Rare Cinematic Gems Exploring the Legacy of Chivalrous Charley: Cul...

Dir: Robert Ellis

As heiress to a large fortune, Marguerite is able to satisfy her love for beautiful clothes and a taste for adventure, while confronted by a multitude of schemers and gangsters bent on reducing her to poverty.

Dir: Robert Ellis

After she is hit on the head with a golf ball, Jane Morgan, whose interest in criminals has led her to admire the notorious pickpocket Annie Adams, comes out of a coma believing she is Annie. After her father's influence saves her, when, dressed as a man, she is caught robbing a bank, Dr. Gregory, a specialist, is called in and, to her parents' dismay, he recommends that she be given complete freedom of movement. Gregory then disguises himself as "The Leopard," whose creed of relieving the public of its superfluous wealth, appeals to Jane. When her true sex is revealed during some rough-housing in a Chinatown den, she falls in love with him. After they rob her parents' safe and the Leopard shoots the intruding butler, Jane faints thinking that her love may be electrocuted. When she awakens recovered and learns that the shooting was acted out to shock her to health, she and Gregory marry.

A visual fragment from the archive: The thematic resonance of The Imp perfectly mirrors the editorial trajectory of our deep dive.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Robert Ellis

In his effort to ensnare Paula, an American girl studying music in Paris, Darcelle intercepts her mail and steals the money sent her from America. When financial reverses beggar the Farrells, they send Paula her passage money and urge her to return home. This money is stolen by Darcelle. Desperate, and anxious to aid her mother and sister, the girl falls a victim to the scoundrel's wiles. Mrs. Farrell dies, believing that her daughter has achieved success abroad. Marjorie, Paula's sister, unexpectedly comes to Paris to live with her. Paula endeavors to hide her secret, but it is revealed when Austin, a young American who loves her, learns of the girl's affair with Darcelle. Late that night, half-crazed as the result of the denouement, Paula visits a cafe and witnesses a performance of the "Dance of the Apaches." The fate which is meted out to the male Apache deeply impresses the girl. During her absence, Darcelle, whose eyes have turned towards Marjorie, enters Paula's apartment. Confronted by the scoundrel, Marjorie stabs and mortally wounds herself to escape him. Darcelle flees just before the elder sister returns. Dying, Marjorie tells her story to Paula. Remembering the fate dealt out to the Apache, the girl vows to slay her sister's murderer. The police have been looking for Darcell, and the man takes refuge in Paula's apartment. The girl's attempt to slay him fails. Austin, who is aiding the police, enters the apartment with the latter just in time to save Paula's life. Darcelle leaps from a window in trying to escape and is killed. Austin learns Paula's story and forgives her.

A visual fragment from the archive: The thematic resonance of A Fitting Gift perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Ellis

Elderly, crippled millionaire Cyrus Cairns, is a great admirer of dancers, brings Gay Raydon, a young ballerina, to live with him. Also in residence is Hal Crofton, an athlete hired by Cairns to be his physical therapist. Cairns soon falls in love with the beautiful Gay, who does not reciprocate his affections but loves Hal instead. Dolores, Gay's benefactress and a devoted friend of Cairns, forces her to marry Cairns, however, and Hal, devastated by the marriage, vows to leave the mansion. Gay announces her desire to go with him, but Zarth, the valet and another admirer of Gay, overhears her declarations and reports the news to Cairns, who, in a fit of jealous fury, locks the couple in a room to starve them to death. Cairns leaves for his townhouse but after a few days has a change of heart and notifies the police. The miserable old man kills himself, and the authorities overpower Zarth as he struggles with Hal for possession of Gay.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.