Recommendations
Senior Film Conservator

The United States-born brilliance of Fools and Their Money offers a unique unique vision, the profound questions raised in 1919 still require cinematic answers today. Our curated selection of recommendations echoes the very essence of Fools and Their Money.
In the Pantheon of cult cinema, Fools and Their Money to provide a definitive example of Herbert Blaché's stylistic genius.
Although her husband and children want to continue living modestly after they acquire a fortune from munitions, Mrs. Tompkins has social aspirations and persuades them to move into an exclusive country neighborhood and send their son Dick to Yale. When Mrs. Tompkins mistakes Louise Allenby, the daughter of her aristocratic neighbors, for a maid, Louise in jest pretends to be the Allenby social secretary. Dick, returning home, hears some girls giggling about Louise's joke on the Tompkins family and for revenge he becomes a groom for the Allenbys, but he and Louise fall in love. During a party, swindler Cholly Van Dusen steals some of the Allenby jewels and blames Louise who is put under arrest until her parents return. Cholly is then caught, Louise and Dick with revealed identities announce their love, and the Tompkinses are accepted socially.
Based on the unique unique vision of Fools and Their Money, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Herbert Blaché
An unkempt chorus girl is arrested on a minor charge. In court, she is spotted by a novelist who is looking for someone of her type on whom to model a character in a book he is writing. He takes her into his home where she is looked down upon by his snobbish family. But the girl brings something to the family unlike anything they have known before.
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Dir: Herbert Blaché
An opium-addicted choirmaster develops an obsession for a beautiful young girl and will not stop short of murder in order to have her.
Dir: Herbert Blaché
Young Phyllis Shaw, tired of being poor, sets out to snag a rich husband. She meets a young artist named Jerry, who falls for her, but she rejects him because he's not rich. She then meets Kirke, who is exactly the type of man she's looking for, but with one problem--he won't marry her, but as his "kept woman" he will lavish her with money and gifts. What to do, what to do . . .
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Dir: Herbert Blaché
Trotty Veck, the licensed messenger, reconsiders his promise to allow the marriage of his daughter Meg to Richard, after being advised by Alderman Cute that it is a sin for the poor to wed. After his day's labors, he meets William Fern with his infant daughter Lillian seeking shelter from the authorities, who have threatened to hang him. The kind-hearted little man takes them to his humble home for the night. Far after midnight, Trotty, seated by the fireside and soothed by the chimes, falls asleep and dreams. His dream first takes him to the belfry of the old church, where the spirit of the chimes chides him for having done something he should not, and endeavors to show that the consequences might be, by picturing the future. In this vision, Trotty sees his daughter Meg living in poverty and acting as mother to Fern's daughter Lil, now grown to girlhood, Fern, in prison for his demonstration against the rich, and Richard, a drunkard from disappointment. Sir Joseph Bowley visits the little home and offers to adopt Lil, but instead mistreats her so that she is compelled to escape, but finally, upon promise from Sir Joseph to free her father, gives herself up to him, only to be ejected in time from his fine home with an unfortunate infant. She goes back to Meg and dies from the effect of her ill-treatment, leaving the infant to Meg, who in turn is compelled to leave her home due to her poverty. Going to the bridge, Meg attempts to end all for herself and infant. At this point Trotty's dreams come to an end. He now realizes that the poor as well as the rich have a right to marry, and hastens to correct his error. This done, he goes to check Fern, leading one of his meetings. Knowing the influence little Lil has on her father takes her and induces Fern to give up his plans. Trotty and Richard are taken prisoners by Sir Joseph's servants and brought before this despot, who instead of compelling Trotty to submit to his terms, is himself forced to sign a document giving the poor their rights.
Dir: Herbert Blaché
When John Lowery, his wife Mary and their small son Billy journey to a Northern lumber camp to visit its owner, Clifford Beresford, Mary becomes infatuated with the lumberman and neglects her little boy. A Hudson Bay Company clerk named Nan McDonald, known as the "angel of the lumberjacks," forms such a strong attachment to the child that although he becomes seriously ill, Billy refuses to take his medicine unless Nan dispenses it. Watching over him late one night, Nan sees Mary steal from her room to keep a midnight appointment with Clifford, but when Mary falls down the stairs to her death, Nan maintains her silence for John's sake. Heartbroken, John asks Nan to return with him to the East as Billy's governess, but local gossips misinterpret her presence in John's house and he marries her. Informed that John still loves only his dead wife, the unhappy Nan allows Clifford to flirt with her, whereupon John learns the truth about Mary and opens his heart to the woman who really loves him.
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Dir: Herbert Blaché
In a Virginia resort town in August 1918, Christopher Brent is viewed as a slacker because he refuses to enlist. Secretly, Christopher is observing German spies who are passing information about coastal fortifications for invasion preparations. Seeing Christopher consort with Mrs. Miriam Lee, also from the secret service, his fiancee Molly Preston, who had been bothered by the talk about him, becomes jealous. When Molly's brother Norman discovers a German code book in Mrs. Lee's possession, Christopher, who obtained the book when he destroyed the wireless of the chief spy, Carl Sanderson, who also loves Molly, is suspected of aiding the Germans. After Christopher saves a hotel when the spies ignite a bomb to signal a U-boat, captures a list of enemy spies, kills several spies, and with the help of a U.S. destroyer, sinks the U-boat, he is honored by the town. Molly then asks to be forgiven.
Dir: Herbert Blaché
A crooked promoter commits two murders in his efforts to gain wealth and influence. He is shot on the night of his election as governor and repents of his crimes on his deathbed.
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Dir: Herbert Blaché
The invalid Count de Suchet, nearing death, tells his friend, artist Henri Dutray, about the tragic events of his early life. He secretly married a dancer, and after she gave birth to a daughter, his father convinced her that she was ruining her husband's life. She gave the baby to an old couple, and then killed herself. The grieving count now worries about his daughter. Meanwhile, Jeanne, an Apache dancer in Montmartre, refuses to be sold by her brother Jacques to an old rogue. After she escapes and hides in Henri's studio, Henri, because he needs money, plots with Jacques to make the count believe that Jeanne is his daughter. Although Jeanne rebels at first, she moves in with the count and grows to love him. After the count dies happily, Jacques robs the count's safe and finds a photograph of Jeanne's mother. The butler shoots him, but before he dies, he reveals that Jeanne really is the count's daughter. Jeanne then marries a boy from the adjoining estate.
Dir: Herbert Blaché
An old woman in Frederick, Maryland during the U.S. Civil War displays her American flag in defiance of the armies of Confederate general Thomas J. Jackson. Based on the folk tale that grew from the poem by John Greenleaf Whittier.
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Dir: Herbert Blaché
A gentleman burglar is a detective, which acts as a shield to his more shady pastime.
View DetailsAnalysis relative to Fools and Their Money
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Brat | Gritty | Abstract | 95% Match |
| The Mystery of Edwin Drood | Surreal | Abstract | 98% Match |
| The Auction of Virtue | Surreal | Dense | 91% Match |
| The Chimes | Tense | Abstract | 93% Match |
| The Silent Woman | Tense | Abstract | 90% Match |
This guide was algorithmically generated using the cinematic metadata of Herbert Blaché's archive. Last updated: 6/26/2026.
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