Hand-Picked Alternatives for Fans of Destruction: Cult Guide

Dir: Will S. Davis

Richard Tremaine, by forging a letter, compromises Helene Blair brings about her divorce from her husband and her separation from her children, and then secures her consent to marry him. She discovers, then, that he already has a wife; that he it was who destroyed her home life by his slanderous lies; she starts out deliberately to revenge herself on him. This she does by inducing his son to fall in love with her. The father is then brought face to face with the dilemma of seeing his son marry a woman with whom he had been intimate, or having his own disgrace brought put into the light. The three finally meet in Helene's apartments, and the son is accidentally shot and killed by a revolver with which the father was attempting to end his own life. The father is charged with the murder of his son, and Helene is the chief witness against him. John Blair, Tremaine's counsel, learns from his wife's testimony of the perfidy of Tremaine. After the latter is sentenced to death, Helene, in a fit of remorse, tells Blair, with whom she is now reunited, that the killing was accidental. Tremaine is freed, and Helene goes back to her rightful place as Blair's wife.

Dir: Will S. Davis

A visual fragment from the archive: The thematic resonance of No Man's Land perfectly mirrors the editorial trajectory of our deep dive.

Free and easy Garrett Cope loves Katherine Gresham, but his rival, Henry Miller, who is really Heinrich Mueller, a World War I German spy, gets rid of Garrett by having him arrested for the murder of Pembroke Van Tuyl. While Garrett is in prison, Katherine marries Mueller, but Sidney Dundas, knowing that the German actually committed the crime, finally confesses, and Garrett is freed. Meanwhile, Mueller takes Katherine to a remote island called No Man's Land, which he uses as a base for blowing up Allied ships. Garrett lands on the island, and after overcoming a number of Chinese servants and German agents, he succeeds in summoning an American ship, killing Mueller, and rescuing Katherine, who warmly demonstrates her gratitude.

Dir: Will S. Davis

Mary Ames is caught while planning to elope, and locked in a room by Aunt Letitia. Her sister, Geraldine, plans to help her, and goes to her friend the police commissioner to borrow a criminal. Paul, the commissioner's nephew, sees her, and loses his heart. He decides to pose as the criminal to be near her. Everything works smoothly, Mary is released, and the elopement takes place; but just at that moment the chauffeur and ex-gardener, together with the real criminal whom Paul is impersonating, arrive, and attempt to rob the house. Of course, Paul subdues them, and saves the jewels. The commissioner and a number of policemen arrive on the scene, everything is explained, and ends happily with a second elopement a short time after.

Dir: Will S. Davis

A visual fragment from the archive: The thematic resonance of With Neatness and Dispatch perfectly mirrors the editorial trajectory of our deep dive.

Madeline De Valette is betrothed to her father's cousin, Raoul De Valette, arrangements having been made when she was but a child. Valette requests his cousin's presence at his home to be presented to his fiancée. Raoul has been carrying on a love affair with L'Acadienne, a beautiful Creole who loves him devotedly. Much against his wishes, he is compelled to leave L'Acadienne. In spite of her pleadings and threats, he sets out for the Valette home. Her jealousy prompts her to follow Raoul and disclose their love affair to his fiancée's father, and thus prevent the marriage. Madeline is in the springtime of her youth. She is fully aware of her coming marriage with Raoul, but the realization of what it means does not occur to her. She has been rehearsed daily to prepare for her first meeting with her fiancé. Raoul finally arrives at the Valette home. Although disappointed, she accepts Raoul, as a duty to her father, whose earnest wish is that she shall marry a Val De Valette. At this time the United States is at war, and there is a call for volunteers. Wolf, a backwoodsman, has been recruiting a company of citizens to help Andrew Jackson to fight the enemy at New Orleans. Gilbert Seele, whose father owns the estate adjoining the Valette's has enlisted, unbeknown to his father, who has opposed his going away. Gilbert's father, who has purchased most of the Valette property, learning of Valette's poverty, desires to buy the Valette home. In spite of their previous business transactions, Valette and Steele are not on friendly terms. Steele sends Gilbert to Valette to negotiate the sale of Valette's home. While there. Gilbert meets Madeline. He immediately falls in love with her, and she, in her innocence returns it. Valette is angry at Gilbert for daring to expect love from a lady who was already betrothed. He also refuses to listen to Steele's proposition to buy his home. Gilbert is ordered from the house, enraged at the harsh treatment accorded him. Madeline, who fears that Gilbert is angry at her, runs after him to explain. She is unable to overtake him, but the thought of never seeing him again terrifies her and she continues to follow Gilbert. Gilbert is to join the recruits at sundown. He secretly leaves home, and Madeline, arriving there, finds him gone, but she does not give up her march. In the meantime. L'Acadienne has arrived, and meeting Raoul, she threatens to expose him. Raoul manages to persuade her to remain silent by telling her that his marriage with Madeline will not part them. This satisfies her. Raoul, seeing his opportunity for breaking the betrothal, asserts that Valette could not expect him to marry Madeline now. Valette allows him to depart. He is immediately joined by L'Acadienne and they return to New Orleans. Madeline's condition is serious. Her mind is afflicted by the shock, but her father does not relent, declaring that her condition is her punishment. Crawley's report is soon found to be false for Gilbert, Wolf and the recruits return. They have been victorious. Crawley, fearing Wolf's and the people's wrath, seeks aid from Father O'Mara, who promptly hands him over to Wolf and the people who are searching for him. Crawley receives a just punishment. Gilbert learns of Madeline's condition, and efforts are made to recover her reason. A plan is decided on, the result of which causes Madeline's recovery. Valette, learning the real facts, offers his sanction to the betrothal of Madeline and Gilbert.

