Underground Favorites Parallel to the Artistry of Dobutsu olympic taikai: Cult Guide

Dir: Victor Heerman

The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of New Ralgia perfectly mirrors the editorial trajectory of our deep dive.

The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.

Dir: Alfred J. Goulding

Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.

Dir: Lasse Ring

A visual fragment from the archive: The thematic resonance of Run 'Em Ragged perfectly mirrors the editorial trajectory of our deep dive.

Mr and Mrs Stockholm visit the Paul U. Bergström (PUB) department store to buy a new wardrobe for a journey. They visit different departments, where the future Greta Garbo (Gustafson at the time) is one the models showing outfits for Mrs Stockholm.

Dir: Mason N. Litson

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of How Not to Dress perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Bud Fisher

Mutt and Jeff go on strike and make their own film.

Dir: Frederick J. Ireland

A visual fragment from the archive: The thematic resonance of Get-Rich-Quick Edgar perfectly mirrors the editorial trajectory of our deep dive.

An unemployed cook takes her shot at working for an upper class family. When none of their fancy guests show up to a party, she and the butler impersonate them.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Claude Friese-Greene

A fascinating piece of cinema that shares thematic elements.