Summary
In the waning twilight of a bustling Chinese workshop, a solitary artisan—renowned for his uncanny ability to breathe semblance of life into wood—contemplates his latest creation, a doll of such meticulous craftsmanship that its porcelain skin seems to pulse with an inner rhythm. The narrative unfurls as the dollmaker, portrayed with stoic intensity by Yuri Yurovsky, transports his masterpiece to a grand exhibition, a kaleidoscopic arena where artisans vie for imperial patronage. Amid the glittering lanterns and murmuring crowds, his eyes alight upon a rival exhibit: a figure of surpassing beauty, poised in a pose that suggests both fragility and latent power. This "doll"—embodied by Lucie Mannheim—radiates a haunting authenticity that eclipses the wood-carved illusion. As the audience gasps, the veil lifts; the figure is not a crafted effigy but a living woman masquerading as a puppet, a subversive commentary on identity, performance, and the mutable boundaries between creator and creation. The film weaves together the silent-era visual poetry of Carl Mayer's screenplay with the subtle, almost theatrical gestures of Fritz Achterberg and Werner Krauss, culminating in a meditation on artifice, desire, and the uncanny.
Synopsis
A doll maker in China crafts a puppet which is lifelike. He takes it to exhibit but find an even more convincing and beautiful doll there. It is in fact a real woman pretending to be a doll
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