Dir: Will S. Davis

John Malvin Grey, a member of the New York Stock Exchange, pays court to Clara Fenton, who returns his affection. Miss Fenton, aspiring to extreme wealth and social distinction contrary to the dictates of her heart, accepts the proposal of marriage of Peter Vaughan, a millionaire of somewhat advanced years. Helen Barrington, possessing a secret attachment for Grey, finally becomes his wife, when he realizes that his affection for Miss Fenton can be of no avail. After her marriage to Vaughan, Clara, unable to subdue her deep love for Grey, at every opportune moment appears in his company, endeavoring to continue her love affair with him, despite the fact that she is now married. At a dinner she gives, Peter Vaughan is shocked to observe his wife's carrying-on and her persistent advances to Grey. At a climax, his attention being called to the affectionate attitude assumed by his wife toward Grey, his heart gives way, he collapses and expires. In widowhood, regardless of the fact that Grey now leads a happy married life as a beloved husband and father, she pursues her wiles and attention. Being repulsed by Grey, she conceives a plan of inveigling him with the aid of Ashton Cameron, in the purchase of Avalanche mining stock, and then to cause the market to drop, reducing Grey to all but ruin, coming to his assistance with her extreme wealth, raising the price of stock and restoring him to affluence. She engages in this plan, believing that thereby she will place Grey under everlasting obligations to her, and possibly serve her ends in having him abandon his wife, to assume relations with her. By various tricks and subterfuges, she arouses the suspicions and jealousy of Mrs. Grey, until the moment arrives, when, believing that her husband is carrying on a secret liaison with Mrs. Vaughan, she determines to divorce him. Grey's young sister Rose is in love with Philip Carlton, and throughout the entire play, reigns as the standby of Grey. Ashton Cameron, also in love with Rose, offers to assist Grey out of his difficulties on Avalanche stock, providing he uses his endeavors to procure Rose's consent to marry him. Grey refuses this assistance at the sacrifice of his sister's future happiness, and Cameron proceeds to carry out his agreement with Mrs. Vaughan to ruin Grey. Polly, a street waif who is injured in an accident by Grey's automobile, is adopted by him into the family as his charge. In the denouement at a gathering at the office of Shaw, Grey's family lawyer, Polly reveals that she has observed Grey repulse Mrs. Vaughan, and declare to her that he loves his wife and will have nothing to do with her. Mrs. Vaughn is confronted with the proof of her various intrigues and diabolical schemes to arouse Mrs. Grey's jealousy, and finally admits the true situation and her own despicable actions. Grey is reconciled to his wife, and Clara Vaughan is left to pursue her way in the world, rejected and alone.

Dir: Will S. Davis

A visual fragment from the archive: The thematic resonance of Springtime perfectly mirrors the editorial trajectory of our deep dive.

Anson, a clown, lives happily with his wife and his small daughter until Randall, a wealthy libertine, begins to pay attention to Anson's wife. Randall alienates the love of Mrs. Anson and induces her to leave her home. Anson follows his wife to Randall's home, murders her and chokes Randall into unconsciousness. He disposes of his wife's body by throwing it over a cliff. Anson transfers to his daughter the affection he formerly lavished on his wife. He makes money in the oil industry and leaves the stage. Despite his opulence and his love for his daughter, he cannot forget the man who wrecked his home. He learns that Randall, now married, is to be the guest of a Mr. and Mrs. Mendell. Anson, who has become the partner of Mendell although the two have never met, sends word to Mendell that he is going abroad and that in his absence his business interests will be cared for by his confidential man. He suggests that his confidential man be allowed to take up residence in the Mendell household. The proposition is favorably received, and Anson, disguised as a butler, becomes an inmate of Mendell's home. Mendell devotes no small attention to Mrs. Randall. When Anson discovers this he does everything in his power to aid Mendell in the latter's conquest of Mrs. Randall. Mendell, however, is also an admirer of Anson's daughter, Ethel, whom he has seen while out riding. Unaware that Ethel is Anson's daughter, he breaks into Anson's home, carries off Ethel and speeds away in an automobile. En route to his special apartment, the machine is wrecked and Ethel is knocked unconscious. She is taken into the Mendell home and placed in bed in the room which has been vacated by Mrs. Randall, who tired of Mendell's attentions. Mendell, recovering from slight injuries sustained during the automobile accident, returns to his home. He goes to the room in which Ethel is sleeping. Anson, unaware that it is his own daughter in the room, suggests that Mendell take the woman he admires to his apartment. Anson slips into the room, chloroforms his own daughter in the belief that she is Mrs. Randall, and carries her off to the den maintained by Mendell. He leaves her in the power of Mendell and then telephones Randall that Mrs. Randall is in an apartment with Mendell. Randall hurries to the apartment, kills Mendell and then discovers that the woman in the room is not his own wife. The big moment of the action comes when Anson discovers that the woman he has turned over to Mendell is his own daughter.

