Editor's Top Picks Following the Footsteps of Black Sheep: Cult Guide

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of Follow the Girl perfectly mirrors the editorial trajectory of our deep dive.

Orphan Hilda Swanson's prayers are answered when a Swedish-American colonization company agrees to send her to America. Aboard the steamer, she meets Olaf, a young Swede, and Donna, an enemy courier who is posing as a passenger. Learning that the secret service is on her trail, Donna sews secret documents into the hem of Hilda's skirt. She then sends a wire to her comrade Felix Martinez, notifying him to intercept the Swedish girl. Hilda and Olaf innocently evade Martinez and are sent West by representatives of the colonization company. Missing their train at a stopover in cattle country, they are taken in by Larry O'Keefe, a big-hearted rancher. Martinez finally tracks them down and arranges to have Hilda kidnapped by some Mexican cattle thieves who take the girl to their hut, only to discover that she no longer possesses the papers but has given them to O'Keefe. Hilda escapes and meets Larry who has been searching for her. Meanwhile, Donna, unaware that she is being trailed by secret service agents, arrives at the O'Keefe ranch. The agents arrest both Martinez and Donna, and as Hilda hands over the papers, the agents assure the Swedish girl that she has done a great service for her new country. Larry then offers to marry Hilda, thus making her an official American citizen.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Judge Grant sentences Paul Rogers to jail on circumstantial evidence, Paul's sister Lena swears revenge. A few years later, Judge Grant becomes a corporation attorney for a large firm. In collusion with the owners, Grant embezzles the firm's profits, thus forcing the value of the stock down and creating favorable conditions for a takeover. Lena, on the pretext of making an investment, meets the judge, who falls in love with her. Lena uses his infatuation to discover that the judge himself stole the money. Meanwhile, Lena has fallen in love with Tison Grant, a newspaper reporter and the judge's brother, and after they are married, she informs Tison of his brother's treachery. Tison threatens to give the story to the papers, but before he can, Paul is released from jail, kills the judge, and is wounded in the scuffle. Lena takes the blame for the killing but is freed from suspicion when Paul confesses before he dies.

Dir: Louis Chaudet

Hoop-La, the beautiful star of Minor's Mammoth Circus, a one-ring affair which tours county fairs and small towns, delights crowds with her bare-back riding, trapeze acts, and clowning. Reared in the confines of the circus by Old Toodles the clown, in accordance with her father's dying request, Hoop-La naively accepts the attentions of good-looking Joe McGee, a cheap horseman, after winning a race for him as a jockey. Tony Barrows, the foppish scion of a wealthy family, falls in love with Hoop-La, but she resents his snobbery and makes faces at him. When Hoop-La learns that her father was wealthy, she secretly marries McGee to save herself from a dull society life, but when she discovers McGee's true character, she promises to keep him supplied with money if he leaves. After Hoop-La goes to live in her own luxurious home, McGee plans to make the marriage known and live with her, but he dies in a tent fire caused by his own drunken debauchery. Hoop-La marries Tony, who has matured and come back from the war.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of Society's Driftwood perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Louis Chaudet

Kid Allen, the daughter of Mate Allen, a drunken ex-sailor, waits every night to take Mate home from a saloon. After Mate beats up saloon owner O'Keefe for trying to kiss Kid, O'Keefe kills Mate. Kid shoots and kills O'Keefe, and then leaves on a pony to get "a education," which her father wanted her to have. When she falls and sprains an ankle, Joe Emory, a sheep herder, nurses her and they fall in love, but she continues her journey. At a university town, cow puncher Nick Horton escorts her to the school, where he fights the president and some students, after being told that Kid is not ready to enter. The president stops Kid and Nick from being arrested, and puts Kid in a boarding school, but after she learns that school will last for seven years, she returns to Joe. As they kiss, they fade into a statue of Cupid embracing Psyche.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of Hoop-La perfectly mirrors the editorial trajectory of our deep dive.

A girl nicknamed "The Weed" lives with her foster parents in their mountain cabin and frequently visits a nearby health resort to sell milk and eggs. On one of her excursions, she befriends a cantankerous old millionaire, George Bassett, who later bequeaths to her his entire estate. Ralph Long's car plunges down an embankment, and he is dragged from the wreckage and looked after by the Weed, who soon captivates him with her charm and ingenuousness. While he is in the hospital, however, the lecherous Kenneth Stewart snaps a photo of the girl swimming in the nude in a mountain pool and hangs an enlargement of it in his club. He once attempts to enter her room but she bolts him out. Through a neighbor, Ralph learns that Stewart is actually the girl's father, whose abandonment of his wife soon after the Weed's birth led to the woman's death. Ralph confronts Stewart, and the latter, deeply ashamed, leaves town. Ralph resolves to keep the truth from the Weed and proposes to her.

Dir: Louis Chaudet

As an infant, Ruth Drake was stolen from her father by her vengeful mother, and then abandoned. She was adopted and raised by a pawnbroker, and as a young woman joins the Salvation Army in order to help the kinds of people she has seen--and was--growing up. When war breaks out in Europe, she volunteers to go to France, and there meets a young man who has had an affair with a prominent actress. When Ruth and the man return to the US, the actress is outraged that her former boyfriend is now seeing Ruth, and sets up a scheme to frame Ruth for a robbery. However, during the trial certain facts come out that shock everyone.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.