Hidden Genre Gems for Fans of Extravagance: Cult Guide

Dir: Victor Schertzinger

The mind of theology student Webster Smith becomes unbalanced from strain. Traveling across the desert as God's savior, he arrives weakened at Red Butte, a small mining town. Faro Fan, who runs a saloon and gambling joint cleanly, and who cares for the town's homeless children, helps Smith, but when he learns her business, he curses her. While Smith builds a church, Faro nurses renegade Spanish Ed, who spreads a fever to her wards. After Smith prays for fire to purge the town, excepting his church, saloon keeper Delicate Hanson, trying to disinfect his bar by burning whiskey on it, starts a fire which quickly spreads to the church, while leaving Faro's house unscathed. Furious, Smith attacks Faro. When she hits his head with a club, his sanity returns, and he helps her nurse the children. After Smith leaves to get supplies, Spanish Ed, crazed with thirst, tries to attract Faro. When Smith returns, Faro shoots him, thinking he is Spanish Ed. As she nurses him to health, they fall in love.

Dir: Victor Schertzinger

A visual fragment from the archive: The thematic resonance of The Sheriff's Son perfectly mirrors the editorial trajectory of our deep dive.

Sheriff's son Royal Beaudry is thought a coward, even by the young woman he has his heart set on. But he disproves cowardice when he rescues his father's friend from kidnappers.

Dir: Victor Schertzinger

Matthew Denton is a product of a New England village. His father was a prominent business man who, during the latter part of his life, had encouraged a number of his fellow-townsmen to invest in the Centipede Company, owners of Texas oil property. Matthew lives with his widowed mother. She showers a wealth of motherly care on him, and refuses to permit him to mingle with the other lads of the town, with the result that he grows up tied to her apron strings and is known as "his mother's boy." The purchasers of the Centipede stock receive notice that there will be no dividend, that the stock gives every indication of becoming worthless because of a loss in the wells' producing capacity. A delegation of townspeople call on Matthew's mother and denounce her late husband for having induced them to purchase the stock. Matthew overhears the tirade, comes to his mother's assistance, and declares that none shall lose a penny through this investment, for he will go to Texas, work in the oil fields himself, and eventually pay off the investors. The story shifts from the quaint New England village to a bustling town in Texas, a typical oil town with its hordes of workers, its rudely constructed hotel and ever-present bar, and its town drunkard, who has a wife and a pretty daughter. Matthew begins his career as a workman in one of the oil wells, lives at Mrs. Glenny's boardinghouse, and meets her daughter daughter Mabel. , and lives at the boarding house of Mrs. Glenny, where he meets her daughter, Mabel. To procure liquor money, town drunk Tom Glenny has been tapping the line of the Centipede Company and diverting the flow into another concern. Most of the workers live at the Glenny home, among them Banty Jones, the town bully, who paid Tom Glenny to tap the Centipede line. Banty wants to marry Mabel Glenny, but Matthew wins her love, and the girl proudly displays an engagement ring, Jones gives Matthew 24 hours in which to leave town, with the alternative of being the target for Jones' gun. Matthew's innate timidity makes him cower at Jones' verbal attacks, much to Mabel's disgust; she returns the ring and announces that the engagement is off. Meanwhile, Matthew has discovered the parallel pipe lines, and that night sees Tom Glenny about to tap the Centipede line. He hurries to the telegraph office and notifies the president of the Centipede Company of his discovery. Later, Matthew overhears Jones denounce Tom Glenny for failing to tap the line, and, as he realizes the father of the girl he loves has only been the tool of the bully, the hitherto timid and shrinking boy suddenly turns into a ferocious being. When Jones attempts to assault him he returns his blows with such effectiveness that the battle is soon over, and in Matthew's favor. Then follow a series of exciting episodes, the story ending happily.

Dir: Victor Schertzinger

A visual fragment from the archive: The thematic resonance of His Mother's Boy perfectly mirrors the editorial trajectory of our deep dive.

Traveling saleswoman Mary Marbury thrashes a masher on a train when he tries to kiss a young girl in a tunnel. After the man and his female companion are escorted from the train, Mary encounters them again in New York City, where they attempt to marry the children of her wealthy employer, Jonas Abbott, then pose as cubist art instructors Fernando Poyntier and his sister, Marcia. Jonas worries that his son and Mary's fiancé, Raymond, is leading a frivolous life in the city's Bohemian community. Mary plots to incur the boy's jealousy by posing as an adventuress leading Jonas astray. When the Poyntiers suspect that the Abbott fortune could go to Mary instead of to them, they rob Jonas's safe and hide the money on his yacht, on which they plan to escape. Exhausted from dancing the fox-trot, Mary and Abbott rest on the yacht, and she discovers the money. When the crooks are captured, Raymond, realizing his love for Mary, proposes.

Dir: Victor Schertzinger

Jimmy Duncan, the son of the well-respected Reverend Duncan, takes over his local newspaper as manager. He takes on the criminal element in town with great vigor, until he realizes that his own father is in league with those devils.

Dir: Victor Schertzinger

A visual fragment from the archive: The thematic resonance of The Homebreaker perfectly mirrors the editorial trajectory of our deep dive.

Jim Bowen, a cashier in a prosperous insurance firm, lives happily with his wife Mary and son Frankie until Alan Perry, the profligate son of Jim's employer, frames Jim for forgery. Because the fraudulent check was cashed in ward boss John Boland's cabaret, Mary decides to work there while Jim serves his time, in the hope of tracking down the real criminal. Perry, who frequents the café, becomes infatuated with Mary and, on the very night her husband escapes from prison, follows her home and tries to force his attentions on her. When Boland arrives unexpectedly, Perry knocks him down, apparently killing him, whereupon Mary threatens to call the police unless he confesses to having framed Jim. Boland hears Perry's confession as he regains consciousness, and on the basis of his testimony, Perry is arrested and Jim freed.

Dir: Victor Schertzinger

Shy Joel Parker seems bound for nowhere, until Abbie Nettleton enters his life. With her prodding, Joel goes from timid nobody to a baseball star with bravura.

Dir: Victor Schertzinger

A visual fragment from the archive: The thematic resonance of His Own Home Town perfectly mirrors the editorial trajectory of our deep dive.

Wealthy young man Steven du Peyster encounters more adventures than he might have expected when he accepts a wager that he can live successfully on six dollars a week.

Dir: Victor Schertzinger

James Ashe sends his son James Jr. off to manage a family-owned logging mill. While attending to his duties, James Jr. falls in love with a beautiful girl.

Dir: Victor Schertzinger

Wealthy young Billy Bates's greatest fear is that he has inherited his family curse: drink. But when he falls for a beautiful showgirl from the Ziegfeld Follies, she shows him he has nothing to fear.