Summary
Driven from Home is a stark, moralistic melodrama that strips away the veneer of domestic security to reveal the precarious position of women in the late 1920s. The narrative follows a young woman, portrayed with fragile intensity by Pauline Garon, whose life is upended by a domestic schism of Victorian proportions. When she chooses a husband against her father’s rigid dictates, the patriarch—played with a chilling, monolithic stubbornness by Melbourne MacDowell—casts her out into a world that is as indifferent as it is dangerous. This expulsion serves as the catalyst for a descent into the urban shadows, specifically the predatory atmosphere of an opium den. Here, the film shifts from a family drama into something more lurid and suspenseful, as she becomes the target of a sinister proprietor. The story is a collision between the old-world values of the hearth and the terrifying, neon-lit temptations of the modern city, punctuated by the presence of early cinema icons like Anna May Wong.
A father throws his daughter out of the house when she marries a man he doesn't approve of. In addition, she also finds herself being lusted after by the sinister owner of an opium den.
