To teach his fickle daughter, Jacqueline, the dangers of faithlessness, novelist Léon de Séverac reads her his latest story: In maneuvering for the favors of Zareda, a captivating Parisian adventuress, Baron de Maupin sends his son, Ivan, to war and takes the poison he intended for the Marquis Ferroni. Zareda marries the marquis, but she causes him to duel with Ivan, her true love, when Ivan returns.


Rex Ingram’s Trifling Women doesn’t merely unfold—it hemorrhages. From the first iris-in on a wrought-iron balcony overlooking the Seine, the film drips with a liqueur of opium and candle-wax, a narcotic hush that feels closer to Baudelaire than to any Hollywood back-lot. The picture is ostensibly a moral parable abo...

behind_the_scenes

production_art

still_frame

publicity

still_frame

still_frame

still_frame

still_frame


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Rex Ingram

Rex Ingram
Community
Log in to comment.
" Rex Ingram’s Trifling Women doesn’t merely unfold—it hemorrhages. From the first iris-in on a wrought-iron balcony overlooking the Seine, the film drips with a liqueur of opium and candle-wax, a narcotic hush that feels closer to Baudelaire than to any Hollywood back-lot. The picture is ostensibly a moral parable about feminine caprice, yet every frame rebels against that chastity belt: shadows slant like guillotines, mirrors fracture faces into cubist shards, and Barbara La Marr’s Zareda glid..."

Barbara La Marr
Rex Ingram
United States


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Rex Ingram