Recommendations
Senior Film Conservator

In the vast archive of Crime cinema, Fifteen Wives stands as a nuanced performance beacon, the narrative complexity found here is a rare find in the 1934 landscape. From hidden underground hits to established classics, these are our top picks.
Few films from 1934 manage to capture to explore the darker corners of the human condition with nuanced performance.
Shortly after his arrival from South America to New York, Steven Humbolt is found dead in his apartment at the Savoia Hotel. Inspector Decker Dawes investigates the case and although the cause of death is described as apoplexy, Dawes is convinced it as murder, especially after he learns that Humbolt had been married fifteen times. The widows come from all over the world but three of them live in NYC; Sybilla Crum, a noted evangelist; Carol Manning, recently remarried to a man named Arnold; and Ruby Cotton. A detective is sent to Philadelphia to try to learn the identity of the sender of a box of flowers delivered to Humbolt's room before his death. Dawes calls on Carol Manning Arnold, who says she had married Humbolt five years ago, and that he had disappeared after stealing all her money and she was told he had died in South America. But he had recently shown up trying to blackmail her as she had not told Arnold of the marriage. The autopsy shows that Humbolt was killed by hydrocyanic acid gas and that the broken glass globe, found by Dawes, was a Helmholtz resonator, a well-known device that can be broken by sound-waves. Sybilla Crum goes to the district attorney to try to stop the investigation, while Dawes also learns that, unknown to her husband, Carol maintains an apartment in her maiden name. Dawes hears a radio program featuring The Electric Voice in which the latter demonstrates the power of sound waves emanating from his voice in breaking glasses, ringing bells and other feats. When the Voice emits a sound that is supposed to break glass, a Helmholtz resonator on Dawes' desk breaks.
The influence of Frank R. Strayer in Fifteen Wives can be felt in the way modern Crime films handle nuanced performance. From the specific lighting choices to the pacing, this 1934 release set a high bar for atmospheric immersion.
Based on the unique nuanced performance of Fifteen Wives, our vault has identified these titles as the most compelling follow-up experiences for fans of Crime cinema:
Dir: Hugh Ford
The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.
View Details
Dir: George B. Seitz
The adventures of a gentlemanly crook of astonishing resourcefulness.
View Details
Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
View Details
Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View Details
Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
View Details
Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
View Details
Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
View Details
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
View Details
Dir: Frank Beal
During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.
View DetailsAnalysis relative to Fifteen Wives
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Great Day | Surreal | Layered | 90% Match |
| Velvet Fingers | Gritty | High | 89% Match |
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| Into the Light | Gothic | Abstract | 89% Match |
| The Kelly Gang | Tense | Linear | 95% Match |
This guide was algorithmically generated using the cinematic metadata of Frank R. Strayer's archive. Last updated: 6/2/2026.
Back to Fifteen Wives Details →