The Recommended Vault Deeply Connected to Bound and Gagged: Cult Guide

Dir: George B. Seitz

A crooked lawyer who is the head of a crime syndicate tries to prevent the operation of the ships owned by the heroine. Hutch comes to her rescue.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of Wild Horse Mesa perfectly mirrors the editorial trajectory of our deep dive.

Desperate for money, a rancher decides to trap and sell wild horses, using barbed wire. The local Navajo tribe tries to persuade him not to do it.

Dir: George B. Seitz

A beautiful young woman is a daring master thief. She meets the young millionaire Thomas Babbington Norton, while fleeing from the scene of her latest theft.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of The Lightning Raider perfectly mirrors the editorial trajectory of our deep dive.

Episode 1: "The Violet Diamond" Pearl Standish, bored with society and longing for excitement, is held up by a masked man who demands the violet diamond of The Daroon. He tells her that her father bought the diamond from a villainous priest in Arabia who stole it from its rightful owner. The masked man, Nicholas Knox, has been given three days to recover the diamond or die at the hands of the Secret Order at the head of which is a priestess who stops at nothing to gain her end. The only man that might know something about this diamond is Richard Carslake, her father's former secretary. In spite of the knowledge that her father and he had a disagreement, she requests him to give her what information he has concerning the violet diamond. Just then Knox enters, Pearl points to him and says, "There is the man who has the gold setting in which the stone belongs." Immediately Carslake moves toward the door. Locking it and drawing his revolver, he demands the setting for the diamond. Searching Knox he finds the setting and is about to escape when through the window comes the priestess, accompanied by two of her spies, who sneak behind Carslake and knock the revolver from his hand. In the struggle which follows, Knox recovers the setting. After a struggle Carslake escapes and Pearl finds herself alone with Knox. Wishing to know the identity of the mysterious woman who helped him, Pearl asks Knox. "I can tell you nothing," is his reply. "Well then if you can tell me nothing, I want you to hand over that apparently much-valued setting for the violet diamond," Pearl assures, covering him. Assisted by her butler, Pearl secures this setting, but the spies come to Knox's assistance again and Pearl is attacked by an Arab. In a struggle with him on the stairs, she is hurled over the rail but catches on to the chandelier and falls to the floor. Knox is finally overpowered by the butler. Standing by a window, Pearl discovers a knife stuck in the wall. Pearl pulls this knife from the wall and discovers a note on it. "Fifteen days are allotted to you to return the violet diamond or die," it reads. "What is this mysterious diamond, the possession of which means such dangers?" is the question which will bring audiences back for the next chapter.

Dir: George B. Seitz

A young heiress of an American gun factory is threatened by a masked man after her father was murdered. This criminal might be a member of her family or a German agent, who wants to get information about the factory's products, perhaps his mystery has a combined solution - we will probably never know...

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of The Fatal Ring perfectly mirrors the editorial trajectory of our deep dive.

Episode 1: "The Lost Torpedo" Craig Kennedy's marvelous invention, a super-force torpedo to revolutionize warfare, has been stolen. Kennedy himself has disappeared, although Elaine has a note from him begging her not to grieve whatever happens, for he is safe. And then, one night, on a barren strip of land jutting out into the Atlantic, a fisherman, concealed behind a rock, sees the periscope of a submarine rise; sees a man's head and shoulders rise seemingly out of the sea, and sees a pair of athletic arms strike out bravely for the shore. That night, at a hotel in New York, a distinguished-looking foreigner, much resembling the man who seemed to rise up out of the sea, is shadowed by a fussy old gentleman resembling the fisherman of the coast scenes. The foreigner goes out and the fussy old gentleman goes to his room, where, after a short, sharp struggle with a valet, he searches through all drawers and papers. One paper he pockets with glee, and then departs. Elaine and Jameson are visited by the distinguished-looking foreigner who tells them he is a secret service agent from Washington, and begs to get information with regard to Kennedy and the lost torpedo. Elaine's dog, digging with its forepaws in a pot of palms, unearths the lost torpedo and carries it to the attic, where he drops it behind a trunk. The torpedo's propeller, however, has been left in the palm-pot. where Marcius Del Mar, the foreigner, finds it. Elaine is suspected by him of having concealed the torpedo. The fussy old gentleman, in Del Mar's tracks since he left his rooms, is an interested spectator. He is unaware that Del Mar has spies guarding the house, and is set upon by them. Rushing madly into the conservatory, he faces Del Mar. Both draw their guns, but the fussy old gentleman fires first. His gun is loaded with bullets containing an overpowering gas. Both Del Mar and Elaine fall suffocated to the floor. How the fussy old gentleman escapes is a fitting climax to this episode.

Dir: George B. Seitz

A fascinating piece of cinema that shares thematic elements.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of The House of Hate perfectly mirrors the editorial trajectory of our deep dive.

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: George B. Seitz

A fascinating piece of cinema that shares thematic elements.

Dir: George B. Seitz

Impoverished by the Civil War and eager to replenish his fortune in the West, Colonel Halliday, his wife, and his daughter, Beth, proceed toward Salina, Kansas by wagon train, at the persuasion of Tom Kirby, a government scout and Beth's fiancé. Although Bill Hickok, Tom's friend, and a company of cavalry are in charge, Pawnee Killer, chief of the Sioux, attacks the wagon train, and Halliday and his wife are killed. Bill rides to Salina for help and to deliver the news to Buffalo Bill Cody. Beth, now hostile to Kirby, joins the household of Lige Morris, a trader in Salina, and, at the suggestion of Bill, Kirby joins General Custer's scouting expedition. Lige tells Beth that Kirby is suspected of being in league with Pawnee Killer, but she learns from the post adjutant's daughter that he loves her. Beth seeks out Kirby just as the Sioux stampede a herd of buffalo through the town, and together they find refuge. Custer gives battle to the Indians, Pawnee Killer slays Lige, and the lovers are reconcile.