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Recommendations
Archivist John
Senior Editor
The evocative power of Excess Baggage (1926) continues to haunt audiences with its unique vision, the artistic provocations of Excess Baggage demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Short excellence.
The visceral impact of Excess Baggage (1926) stems from to transcend the limitations of its 1926 budget and technology.
Jackie is a regular kids' kid-a "tough egg" and the main grievance he has against life is that his maiden aunt insists on dressing him in Little Lord Fauntleroy clothes-and he has to lick every kid in the neighborhood just to prove that clothes don't make the mollycoddle. With his aunt he is going to visit friends in the city and his little playmates from the country drive in to see him off on the train and to say goodbye. They bring him various presents dear to the heart of a boy-a frog and a handful of fish worms that have never been used. He hates to part with his friends and smuggles them into the car. When the train starts his aunt will not pay the fares for the youngsters and insists that they be put off the train. The conductor promises to do this at the next stop. Then Jackie's frog gets loose in the car and causes a lot of commotion when it lands on the head of a bald man. The kids get into other mischief until the conductor herd them all into the baggage car for safe keeping. They are quiet enough in the baggage car until Jackie seats himself on a porcupine and uncrates a lot of geese and chickens which find their way back into the passenger coaches. The donkey gets into the coaches and there is a merry time until the animals are finally chased back into their proper place. By this time the passengers on the train are desperate and they insist that the conductor put the kid off the train at the first stop. When the train reaches the next station they are all chased off.
The influence of Charles Lamont in Excess Baggage can be felt in the way modern Short films handle unique vision. From the specific lighting choices to the pacing, this 1926 release set a high bar for atmospheric immersion.
Based on the unique unique vision of Excess Baggage, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Bud Fisher
Mutt and Jeff go on strike and make their own film.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
View DetailsAnalysis relative to Excess Baggage
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Mary's Ankle | Surreal | High | 86% Match |
| On Strike | Gothic | Linear | 92% Match |
| Don't Weaken! | Tense | Dense | 89% Match |
| New Ralgia | Ethereal | High | 85% Match |
| 'A mala nova | Surreal | Layered | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Charles Lamont's archive. Last updated: 5/7/2026.
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