Underground Favorites Parallel to the Artistry of Cyrano de Bergera...

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Augusto Genina

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Mario, student at the University of Turin, has a romantic relationship with the milliner Dorina, daughter of the lady who rents him the room. However, the boy is fascinated by a rich lady, Elena, who courts him, inducing him to betray her.

Dir: Augusto Genina

A fascinating piece of cinema that shares thematic elements.

Dir: Augusto Genina

A visual fragment from the archive: The thematic resonance of Addio giovinezza! perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Augusto Genina

A visual fragment from the archive: The thematic resonance of Lucciola perfectly mirrors the editorial trajectory of our deep dive.

At the outbreak of the great war in Europe, Marion Duval, a mischievous schoolgirl, is infected with the patriotic fervor that swept over the European State in which she lives. She runs away from school disguises herself in boy's clothing, and joins the Boy Scouts. In this disguise she shares with a dashing cavalry lieutenant several thrilling adventures. In later years she makes a determined effort to renew her acquaintance with this hero of her dreams, who is still unaware of her sex. When she finally meets him once more, she finds him, now a member of his government's secret service, enmeshed in the toils of an adventuress. Taking a hand in the game, she is able to save the lieutenant from disgrace, but only after a series of stirring episodes culminating in a scene when she and the adventuress, locked together in a room, engage in a struggle for the possession of plans of importance. Naturally, her heroism is rewarded with the heart of the handsome lieutenant.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: F. Martin Thornton

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.