Editor's Top Picks Following the Footsteps of Foolish Follies: Cult...

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frederick J. Ireland

An unemployed cook takes her shot at working for an upper class family. When none of their fancy guests show up to a party, she and the butler impersonate them.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

A visual fragment from the archive: The thematic resonance of Cinderella Cinders perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Heerman

The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.

Dir: Lasse Ring

Mr and Mrs Stockholm visit the Paul U. Bergström (PUB) department store to buy a new wardrobe for a journey. They visit different departments, where the future Greta Garbo (Gustafson at the time) is one the models showing outfits for Mrs Stockholm.