Top-Tier Alternatives Exploring the Legacy of Beauty and the Bad Ma...

Dir: William Worthington

In childhood Cecile and Felix were playmates. Felix was gifted as a violinist and Cecile was fond of dancing. When Cecile's mother died her rich uncle, a domineering Frenchman, adopted her. Felix wandered the country over as a vagrant musician, until after ten years he secures employment as violinist in the orchestra at the opera house in the city where Cecile dwells. Wandering one evening Felix leans over a garden wall to behold a young girl dancing on the green. Having his violin under his arm Felix begins playing a measure, attracts the girl's attention and in the end they recognize each other as childhood sweethearts. The crabbed old uncle comes in search of the girl, and upon discovering the unconventional conduct of the young folks, strikes the girl with his cane and orders Felix from his grounds. Cecile rebels and leaves the grounds with Felix to begin living with him without the formality of marriage. There are weeks of happiness for Felix and Cecile, until the uncle demands of the police that they arrest Felix for unlawful practices and restore the girl to her guardian. At the opera house Cecile has met the director of the orchestra, who compliments her upon her dancing and flatters her vanity by declaring she should go to Paris as a premier dancer in the opera. When Felix is thrown into jail the uncle takes Cecile home with him. The girl takes advantage of an opportunity, and goes to Lecoq, the orchestra director, and begs him to take her to Paris. Lecoq has that day had an offer to become director at the Paris Grand Opera, and the girl conceives the idea of helping Felix from his predicament by effacing herself from the situation. To Paris she goes with Lecoq and the officials liberate Felix. With heavy heart the musician buries his grief in composing an opera. When the score is completed he sends his manager to Paris with the work. Lecoq is interviewed and discredits the value of the composition, but says he will present it to the management. Months pass and Felix hears nothing from his opera. He goes to Paris for the purpose of investigating. That day Felix arrives at the Paris Opera House. Lecoq is hailed as the author of a new opera. The premier of the ballot is advertised as Mlle. Genze. Felix goes that evening to the opera, discovers that Lecoq has stolen his composition, and also sees in Mlle. Genze the Cecile who deserted him and thereafter left him uninformed. Forcing his way to Mlle. Genze's dressing room, he finds her prostrated from an injury to her ankle that will keep her forever from dancing. Denouncing the girl Felix forces Lecoq to publicity admit his plagiarism. He then retires to seclusion crowned with the laurels of genius. Cecile languishes with a broken heart. Her physician learns her story, prevails upon her uncle to take her once more into his home, and when the girl still shows no sign of recovery, the uncle goes to Felix and tells him that Cecile lingers at death's door because of a broken heart. Felix forgets everything but his love for Cecile, goes to her and there is a blissful reunion.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of The Illustrious Prince perfectly mirrors the editorial trajectory of our deep dive.

The Japanese Prince Maiyo is in London to avenge the death of his father who years earlier committed hara-kiri because he had been financially ruined by an English swindler. The Prince warns his friend, the Duke of Devenham, that the Count de la Mar is attempting to seduce the Duke's bored American wife, and then is told by his servant Soto that the Count is the man who killed his father. During a foggy night, the Count, planning to elope with the Duchess, is killed in a taxi with the sword that the Prince's father used to kill himself. Although the American sister of the Duke, Penelope Morse, who loves the Prince, pleads with him to leave before being arrested, he will not perform such a cowardly act. After Soto confesses murdering the Count because he wronged his daughter years ago, the Prince is freed, but because of the racial barrier, he bids a sad farewell to Penelope and leaves.

