning, Adam goes with it. Nell is fascinated by Mason and the latter plays her against Clara, who also fancies she loves him. Nell does not know that it is Adam's money which is backing the show. When she does discover the manner in which the old man is being fleeced, she promptly declares her intention of quitting the company. The conspirators vainly plead with the girl. Desperate, Mason and Eppstein kidnap Adam and wire Jack in the old man's name asking him to telegraph $600. His suspicions aroused, Jack determines to investigate. In the meantime, Nell has discovered Adam's predicament. Securing assistance, she rescues him just as Jack arrives. In gratitude, Adam advances enough money to send all the members, with the exception of the plotters, home. Nell, sick of the stage, returns to Preston with Jack and his father. The latter learns of their love affair, and concealing his own love, gives them his blessing.
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Dir: James W. Horne
In the Australian outback, a young woman falls for a dashing bandit known as Stingaree, who is actually a wealthy Englishman cheated out of his fortune by his greedy brother.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
View DetailsAnalysis relative to Be Big!
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Amazing Quest of Mr. Ernest Bliss | Gritty | Linear | 86% Match |
| The Bull's Eye | Surreal | High | 90% Match |
| In the River | Gritty | High | 92% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| The Pitfall | Gothic | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of James W. Horne's archive. Last updated: 5/22/2026.
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