Recommendations
Archivist John
Senior Editor

In the vast archive of cult cinema, Des Goldes Fluch stands as a cinematic excellence beacon, the narrative complexity found here is a rare find in the 1917 landscape. From hidden underground hits to established classics, these are our top picks.
Few films from 1917 manage to capture to explore the darker corners of the human condition with cinematic excellence.
The influence of Richard Oswald in Des Goldes Fluch can be felt in the way modern cult films handle cinematic excellence. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique cinematic excellence of Des Goldes Fluch, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Richard Oswald
A fascinating piece of cinema that shares thematic elements.
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Dir: Richard Oswald
A scholar defends prostitution before the World Court.
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Dir: Richard Oswald
Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques
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Dir: Richard Oswald
The second syphilis film poses the moral question: namely how far an illness should be considered a human disgrace. The protagonist of this story, a young doctor, believes that only characterless people can contract the disease through reprehensible actions. At a meeting in honor of a venereologist, a violent dispute erupts between the doctor who applies moral categories and a colleague who argues more objectively. Two events make the dogmatic young doctor think: his sister marries a syphilitic who has not yet been completely healed, and he himself falls ill as a result of a kiss from a young woman who also suffers from syphilis. But the doctor is healed and reconsiders his previous attitude.
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Dir: Richard Oswald
A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.
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Dir: Richard Oswald
A fascinating piece of cinema that shares thematic elements.
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Dir: Richard Oswald
In the third part syphilis is also at the center of the action. This time a landowner falls ill. He proves to be a real fiend, tyrannizes his wife and seduces the daughter of the forester he employs. When the young woman thinks she can't find a way out, she seeks suicide. Finally, the despot also dies and, post mortem, takes his son with him into the misfortune. The latter believes that he too is suffering from syphilis and is soon obsessed with this delusion.
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Dir: Richard Oswald
In ancient, Tsarist Russia. Fyodor Protasov's marriage to his wife Lisa is over. However, the Russian Orthodox Church does not approve of a divorce, and so Protasov fakes his own suicide, before Lisa move in with her lover Viktor Karenin. Fyodor himself becomes a "living corpse".
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Dir: Richard Oswald
In order to win a bet, British gentleman Phileas Fogg attempts to circle the globe in eighty days, along with his French servant, Passepartout. Fogg is wrongly suspected of having robbed the Bank of England and faces the risk of arrest.
View DetailsAnalysis relative to Des Goldes Fluch
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Henriette Jacoby | Gritty | Layered | 97% Match |
| Prostitution | Tense | High | 94% Match |
| Hoffmanns Erzählungen | Surreal | High | 90% Match |
| Es werde Licht! 2. Teil | Surreal | Dense | 97% Match |
| Eerie Tales | Gritty | Linear | 90% Match |
This guide was algorithmically generated using the cinematic metadata of Richard Oswald's archive. Last updated: 5/13/2026.
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