Dir: William Worthington

Howard Dana and his partner in adventures, Olga Veloski, discover that Sam Brockton, millionaire from the west, has arrived in town and they arrange to fleece him. They plan an old confidence game and locate the scene in one of the residences of wealth, knowing that the occupants of "Millionaire's Row" are spending the summer at various resorts. Agnes Darling and her father come to town for a day or two from their summer home in the mountains. Mr. Darling's automobile breaks down and as Brockton passes, he offers his services to help make repairs. In this way he discovers that Agnes is a charming girl and falls in love. The incident has been observed by Olga and her accomplice and when the repaired automobile drives away, Olga attracts Brockton's attention. She tells him that if he will come to her home the next day she will introduce him to Agnes, who is supposed to call at Olga's residence. Olga and her accomplice manage to avoid the caretaker in the house they have selected for their work. At the appointed time Brockton arrives and through an old confidence game he is robbed. The scene of the robbery happens to be the town residence of the Darlings. Just as the trick is being turned, Mr. Darling and Agnes arrive at their home. Upon entering the house, the Darlings are amazed to find that the house has been entered. They come upon Brockton, who is so frank and interesting in his explanation that he ingratiates himself with Agnes and her father, and they invite him to their country home. The two sharpers escape and join another member of the confidence gang, a crook known as "Dippy" Lewis. When Olga observes a striking resemblance between "Dippy" and Brockton, she decides to use the crook to an advantage. Olga overheard the invitation Brockton had received from the Darlings and dresses "Dippy" to resemble him. She sends him to the mountains and he is received by the Darlings. "Dippy's" criminal instincts lead him to commit several robberies among the hotel guests, and when Brockton arrives he finds himself under suspicion. He is puzzled at Miss Darling's conduct toward him. Olga has directed members of her gang to chloroform Brockton and dispose of him in a cellar, that he may not by any mischance reach the mountains before "Dippy" Lewis arrives there. The striking resemblance between the two mislead the toughs and they chloroform "Dippy" and confine him in a cellar. Agnes is perplexed at the strange transition in Brockton's manner, for he really is of a gentlemanly type in strong contrast to "Dippy," whom the girl had previously mistaken for him. The Darling family decide to return to the city and invite Brockton to call upon them there. Olga hears of this and plans to have "Dippy" again impersonate Brockton. When Olga attempts to locate "Dippy," she discovers that he is a prisoner. Before she can have him released, Brockton makes his visit to the Darlings, a fact of which Olga is not aware. Thus it is that she goes on with her plans, sends "Dippy" to call at the Darling home and there the two men meet and settle matters.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of A Stranger from Somewhere perfectly mirrors the editorial trajectory of our deep dive.

When Sasamoto commits treason during the Great War to pay off gambling debts, his twin brother Yamashito assumes his identity and tracks him down.

Dir: William Worthington

Stuart Adams, the advance-agent for a traveling burlesque troupe, arrives in Weston, Illinois, his hometown, to publicize the coming show, "The Girl and the Garter". The Purity League, led by banker James Richards, the father of Stuart's sweetheart Hazel, attempts to stop it from opening. After kissing Hazel in public - thus outraging the League members - Stuart builds curiosity about the show by having the newspaper print Richards' admission that he viewed it in New York "to see how shocking it was". He also attaches a banner which advertises the show to Hazel's roadster during a Purity League parade. After Stuart challenges Richards to a debate, Stuart helps detective Vera Vincent, whom he met on the train, capture two crooks trying to rob Richards' bank. During the debate, Stuart, knowing that the show has been canceled, offers to end the bickering by withdrawing the show. Richards then insists that Stuart, who plans to meet Hazel at the train station to elope, come to dinner. Fortunately for Stuart, Hazel had been locked in her room by her aunt, and is still at the house.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of Bonds of Honor perfectly mirrors the editorial trajectory of our deep dive.

Wanting her sweetheart, Judd Minot, a Maine fisherman, to develop his sculpting talents, Mary Garland encourages him to accompany art connoisseur Henry Bliss to New York City. Once there, Judd forgets Mary and becomes smitten with Bliss's attractive daughter Myrna. Although he wins fame as an artist, the party society life he leads with Myrna causes his work to suffer. When Mary learns of Judd's stagnation and fast style of living, she rushes to New York to rescue him. When he sees her, Judd realizes that Mary is the prime inspiration for all his statues and renews his love for her.

Dir: William Worthington

Monty Gray returns to the US after spending 10 years building railroads in China. As he enters a hotel he runs into an old friend from college whom he hasn't seen in years, and they begin catching up on old times. Monty notices a picture of a young woman that his friend is carrying and, bowled over by her beauty, he instantly falls for her. However, his friend tells him that he doesn't have a chance in a million of meeting the girl, who happens to be his cousin, because her mother rules the girl's life with an iron fist and is determined that she will marry royalty and not some untitled commoner. Monty is determined to have the girl, and devises a plan to win her.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of The Clean-Up perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William Worthington

A young man trades places with a lookalike boxer and learns to fight for what he wants.

Dir: William Worthington

Jeffrey Wall, the dissipated grandson of a wealthy man, requests that a farewell party be given in his honor before he is disinherited. During the wild banquet, a Mexican dancer assaults Mary Drew and then shoots a man, but suspicion is cast on Jeffrey. At the death of her father, Mary is called home to her little village on the Mexican border but is followed by the lecherous dancer, who soon becomes the head of a gang of bandits. Jeffrey traces him and learns that the outlaws have taken control of a small rancho, shot its owner and kidnapped Mary. Jeffrey visits the rancho disguised as a ghost, and as the outlaws are fleeing in terror, the sheriff and his men arrive and arrest them all. Wall, Sr., pleased with the improvements in his son's character, comes West to bless the marriage of Jeffrey and Mary.