Recommendations
Senior Film Conservator

The 1917 release of Fear redefined the parameters of cult storytelling, the narrative complexity found here is a rare find in the 1917 landscape. Prepare to discover your next favorite movie in our hand-picked collection.
Historically, Fear represents to explore the darker corners of the human condition with stylistic flair.
After years travelling the world, Count Greven returns home with the art treasures he has collected. But his disposition has altered dramatically and he is a troubled man. Will he suffer alone or can he be helped and freed from this malady?
The influence of Robert Wiene in Fear can be felt in the way modern cult films handle stylistic flair. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of Fear, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Robert Wiene
Leontine, a French dancer who likes "the good life", has come up with an ingenious solution to her financial problems--whenever she's broke, she marries a man with money. However, her latest husband, the Marquis Verrac, is wealthy but boring, and soon Leontine tires of life in his castle and yearns to get back to the fun and good times she had before she married.
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Dir: Robert Wiene
While her husband illustrated himself in the war, the Maréchale de Werdenberg took comfort in the arms of the young Octavian and tried to arrange the affairs of his cousin, the Baron Ochs, by introducing him to a young girl.
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Dir: Robert Wiene
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he doesn't know they once belonged to a murderer.
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Dir: Robert Wiene
Hypnotist Dr. Caligari uses a somnambulist, Cesare, to commit murders.
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Dir: Robert Wiene
The young bride Anna von Glassner receives mysterious letters shortly before her wedding with Count von Fahrenwald. The Count is said to be insane.
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Dir: Robert Wiene
By the director of Cabinet of Dr.Caligari, this is the Passion embedded in a contemporary story. An anarchist jailed for an attempted assassination is told the Passion story by the prison chaplain, who seeks to convince him that it is better to sacrifice ones own life than take the life of ones enemy. The framing story, taken from a novel, is believed to have been intended to give the Biblical story an anti-Bolshevist propaganda function. In any case, it was added without the knowledge of the actors in the Passion story, who included some of the major stars of the period Asta Nielsen as Mary Magdalene, Henny Porten as Mary, Grigori Chmara as Jesus, and Werner Krauss as Pontius Pilate -bampfa.berkeley.edu
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Dir: Robert Wiene
Musical about a girl typist who leaves Berlin for Venice after winning a contest. A rich bachelor pretending to be poor takes a job with her and competes for her affections with a count and a tenor.
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Dir: Robert Wiene
A student murders a loan shark and her sister after writing about exceptional people's right to commit crimes. He meets prostitute Sonja while on the run, clashes with his sister's fiancé, and learns of Sonja's connection.
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Dir: Robert Wiene
Chicago gangsters use cunning and a series of false identities in a violent battle for dominance, all while attempting to dodge the police.
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Dir: Robert Wiene
A fascinating piece of cinema that shares thematic elements.
View DetailsAnalysis relative to Fear
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Leontines Ehemänner | Gothic | Abstract | 87% Match |
| The Knight of the Rose | Ethereal | Dense | 97% Match |
| The Hands of Orlac | Surreal | Abstract | 86% Match |
| The Cabinet of Dr. Caligari | Gritty | Layered | 92% Match |
| Das wandernde Licht | Surreal | Dense | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Robert Wiene's archive. Last updated: 6/14/2026.
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