Editor's Top Picks Sharing the Atmosphere of Broken Fetters: Cult Guide

Dir: Rex Ingram

Julian Randolph, a dishonest attorney whose specialty is furnishing phony jurors, is offered a judgeship if he clears Clifford Nordhoff, the brother of powerful politician "Boss" Nordhoff, of a murder charge. With the aid of his usual tools, Randolph succeeds and is given a position on the bench. Here he is expected to obey the commands of the men who secured his appointment, but Ranoldph falls in love with Laura Nelson, a girl of upstanding social position, and resolves to follow the straight path. He breaks off with Roxana Frisbee, an adventuress who had assisted him in his shady schemes, and refuses to hand down a decision in favor of the political machine. In the end, Randolph upholds justice, wins Laura as his wife, and has the gratification of seeing Roxana also go straight.

Dir: Rex Ingram

A visual fragment from the archive: The thematic resonance of The Day She Paid perfectly mirrors the editorial trajectory of our deep dive.

Pretty Manhattan model Marion Buckley receives a marriage proposal from Warren Rogers, a wealthy department store owner, but is reluctant to accept it because of her affair with her employer Leon Kessler, who promised to marry her. Kessler agrees to keep quiet about the affair and Marion Buckley. All goes well until one day Kessler visits the couple and proposes marriage to Rogers' teenage daughter Ardath. Knowing that her husband knows nothing of she and Kessler's history together, Marion tells him of her previous affair with Kessler, with disastrous results.

Dir: Rex Ingram

Opera goers had never heard such a "Carmen" as Lorelei, the American girl, who had come to Mexico City, almost unheralded, and captivated the town. Francisco De Sarpina, governor of the province, coveted the girl, and with his power was able to sweep aside all opposition. Marion Leslie, an American sculptor, had rejoiced when he secured the commission to supply frescoes for one of the local cathedrals; he could be near Lorelei, his betrothed, during the grand opera season. Rance Clifford is the American consul and his sister, Isable, lives with him at the consulate. When Clifford files a telegram that promises to lead to an investigation of Sarpina's action the American is arrested and thrown into jail. Isable Clifford had at one time relieved the family of Pietro, the jailer. In their distress and thus gained the gratitude of Pietro and his wife. Isable hears of her brother's imprisonment and bribes Pietro to provide Clifford with means of escape. The Cliffords and Leslie are friendly and when Clifford escapes, he goes to the cathedral, to find shelter until he can plan the next move. Isable has consented to pose for a head of the Madonna and Lorelei is needlessly jealous. Lorelei arrives, demands admittance, and during the brief interval Leslie employs to hide Clifford, Lorelei's jealousy is set aflame. Sarpina discovers that his prisoner has escaped. He elicits from the jailer a confession that involves Isable. The cunning Mexican devises a scheme to play upon Lorelei's jealousy by forging a note to the opera singer that implicates Leslie and Isable. The forgery fires Lorelei's jealous passion, and she divulges Clifford's hiding place. Leading the Mexicans to Leslie's home she enters to find Clifford and his sister with Leslie. The situation is explained and Leslie directs Clifford and Isable to a nearby hiding place from whence they ultimately escape to safety. When the Mexicans enter Leslie's home, and find the singer and Leslie the only occupants, Sarpina demands that the whereabouts of his prisoner shall be disclosed. Sarpina's men seize Leslie and torture him when he will not betray the American refugees. Lorelei is a witness to the scene and when she can no longer bear seeing her betrothed punished, she tells where Clifford and Isable may be found. Leslie is ordered to jail, to be shot next morning. When Clifford and Isable cannot be found (because they have fled) Sarpina tells Lorelei that his vengeance will fall upon the head of her sweetheart. Surrendering herself to Sarpina is given as Lorelei's only method of saving Leslie's life. Lorelei dines with the Mexican brute and agrees to render the tribute demanded of her. First, however, Sarpina must deliver to her passports for two and instruct his executioner that only blanks shall be fired at Leslie in his pretended execution at sunrise. Five minutes alone with her betrothed is allowed Lorelei. Returning to Sarpina's apartments Lorelei, during a struggle with the Mexican, stabs him dead. Morning breaks, and Lorelei goes, passports in hand, to the place where her sweetheart lies prostrate upon the ground, cold in death. Shocked beyond human endurance, the singer falls upon the breast of her betrothed.

