Recommendations
Archivist John
Senior Editor

For those who were mesmerized by Das Mädchen mit den fünf Nullen, a true Comedy masterpiece from 1927, its influence on Comedy cinema remains a vital reference point for fans today. This list serves as a bridge to other Comedy experiences that are just as potent.
The legacy of Das Mädchen mit den fünf Nullen is built upon its ability to blend thematic complexity with stunning visual execution.
A girl has a winning lottery ticket that contains the number zero five times.
Based on the unique stylistic flair of Das Mädchen mit den fünf Nullen, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Frank Moser
The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.
Dir: Sidney Franklin
A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
Dir: Alfred J. Goulding
Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.
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Dir: Bud Fisher
Mutt and Jeff go on strike and make their own film.
Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Mason N. Litson
Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.
Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
View DetailsAnalysis relative to Das Mädchen mit den fünf Nullen
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Mary's Ankle | Surreal | High | 86% Match |
| Down the Mississippi | Gritty | Linear | 92% Match |
| Two Weeks | Surreal | Linear | 94% Match |
| Striking Models | Tense | High | 96% Match |
| Run 'Em Ragged | Gothic | Abstract | 93% Match |
This guide was algorithmically generated using the cinematic metadata of Curtis Bernhardt's archive. Last updated: 5/9/2026.
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