Cinematic Discoveries Resonating with the Themes of Driven from Hom...

Dir: James Young

A little country village comedy in which Mr. Costello plays a young grocer's clerk. This clerk and the daughter (Clara Kimball Young) of a G.A.R. fire-eater (Mr. Eldridge) are in love, much to the old man's disgust. He wants his daughter to marry a brave man, a soldier. AN unexpected denouement makes the clerk seem to be a hero. Moving Picture World

Dir: James Young

John Maddox, a man who has little use for women, travels out West to make his fortune. On the way he rescues a pretty young woman from a narrow ledge just below a steep cliff. She turns out to be Beatrice Clive, an English girl vacationing at the family estate with her wealthy father, Lord Bulverton. Six years pass and, now a wealthy rancher, Maddox discovers that the Bulverton estate is for sale. Finding himself still attracted to Beatrice, he contacts her about buying the estate, but finds that the Bulverton family is in such dire financial straits that Beatrice has been forced to become engaged to the wealthy but villainous Sir George Trenery.

A visual fragment from the archive: The thematic resonance of The Usurper perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Young

After her parents death, young southerner, Barbara King, must now live with her uncle Rufus Jamison, who reminds the girl of her mother wasted life when she married an artist. Rufus forces Barbara to do housework to support himself. One day, Barbara sneaks away to exhibit her father's latest work, she meets the artist Gordon Carroll and his father, the governor. When Uncle Rufus discovers Barbara's secret studio in the attic, he destroys the statue of his father, and Barbara then fatally stabs him with a candlestick. Barbara is convicted, sentenced, and sent to a prison.

Dir: James Young

Helene Marie, on the run from the Russian police in St. Petersburg, plots to kill the Czar.

A visual fragment from the archive: The thematic resonance of Unprotected perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Young

Robert Strickland, the self-confessed murderer of Gerald Trask, refuses to defend himself on the witness stand. His attorney, however, cross-examines Strickland's wife and by questioning his daughter Doris as well, he exposes the fact that years earlier Trask had seduced Mrs. Strickland. This evidence is sufficient to call for a verdict of not guilty from eleven of the jury, but the twelfth member holds out because money disappeared from Trask's safe the night of the murder, and evidence points to Strickland as the thief. When Glover, Trask's secretary, is cross-examined, however, he breaks down and confesses to the robbery, thus clearing the way for Strickland's acquittal and his reunion with his family.

Dir: James Young

During World War I, young Englishman Hawtrey Burke captivates New York society with his charming manner and his skill at polo, but he incurs the scorn of the woman he loves, Elinor Warden, who, having recently returned from war-torn Belgium, cannot understand why Hawtrey is not on the front lines. When shipping agent Joseph Fuhrman is murdered, Elinor's brother Dudley, who is on furlough from France, is tried for the crime based on the accusation of Eric Werner, who covets Elinor. During the trial, the lights are extinguished and Dudley is shot. Hawtrey is arrested but later released on a technicality. Later, when the British Commission sails to the United States, Hawtrey sends a wireless message to the steamer warning of a nearby U-boat, and upon the Commission's safe arrival in New York, he is revealed as a British Secret Service agent. Werner is arrested as the German spy who shot Dudley, who had been working for Hawtrey, whereupon a penitent Elinor confesses her love for the Englishman.

A visual fragment from the archive: The thematic resonance of My Official Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Young

