
Traveling saleswoman Mary Marbury thrashes a masher on a train when he tries to kiss a young girl in a tunnel. After the man and his female companion are escorted from the train, Mary encounters them again in New York City, where they attempt to marry the children of her wealthy employer, Jonas Abbott, then pose as cubist art instructors Fernando Poyntier and his sister, Marcia.

R. Cecil Smith, John Lynch
United States

Step back into the roaring twenties, a decade of seismic cultural shifts, jazz-infused nights, and the burgeoning power of the silver screen. It was an era when cinema, still largely silent, began to truly articulate the anxieties and aspirations of a rapidly modernizing world. Amidst this vibrant backdrop emerges...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Victor Schertzinger

Victor Schertzinger
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" Step back into the roaring twenties, a decade of seismic cultural shifts, jazz-infused nights, and the burgeoning power of the silver screen. It was an era when cinema, still largely silent, began to truly articulate the anxieties and aspirations of a rapidly modernizing world. Amidst this vibrant backdrop emerges "The Homebreaker" (1921), a film that, despite its relative obscurity today, offers a fascinating glimpse into the social mores, comedic sensibilities, and evolving narrative stru..."


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