Visionary Picks Drawn from the Same DNA as Beyond the Border: Cult ...

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Devil's Riddle perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Scott R. Dunlap

Impresario Thomas Sullivan arrives in Ossawatomie, Kansas, to debut a new musical show written by native talent Gene Harris. Sullivan hires singer Millicent Lloyd, who auditions with a song written by her boyfriend, local bookkeeper Brian McBride. The impresario takes Millicent to New York City, where she becomes a famous singer. Brian arrives in the city with a new opera but keeps his presence secret from Millicent until he has achieved notoriety. Unable to complete an opera of his own, Harris steals Brian's work and presents it to Sullivan, who casts Millicent in the lead role. With the help of music publisher Gus Hertz, Brian exposes Harris and reclaims his composition. He and Millicent are reunited, and the opera goes on to great success.

Dir: Scott R. Dunlap

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Gerald Faulkner, a young tin-can salesman, has fallen for sexy chorus girl Carlotta La Mere One day Gerald's wealthy uncle Dunley makes him an offer: if he gets married by the following Saturday, Dunley will give him $100,000. Gerald rushes to propose to Carlotta, who agrees. However, the day before the wedding she asks for a postponement. Complications ensue.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Scott R. Dunlap

A visual fragment from the archive: The thematic resonance of Words and Music by - perfectly mirrors the editorial trajectory of our deep dive.

Samuel Blevins, Jr.'s farm work suffers while he pursues a correspondence course on newspaper reporting. After he leaves the family farm and goes to the city, editors all turn him down until Ethel Williams, the author of the "Advice to the Lovelorn" column, who helps him with his style, recommends him to her managing editor. The Sunday Magazine editor, who loves Elinor, tries to ruin Sam's career by giving him the difficult task of writing a feature article. When Sam fails to think of a good story, Ethel, who now loves him, tells of the lost Princess Marie of Burvania, who is hiding in the United States. Sam's story causes the Archduke of Burvania to search for Marie, who is really Ethel, and after she is persuaded to return, Sam rescues her from a trap. He awakens to discovers that the story is a dream, writes another which is a success, and finds happiness with Ethel.

Dir: Scott R. Dunlap

Weak willed Gerry Sands, who wants to become an editor, is forced by his employer, locksmith Nick Barket, to crack safes, until, during a robbery, he reads some words from a dropped copy of Hamlet , and stops. Overjoyed, his sweetheart Polly Ann Kerry, gets him work at the hotel where she works, but Red Devlin, the brains behind the burglaries, frames Gerry for theft. Devlin bails him out, hoping he will return to safe-cracking, but Gerry leaves town and becomes a typesetter for a Western newspaper. After Polly exposes the crooks, she becomes ill from grief at not hearing from Gerry. Gerry returns and, risking arrest, goes to the police station to locate Polly. The police captain, who loves Polly, but realizes that she loves Gerry, gives him twenty-four hours probation to find and marry her. After he finds her, she thinks that he wants to marry her to escape jail, but the police captain vouches for Gerry's integrity, and they marry.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.