Top-Tier Alternatives Exploring the Legacy of Get the Boy: Cult Guide

Dir: Otis Turner

Tired of the life of a gunfighter, Lish Henley settles down in the quiet California town of Peaceful Hill. The town, however, doesn't live up to its name, and it's not long before Lish finds himself the unofficial "mediator" of the town, which is being terrorized by various outlaw gangs. Lish has his own style of "mediating", however--he keeps killing members of rival gangs until they agree to holster their guns and leave the town alone. However, one day Big Bill, an old enemy of Lish's, shows up in town with his gang, looking for payback.

Dir: Otis Turner

Newly wealthy Isidore Lechat lives in a castle in the south of France. He believes that business is the most important thing in life, but manages to stay attached to his children, although he believes that his wife's slovenly appearance detracts from his social position, so he doesn't let her go out in public. He begins an affair with Celeste, an acquaintance of his wastrel son Xavier. He believes that this may be the beginning of a new cycle of personal and business triumphs for him, but soon matters begin to take unexpected turns.

A visual fragment from the archive: The thematic resonance of Business Is Business perfectly mirrors the editorial trajectory of our deep dive.

Dir: Otis Turner

The tale is that of a curious expedition to a pearl lagoon off the South Sea Islands in search of untold treasures. The members of the party are a newspaper reporter, a degenerate Australian, who is literally seeped in gin, and a cunning Chinese, who supplies the money to fit out the vessel. When they arrive at the island, they find only a girl, Leila, who was shipwrecked with her father long before. Leila is so glad to see white men again that she eagerly shows them a bag of beautiful pearls brought up from the ocean bed by her father, who disappeared shortly afterward. The pearls are so tempting to the Australian and the Chinese that they form a combination against Leila and the reporter, Bruce Chalmers, when the latter refuses to aid them in robbing the girl. The struggle which follows for the possession of the pearls and the lagoon is very realistic.

Dir: Otis Turner

With his only asset being his title, then when Lord Arthur Waring seriously injures Helene Von Gerold in a riding accident, he borrows money from his dishonorable rich younger brother Mark in order to pay for her medical treatment. Mark drives a hard bargain, however, and makes Arthur agree to commit suicide in six months, thus allowing Mark to inherit the title, if he cannot pay back the loan. Toward the end of the allotted time, Arthur still has not been able to raise the money. Then, just as Arthur is about to kill himself, Helen's father overturns a lamp and sets fire to his house, and Arthur, hearing the alarm, rushes to the scene. Mark also hurries to the Von Gerold's house, but he dies en route when he is thrown from his horse. Arthur rescues Helen, and then, having inherited Mark's fortune, he confidently begins a romance with her.

A visual fragment from the archive: The thematic resonance of The Island of Desire perfectly mirrors the editorial trajectory of our deep dive.

Dir: Otis Turner

A fascinating piece of cinema that shares thematic elements.

Dir: Otis Turner

Terence O'Rourke an adventurer, has been courting Princess Beatrix long enough to ask her to marry him, but he realizes that, with no steady income, he has no right to propose. Then, the Pool of Flame, a huge ruby that adorns a statue of Buddha, is stolen, and officials in Rangoon offer Terence $500,000 to find the jewel and return it. In tracking down the gem, Terence must outwit such longtime adversaries as Chambret, Princess Karan, and another of Beatrix' suitors, Duke Victor. Finally, Terence manages to complete his mission, and then, with his fortune assured, he ends the long wooing phase of his romance with Beatrix and marries her.

A visual fragment from the archive: The thematic resonance of The Gay Lord Waring perfectly mirrors the editorial trajectory of our deep dive.

