Masterpiece Selection Resonating with the Themes of Even As You and...

Dir: Lois Weber

A young man, told by a psychic that he will die soon, puts his affairs in order and begins to enjoy and treasure life. However, the appointed hour of death passes without his demise, and he begins to suspect something is awry.

Dir: Lois Weber

Plantation owner William Hawkes (David Newell) doesn't approve of the fact that most of the white men on the island have married, or are living with native girls. He doesn't approve of mixed marriages and is equally opposed to accepting the "gifts of love" offered to him by the native girls. One night, after several hours of hard drinking, he sees Leilani (Mona Maris) bathing on the beach, and he watches her until he can resist his craving no longer. He catches her in his arms and she willingly accepts his embraces. She comes to live with him and waits on him hand and foot. Hawkes goes to San Francisco for a planter's convention and, when he returns, brings back society girl Lucille Cheney (Virginia Cherrill) as his wife. Leilana is heart-broken, while Lucille becomes quickly bored with her husband and Hawaii. Her boredom ends when Chandler Morris (Hardie Albright) sails into port on his yacht and he and Lucille begin an affair. Hawks drinks to forget. He catches Lucille and Chandler together and a fight ensues, Lucille, in an effort, to save her lover throws a kerosene lamp into the ripe sugar cane and fire spreads in all directions.

A visual fragment from the archive: The thematic resonance of White Heat perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lois Weber

Marie, a hotel maid, falls in love with millionaire's son Roger, but Roger cannot marry her because of her inferior station and his unwillingness to make his family unhappy thereby. They separate. When next they meet, Roger discovers that Marie is actually a princess. Now their renewed romance cannot continue because Roger is a mere commoner. But the Bolshevik revolution provides complication and at last resolution to their dilemma.

Dir: Lois Weber

A pretty but poor girl leaves the young boy who loves her for a rich playboy who she believes will take care of her, but the wealthy cad has other plans for her.

A visual fragment from the archive: The thematic resonance of A Midnight Romance perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lois Weber

A young woman grows tired of providing for her family.

Dir: Lois Weber

Envious of the wealth of her classmates at the fashionable boarding school to which her parents struggled to send her, Millicent Rankin hides the fact that her father is a plumber. She invites her friend Beatrice Deering to her home, which she describes as lavish, for the vacation, but thinks that Beatrice will refuse. The embarrassment Millicent feels when she receives a wire that Beatrice is coming causes her mother pain, but when Millicent's sister becomes ill with scarlet fever, Millicent goes instead to Beatrice's country residence where she hopes to meet a rich husband. At the Deerings', Millicent is soon disappointed with society's mores. After almost succumbing to the advances of Elmer Lacy, who secretly is carrying on an affair with Beatrice's stepmother, Millicent protects Mrs. Deering's reputation by humiliating herself. When she learns that her mother is ill, Millicent rushes home and discovers happiness with her family and her old sweetheart.

A visual fragment from the archive: The thematic resonance of Borrowed Clothes perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lois Weber

Phoebe Morrison, a wealthy young lady, is shown a photograph of handsome Squire Elton by her father. Since Elton is a partner in her father's oil business, the girl goes west to meet him. The two fall in love, but Phoebe decides her prospective husband needs more polish comparable to the men she knew in the east. So Elton goes on a tour of Europe, returns a refined gentleman, and marries Phoebe. But now Phoebe feels he has lost some of his charm. Then she thinks he is having a fling with her cousin Sophia. So she decides the best solution is for Elton to return to his original environment out west. She feigns ill health, and persuades him to move, and gradually he becomes the man she fell in love with. Then Elton confesses that he had been acting the part of an Eastern gentleman to teach Phoebe a lesson.

Dir: Lois Weber

Hi Judd, poet, postmaster and philosopher, is the sunshine of the village, a veritable doctor of happiness. His right arm the little world of the village leans on, the kind words he scatters broadcast reap their harvest of love for the old postmaster and the verses he writes (sometimes when he should be working) proclaims him the wit of the village. And because of the verse writing Mrs. Judd is often discouraged. Hi confides in his daughter, Bess, that he often stands in awe of Mrs. Judd when she catches him pencil in hand, with the woodpile untouched and the chores not done. But Bess is consoling and when Hi is not around she makes a collection of the verses and sends them on to a great newspaper. Theirs is a peaceful life that must have its dramatic climax and it all descends upon them at once. Jim Skinner, an unscrupulous, grasping old miser, holds the mortgage on the house and also has designs upon Hi's position as postmaster. Then the bank fails and shadows hang low. In the meantime drama is stirring within their home. Bess who had thought she cared for Hal, the station master is under the spell of Sam who has come from the city to be the new ticket agent. Hi, dubious of his character and regretting his daughter's change of heart, before it is too late, finds a picture of Sam, his wife and their baby. Hi recognizes in the wife, Belle, the long-missing daughter of Mother Wilkins, a widow of the village whose home has burned and who would have suffered privation had it not been for the generosity of Hi. He sends for Belle, making her believe the money and message come from Sam and when Sam is confronted with the wife and baby he sees there is nothing to be done but face the unexpected situation. The mortgage is due. Heartbroken, they are preparing to leave the little home when word comes from the newspaper: "Verses accepted, send them as fast as you can write them." Thus ends the story. Hi, with his $500 check from the newspaper pays off the mortgage, the future holds its promise; Mother Wilkins is happy with her daughter and the little baby, and Hal and Bess are engaged to be married.

A visual fragment from the archive: The thematic resonance of Shoes perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lois Weber

An insecure wife fears her husband may be straying back to an old flame.

Dir: Lois Weber

Professor teaches unmotivated wealthy students. Neighbor Olsen is rich, Griggs family is poor. Olsen and Reverend Gates admire Amelia Griggs. Wealthy student Phil befriends Reverend, recognizes class divide, tries to help.