Hand-Picked Alternatives for Fans of Fashion Madness: Cult Guide

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of Hands Up perfectly mirrors the editorial trajectory of our deep dive.

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Hazel Kirke, daughter of Dunstan Kirke, a miller, is sent off to be educated by Squire Rooney, who has promised to marry her upon her return. All this in repayment for a small sum which Rodney advanced to save the old mill from the auction block. Five years later, near the end of her school years, she meets Arthur Carringford. At home again, she renews her promise to Rodney. Some days later, Arthur on a hunting trip, meets with an accident near the mill, and is confined there for some weeks, during which time a new friendship springs up between the two. Some time later, when Rodney and Dunstan see Hazel and Arthur embracing, Dunstan denounces them and sends them away. Arthur's mother, to save the family fortune, wishes Arthur to marry Maude, her ward, who is loved by Pittacus Greene, and whose fortune was squandered by the elder Carringford before his death. She sends Pittacus and Arthur's valet to dissuade Arthur from marrying Hazel, and they arrive as the two are coming away. At a nearby village, the valet, thinking the ceremony is to be a fake, goes to a saloon for a "minister." He then notifies Mrs. Carringford by letter. A few weeks later that lady arrives during Arthur's absence and tells Hazel that she has been duped. The girl, distracted, runs away and upon Arthur's return the panic-stricken mother tells of the plot and passes away from a heart attack. After a day or two's search for Hazel, Arthur rides toward home, stopping at a small church. The parson proves to be the one who married them and he tells of his good work in the slums of nearby towns disguised as a "tough." The two ride off to the mill hoping to meet Hazel. Unknown to the young people, Dunstan's terrible denunciation of them has left him sightless and it is before Hazel's blinded father that the two are reunited with parental blessing, only after Arthur has rescued Hazel from the icy millpond waters into which she had thrown herself.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.