Top-Tier Alternatives Exploring the Legacy of Forty-Five Calibre La...

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of Mary's Ankle perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Victor Heerman

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Al Ira Smith

Motherless Mollie McCrea, whose father is in the Yukon, disguises herself as a boy named "Alaska" and hides on a steamer bound for that territory. Discovered, she is made to wash the decks until Phil Hadley, a lad of her age, pays her way, and they go together as pals to look for gold. When Phil becomes sick as they reach the cabin of an old timer, Mollie nurses Phil to health. They work the old timer's mine which proves to be rich, and he dies after telling Mollie that he is her father. Phil plans to go back to his sweetheart, but takes ill again and is again nursed to health by Mollie. After suffering when he finds out that his sweetheart has wed another, Phil happily discovers Molly's true sex when she disrobes to bathe. A minister marries them, and they return to civilization, wealthy from her father's mine.

Dir: Henry Edwards

A visual fragment from the archive: The thematic resonance of Homer Comes Home perfectly mirrors the editorial trajectory of our deep dive.

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".