Underground Favorites Parallel to the Artistry of Damsels and Dandies: Cult Guide

Dir: Gilbert Pratt

The misadventures of a young man who sets out in his flivver to stop the girl he loves from being forcibly married to a rival.

Dir: Gilbert Pratt

A visual fragment from the archive: The thematic resonance of Fool Days perfectly mirrors the editorial trajectory of our deep dive.

Al is a lazy school-boy with an ape, Napoleon, for his room mate and companion. Their home is outfitted with rather novel labor-savings devices. When Al goes to school, he cuts up with the usual school boy stunts with Napoleon to help.

Dir: Gilbert Pratt

Joe comes to the rescue of his sweetheart's father (who is going broke in the hotel business) with a clever scheme for attracting guests.

Dir: Gilbert Pratt

A visual fragment from the archive: The thematic resonance of Mark It Paid perfectly mirrors the editorial trajectory of our deep dive.

Rhubarb enters a bullfighting contest and becomes a local and then a national hero in the Madrid arena. Conflict arises when his lover finds out that he is flirting with alluring Filet de Sole before facing the toughest bull of Spain.

Dir: Gilbert Pratt

The story follows the arrival of an immigrant girl, her kidnapping by a band of crooks and her ultimate rescue by her sweetheart, who is forced to deface the station building in order to obtain service from the local police force.

Dir: Gilbert Pratt

A visual fragment from the archive: The thematic resonance of Mud and Sand perfectly mirrors the editorial trajectory of our deep dive.

Percie and Ferdie answer an ad for barbers, and to be sure of the job they get there in the middle of the night, sleeping on the steps of the shop. They get the jobs, and the balance of the reel is a burlesque of the daily happenings in a barber shop. It's all good stuff, with a succession of new bits of business. The second reel find the boys preparing to attend Miss Millionbucks' ball. They go attired in stolen uniforms, passing as two friends of the young lady's father. Of course the rightful two arrive and show the boys up. At the moment they are about to be shot for impersonating officers, they wake up - still in front of the barber shop, and the jobs taken.

Dir: Gilbert Pratt

A gang of youngsters proceed to tear up the neighborhood with their mischief.

Dir: Gilbert Pratt

A visual fragment from the archive: The thematic resonance of Simple Sadie perfectly mirrors the editorial trajectory of our deep dive.

Stan plays a mischievous and clumsy worker in a lumber factory.

Dir: Gilbert Pratt

Jimmy is compelled to retreat when he tries to flirt without a license. He annoys the park policeman who chases him, He comes upon Stella Flip, seeking her run-a-way dog, He helps her hunt for the dog, finally resting on a bench, Jimmy is surprised suddenly by the dog jumping upon the bench with friendliness to him. He falls asleep on the bench and dreams the following. Mr. Jipper, more of a robber than the usual hotel proprietor, is caught in a safety first trap, when he tries to pick Willie Hold's pocket, and Willie, who is a salesman for the Safety First Trans tries to sell him a trap, Jimmy arrives with the dog, meets Stella and returns the dog to her. He is trying to make a hit with Stella, when the proprietor interferes, and has him kicked out, Jimmy, nothing daunted, finds his way back, as a bell hop. After causing considerable trouble, he finally lands in the crook's den, and the proprietor, who is also the leader of the gang, makes him a member of it. During the course of his operations as one of the gang, Jimmy is forced to operate on an audience in the hotel room, which was borrowed to display some of the latest creations and shapes. Caught in the act by the policeman, Jimmy makes his escape, seeking safety behind the curtains of the stage. When the curtain goes up he has assumed the disguise of a nifty bathing suit - and again as Madame Peekaboo, when the cop and proprietor discover him. There is a wild chase, Jimmy finally wakes up, the policeman rapping him with his club, and finds the dog next to him. He grabs up the dog, and runs with it, as the policeman looks after him, scratching his head in perplexity.

Dir: Gilbert Pratt

The daughter of a member of a duck hunting club is in love with one man, while her father chooses another. Finally the father strives to bring the affair to a proper and just ending by promising his daughter to the one who can bring in the elusive game.