Dir: Rex Ingram

A visual fragment from the archive: The thematic resonance of The Chalice of Sorrow perfectly mirrors the editorial trajectory of our deep dive.

Brothers Nat and Martin Berry have shared the farm at Shore Acres and attended to the lighthouse on the rocky coast for many years until banker Josiah Blake induces Martin to speculate in oil, lending him the money and taking a mortgage on the farm as security. When Martin loses his money, Blake suggests that he would overlook the debt in exchange for the hand of Martin's daughter Helen in marriage. However, Helen is in love with clerk Sam Warren, and with Nat's help, the couple escape Helen's arranged marriage. Boarding a vessel obtained for them by Nat, they sail out to sea when a storm hits. Martin, enraged by their betrayal, refuses to rekindle the lantern in the lighthouse, and the couple's boat crashes into a reef. The next morning Martin, filled with remorse, discovers the couple clinging to the wreckage, and the family is happily reunited.

Dir: Rex Ingram

Bill Carson is sentenced to 12 years for housebreaking. He vows that he will, upon ending his term, have vengeance upon George Devereaux, the prosecuting attorney whose speech swayed the jury to conviction. Carson's little daughter Peggy is being raised by his pal Skinny McGee; the mother died of shock after Carson's conviction. When Skinny dies, the girl Peggy turns to picking pockets for a livelihood, Skinny having brought her to proficiency in this line as her only education. There is a scene pictured in the board rooms of a reform organization. Devereaux accepts a challenge that he cannot take a criminal and reform him by improved and beneficial surroundings. Peggy is brought into a police station on charge of picking pockets, and is chosen to be the one upon whom Devereaux shall practice his experiment. Taking her to his palatial home, Devereaux seeks for two years to train Peggy in the better way. His efforts are variously successful, and finally a young man proposes marriage to Peggy and is accepted. Upon arriving at the church Peggy discovers that she is in love with Devereaux, and flees from the wedding party in consternation. She decides to return to her old life, and departs from the Devereaux home without making her intentions known. About this time Carson ends his term of imprisonment. He seeks to conclude his vengeance by shooting Devereaux, and for that purpose waits for him to come from his house. Carson is hiding behind a tree, when he is recognized by Peggy and when, on the instant that Carson is about to fire a revolver at Devereaux, the girl throws herself before her father and receives in her own body the bullet intended for Devereaux. The story acquires its ending in the recovery of Peggy, the avowed reformation of her father, and the final picture shows Peggy once more established happily in the home where we are led to believe she will, in legal and ceremonial form, eventually become a permanent resident.

Dir: Rex Ingram

A visual fragment from the archive: The thematic resonance of Shore Acres perfectly mirrors the editorial trajectory of our deep dive.

When a nobleman murders his best friend, a lawyer becomes a revolutionary with his heart set on vengeance.

Dir: Rex Ingram

Pastor Spener, a missionary in Wallos, learns that Captain Gregson has closed his café to prove his earnestness as a Christian. Spener's daughter, Matilda, is in love with a handsome young native chief. Her father favors a marriage with Gregson, who is really a villain. The girl and her lover attempt to journey to his home, but their plans fail, and separation seems inevitable. The captain is killed.

Dir: Rex Ingram

A visual fragment from the archive: The thematic resonance of The Great Problem perfectly mirrors the editorial trajectory of our deep dive.

The captain of a sailing ship has an affair with the wife of one of his passengers, and gets mixed up in a mutiny at sea and a revolution.

Dir: Rex Ingram

After losing his father, a playboy moves in with his miserly uncle, who seeks to cheat him out of his inheritance.

Dir: Rex Ingram

When the king is drugged and abducted by his ambitious brother, a lookalike relative must take his place to keep the evil sibling off the throne.