Dir: Will S. Davis

Jim Jepson returns home after serving five years in prison for bank robbery. He manages to live a straight life with his wife and little daughter until misfortune overtakes him. His wife dies, his daughter is forced to work for her living, and at this crisis in his affairs, he meets one of his former pals, Doc Burns, a jailbird, who is wanted in the west for another robbery. Jepson, who has become discouraged, is persuaded by Burns to resume his former life. They rent an old house next to a bank, tunnel through the cellar to the bank, working at night, while Mary, innocent of the life her father leads, continues her work as cashier in an all-night restaurant. Mary, returning home late, is saved from insult by Bob Darrell, a detective, who escorts her home. A man seen loitering in the vicinity, is recognized by Darrell, as "The Worm," a notorious crook. Darrel, who arrested Jepson and Burns twenty years before, follows "The Worm," and seeing him meet Burns, is convinced that there is another plot on foot to rob a bank. Believing Mary to be an accomplice, he causes her discharge so that she will be at home at the time of his raid. Easy access to the house is gained by arresting Mary as she enters the door and Darrell and the detectives descend to the cellar, follow the cracksmen through the tunnel and capture the gang as they are blowing up the bank vaults. Jepson endeavors to exonerate Mary at the trial, but she is given a short sentence while the others receive a long term. Four years elapse. Mary, released from prison, experiences the utmost difficulty in obtaining the bare necessities of life. Sick and starving, she is tempted to snatch a purse, but is saved from the first step in The Criminal Path as the sound of singing in a nearby Mission reaches her ears. She seeks refuge in the Mission, only to faint away. The young minister, Rev. John Horton, sends her to a hospital where he visits her frequently and on her recovery gets her a position with his sister, Mrs. Blair. Morton's interest in Mary ripens into love, while Richard Blair, the husband, attracted by Mary, annoys her with attentions, but she keeps silent to prevent a family scandal and hold her position. Unknown to Mary, Jepson escapes from prison and Darrell believes he can recapture him by watching his daughter. Jepson seeks Mary for help in leaving the country. Darrell obtains an invitation to a reception in the Horton home to watch Mary. Blair, finding Mary alone, insults her. To protect herself she seizes a bronze candelabra from the mantel, but is discovered. Mary, for Horton's sake, makes no accusation. Later a noise is heard in the library and Mary is discovered standing over Blair's dead body, but being unable to give satisfactory explanations, she is arrested for the crime. Meanwhile, Darrell, gathering clues, finds Jepson's trail, and convinced that he killed Blair, pursues him across country through ice and snow. Overtaking him, a terrific struggle ensues. Jepson is the victim of his own wicked design to throw Darrell into the ice hole. Notwithstanding, Darrell rescues him. Dying from exhaustion and learning that his daughter is accused of the crime, Jepson gives the true facts of Blair's death, which convinces Darrell that his conclusions were right and that Mary is innocent. At last, the road to happiness opens to Mary.

Dir: Will S. Davis

A visual fragment from the archive: The thematic resonance of The Avalanche perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Will S. Davis

Deserted by her husband, John Madison, because he incorrectly accuses her of having an affair, Mary Madison goes to her aunt's house to have her baby, and then loses her memory in a train wreck. John, however, hears that she has died, so he takes possession of their infant daughter. Years later, John has remarried and Mary has regained her memory, but she does not know that her daughter is still alive. When she learns how John prizes his daughter, she decides to gain revenge on him by disgracing her, so she plots to have the daughter seduced by an ex-convict who served time on a trumped-up charge. The ex-convict and the daughter fall in love, however, and after their marriage, Mary finds out that the woman she tried to ruin is her own daughter. A less vengeful Mary then goes to John and is reconciled with him.

Dir: Will S. Davis

Ruth Merrill and her father both are serving prison terms but her's is lighter and she is released. She becomes the wife of the wealthy Dr. Richard Boulton, who knows nothing of her past. Ruth's father escapes from prison and the unscrupulous detective, the same one who sent both to prison while knowing Ruth was innocent, is sent on Merrill's trail. The detective attempts to blackmail Ruth but is killed be her father, who runs away. Ruth is put through a third-degree grilling by the police and is accused of the crime.