Recommendations
Senior Film Conservator

The 1933 release of By Appointment Only redefined the parameters of Drama storytelling, the visual language established by Frank R. Strayer is something many try to emulate. Explore the following titles to broaden your appreciation for Drama excellence.
Historically, By Appointment Only represents to synthesize diverse influences into a singular artistic statement.
When a mother dies of heart failure in a doctor's office, the physician--feeling somewhat guilty because he couldn't save her--takes an interest in the woman's young daughter.
Critics widely regard By Appointment Only as a cult-favorite piece of Drama cinema. Its poignant storytelling is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique poignant storytelling of By Appointment Only, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
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Dir: Tod Browning
Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
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Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Colin Campbell
Dr. John Brandon, who cares for charity patients in the slums, is thrown together with writer Norma Ashley when her car strikes a boy whom Brandon treats. Under Norma's influence, and against the wishes of his friend Father Farrell, Brandon leaves the slums and becomes the partner of Dr. Thurston, who, unknown to Brandon, is Norma's fiance. Now prosperous, Brandon flies into a rage when he hears Thurston and Norma ridiculing him, and proceeds to beat Thurston and choke Norma to within an inch of her life. Taking to alcohol and drugs in his grief, Brandon becomes a derelict and goes out West to a mission town, where his loud proclamations of atheism provoke the wrath of a saloon crowd, from which his old friend Farrell rescues him. Farrell, now working in the Western parish, gradually restores the faith of Brandon, who falls in love with Mary Harrison, a blind girl who prays continually for her sight. Brandon performs an operation on Mary's eyes and her sight returns. Norma, who has found Brandon in the parish town, cannot persuade him to return to the city or to leave Mary, who accepts Brandon's love.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Hugh Ford
The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
View DetailsAnalysis relative to By Appointment Only
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Kelly Gang | Tense | Linear | 95% Match |
| The Virgin of Stamboul | Gothic | Layered | 97% Match |
| Into the Light | Gothic | Abstract | 89% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| The Key to Power | Gritty | Dense | 91% Match |
This guide was algorithmically generated using the cinematic metadata of Frank R. Strayer's archive. Last updated: 5/30/2026.
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