Dir: Otis Turner

Luke Simms is an honest politician: He is as charitable as he is honest and his greatest pleasure is found in giving excursions to the poor little ones of the slums. The nomination for mayor is refused by Franz Hargraves, on the score that he believes he would be expected to sign away the people's rights in favor of the Electric Company. Simms is nominated and finally elected, after declaring himself in favor of the people. Richard Sears, the leader of the corruptionists, presents a fraudulent bill to the mayor, who refuses to sign it. Sears then decides to get the ordinance passed by working on Simms' weak spot. Calling upon the mayor, Sears learns how the former's sweetheart was killed in trying to avoid running down a child while she was riding in an auto with him. Believing that he has found the mayor's weakness, that of his love of children; Sears returns home and tells his mistress, Florida Everett, that she must get acquainted with Simms and eventually marry him. Florida, a good woman at heart, longs for a decent, wholesome existence, and Sears tells her this is her chance to get it. Plans are laid to entrap Simms. The scheme works and Florida and Simms are married, and are living happily. Meanwhile Sears' stenographer, Nell, whom he has betrayed, gives birth to a child which dies a few days later. Under the assumption that he has now got the honest mayor in his power, Sears again presents the crooked ordinance, but again Simms refuses to sign it. The corruptionist then commands Florida to induce her husband to honor the measure, but she begs to be left alone. Sears threatens to expose her and she tries to get her husband to sign the bill, but he refuses. Learning of her failure, Sears sends her a telegram to meet him that night at Ardsleigh Towers, and signs it Ned Harter, who is secretary to the mayor and brother of Nell, the betrayed girl. Florida finds herself trapped, and she is kept there all night. When the mayor again refuses to sign the bill, Sears threatens to expose his wife. The corruptionist tells the mayor to find out where his wife spent the preceding night. Angered, Simms questions Florida closely, and in her anguish and fear, she begs him not to go to Sears. This decides him and he departs with vengeance in his heart. In the meantime Nell has returned to her brother. Ned drags the truth from her. He steals into Sears' home and, finding a revolver in a table drawer, extracts the cartridges and replaces the weapon, determined that his victim shall not have even a dog's chance. He secretes himself behind a curtain and hears Sears entering, and is about to shoot when the maid comes in. Simms calls and informs Sears to keep his wife's name out of their affairs. A fight starts, and just as Sears is about to stab Simms, who has the empty revolver pointed at the crook and who pulls the trigger, Ned fires unseen by the others and Sears is killed. Simms thinks he has killed him, and giving away to his grief, tries to revive Sears, and does not see the youth steal from the curtain, grab up the empty revolver and leave. Simms is arrested and indicted for murder in the first degree. Against his command, Florida takes the stand and bares her life. She relates how Sears deceived her when she was young and innocent, and of her continued bad life until she met her husband. The jury releases Simms, who, horrified at the thought of being a murderer, resolves to part from his wife, whom he reverences more than before. He does not consider himself worthy of her. Officer Ryan, ambitious for promotion, and suspecting Ned knows more than has been brought out, follows him and learns enough to make him suspicious. Simms has returned home and is preparing to leave. Officer Ryan follows Ned to Simms' house. Ned becomes alarmed and takes to the roof. Just as Simms is leaving, Ned rushes in, wounded and bleeding from the revolver of his pursuer, and confesses that he killed Sears. Ned dies and Florida and Luke are reunited.

Dir: Otis Turner

Young Anthony March, living in London, inherits a considerable amount of money, but his crooked uncle Dr. Manuel Ceneri steals it. When Anthony gets suspicious, Ceneri's partner in crime, Macari, persuades Ceneri to kill him. However, just as they commit the murder a blind man, Gilbert Vaughan, mistakenly enters the house. Anthony's sister Pauline sees the murder, faints and loses her memory. Thinking they have gotten away with the murder, Ceneri and Macari soon find out that they're in for a shock.

A visual fragment from the archive: The thematic resonance of High Finance perfectly mirrors the editorial trajectory of our deep dive.

Dir: Otis Turner

After a prologue which shows several aerial views of the Acropolis, the story begins. The friendship of Damon, the senator, and Pythias, the soldier, is famous in Ancient Syracuse. Because the general Dionysius is infatuated with Calanthe, Pythias' sweetheart, he sends the soldier to fight the Carthaginians at the Battle of Agrigentum. Pythias returns in triumph, and then angers Dionysius even further when he defeats Aristle, the general's favorite, in a chariot race. During the wedding ceremony for Pythias and Calanthe, Dionysius has himself proclaimed sovereign while Damon is absent from the Senate. Shocked, Damon attempts to assassinate Dionysius, but he fails and is sentenced to death. In order for Damon to say goodbye to his wife and son, Pythias leaves Calanthe and takes his friend's place in prison, offering to die in Damon's place if he does not return. Despite several tests of the strength of their friendship, they remain loyal to each other and so impress Dionysius that he allows them both Free.

Dir: Otis Turner

Borrowing shamelessly from "A Tale of Two Cities", an American agent, Harvey Birch (Herbert Rawlinson), exchanges places in prison with Henry Wharton (J. W. Pike'), a condemned British officer and brother of a woman,Frances Wharton (Ella Hall he greatly admires, and goes to the gallows. After his death, General George Washington (William Worthington),reveals the true identity of the dead martyr.