Doris Moore is the daughter of a minister living at a small country town a few hours' distance from New York. She helps her father in his work among his congregation, teaches in the Sunday school and plays the wheezy old organ in the church. The household is thrown into a mild state of excitement on receipt of a letter purporting to come from an organ supply company in New York, but which in reality is from a band of crooks who use this as one of the fraudulent schemes whereby they obtain money from the unwary. The letter offers to supply a beautiful pipe organ on receipt of an installment of one third of the cost, the balance to be paid on time. The matter is laid before the deacons and they decide to consider the offer. The minister writes to the organ company and the chief of the crooks, Harry Leland, a handsome, dashing man of the world, arrives and explains in glowing terms the advantages of the organ. While waiting for the deacons to collect the first installment of two hundred dollars, Leland pays considerable attention to Doris, who is much fascinated by him, representing as he does a totally different type of man to what she has been used to. In the meantime, the crooks in New York have received information from out west that Will Lake, a young eastern college man who in two years has made a fortune of fifty thousand dollars, is returning east, and will stay in New York for a week. They decide to try to blackmail Lake on his arrival and at once communicate with Leland, who replies that he will return immediately as soon as he gets the organ money. Leland has become attracted by the freshness and beauty of Doris and decides to lure her to New York and then make use of her in the crooks' nefarious schemes. He protests violent love for her and proposes marriage, and Doris consents. Immediately after receiving the two hundred dollars from the deacons, he approaches Doris as she leaves Sunday school and with well-simulated despair tells her he has received very bad news and that he is threatened with ruin and begs her to go to New York with him as she alone can save him. After much persuasion, Doris' scruples are overcome and she returns with Leland who takes her to the boarding house run by 'Frisco Kate, a house which is used by the crooks as a meeting place. It is decided to have Doris act as a decoy and to get Lake to visit a flat which has been prepared beforehand. She is therefore told that Lake has defrauded her lover Leland of a considerable sum of money and that if he could be seen, things might be arranged satisfactorily. She is told to speak to Lake, who will be pointed out to her in the hotel, and tell him that her mother who has friends in Goldfield wishes to ask his advice about mining stock. The plan succeeds and Lake unsuspectingly goes to the flat and while alone with Doris, Leland with two other crooks rush in and accuse him of being in a compromising position with Doris whom he calls his wife, much to her amazement, and says that Lake must pay in money to avoid scandal. Lake intuitively feels that Doris is innocent and refuses. A furious fight ensues in which Lake is knocked unconscious, robbed of all his money and locked in the room, the crooks making good their escape with Doris, whom they take to their hiding place. Their plans are defeated, however, by one of their own band, Laylock and 'Frisco Kate, who, hardened crooks though they have been, refused to be parties to the dragging down of an innocent girl. They release Lake and go along with him to the police and lead a raid on the crooks' hiding place who are all captured and receive their just deserts. Doris meets her father at the police station, he having come to New York to trace her. Lake, who is much interested in them, invites them to his hotel to meet his mother and sister. There is a pretty ending to the story when Will Lake, who to celebrate his good fortune and has made the church a present of a beautiful organ, pays a visit to Doris and her father, and a love romance, the seeds of which were set when she innocently acted as a decoy, is happily consummated.

Dir: James Young

With the electric-ray machine that he invented, a scientist brings his daughter back to life after she dies in a car crash but he fails to revive her soul at the same time.

A visual fragment from the archive: The thematic resonance of On Trial perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Young

One of the customs in the Breton island of St. Batiste is the lashing of any woman involved in a extra-marital affair. As a result, when Sidonie (Marie Doro) starts an affair with English vacationer Warren Harding (Elliott Dexter), the townsfolk prepare to mete out punishment. To avoid it, Sidonie elopes with Warren, but when she finds him making love to another woman, her first response is conditioned by her upbringing, and she attacks the woman with a whip. Afterward, Sidonie returns alone to St. Batiste, and gets ready to accept her lashing. Just before her public humiliation, however, Warren arrives and refuses to let the whipping take place, after which he pledges to remain faithful to Sidonie.

Dir: James Young

In Tokyo, Japanese poet Akira loves American Ruth Vale, who was placed in Akira's father's care when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom. Later Edward marries his mistress, and with Akira in charge of Blossom, they return to America, where Adrienne renews an old affair. When Edward discovers his wife with her lover, he kills him, but Akira accepts the blame to shield Blossom from humiliation. One night Akira breaks out of prison to visit Blossom and although a guard shoots him, he manages to reach Blossom. Carrying her in from the rain, Akira plays with the child until his strength finally deserts him and he dies.