Essential Cult Cinema Drawn from the Same DNA as By the Sea: Cult G...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Down the Mississippi perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Mason N. Litson

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

Dir: Henry Edwards

A visual fragment from the archive: The thematic resonance of The Great Cheese Robbery perfectly mirrors the editorial trajectory of our deep dive.

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Bud Fisher

Mutt and Jeff go on strike and make their own film.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.