Rare Cinematic Gems Exploring the Legacy of Greater Than Love: Cult...

Dir: John M. Stahl

On the day of her wedding to Jimmie, Mary finds she has not lost her affection for another sweetheart, Joe. A confrontation arises when Jimmie discovers that Joe has come along on their honeymoon.

Dir: John M. Stahl

Young Brierly struggles to save his father, Major Brierly, from the clutches of alcohol after the Great War. At the same time, he prepares Major Brierly's horse, which served bravely with the Major at the front, for the Kentucky Derby.

A visual fragment from the archive: The thematic resonance of In Old Kentucky perfectly mirrors the editorial trajectory of our deep dive.

Dir: John M. Stahl

A bitter outcast named Garnett runs a road house of low character called "The Owl" in backwoods Alabama, his only friend is Dr. Hamilton, and he keeps the secret from his old blind mother who believes he had a noble death. One night, the Doctor intervenes when the KKK tries to hang Garnett. Hamilton tells his patient turned girlfriend, Faith, that he must find Garnett's wife before his rampant illness kills him. He finds that Faith is in fact the missing wife, and he has betrayed his old friend.

Dir: John M. Stahl

Antoine de Tillois leaves his puritanical wife and in Paris becomes known as King Toto, leader of the bohemian set. Their daughter, Louise, spends 8 months of each year with her mother in Blois and 4 in Paris with her father, her sole concern being to see them reunited. Although Louise has fallen in love with Robert Le Rivarol, she vows not to marry until she accomplishes her aim; consequently, Toto pretends to reform and announces he is giving up his Paris life to return to his wife. Merinville, her accountant, and his nephew--both after Louise's money--discover that Toto has been corresponding with the Countess de Sano, his latest mistress; they try to blackmail Toto and scheme to get an annulment of Louise's marriage, but Toto thwarts their plot. When the countess absconds with her husband's secretary, Toto and his wife are happily reconciled.

A visual fragment from the archive: The thematic resonance of One Clear Call perfectly mirrors the editorial trajectory of our deep dive.

Dir: John M. Stahl

After a foreword introduces the question of whether women are temperamentally suited for jury duty, young shipping clerk Jim O'Neil is found holding a revolver over his dead employer, Edward Knox. Celebrated novelist Grace Norton, selected to be on the jury at Jim's trial, becomes New York's first female juror. Although Jim pleads innocence, he refuses to elaborate until his sweetheart Helen testifies that Knox raped her when she pleaded for Jim, who was fired unjustly, to be reinstated. Jim testifies that he intended to kill Knox but found him dead already. During an angry all-night deliberation, the jury remains deadlocked 11-to-1, with Grace voting against a guilty verdict. In the morning, when she learns that her sister Edith has died, Grace confesses to killing Knox for seducing Edith and failing to honor his promise of marriage. After the foreman reminds the jury of their oath to keep their proceedings secret, they agree not to reveal Grace's story, and vote to acquit Jim.

Dir: John M. Stahl

On the day of their wedding, a groom is shocked when his bride reveals that she is the mother of a young child.

A visual fragment from the archive: The thematic resonance of The Gay Deceiver perfectly mirrors the editorial trajectory of our deep dive.

Dir: John M. Stahl

Just as Mr. and Mrs. James Randolph Emerson, Jr. are about to depart on their honeymoon, Lucille Emerson discovers her husband gazing at a photograph that bears the inscription, "With love to my husband, Grace." Too proud to question James about the photograph, Lucille is tormented by the image of the woman for many years. Finally Lucille becomes involved in a flirtation with another man, and when her husband learns of her infatuation, he becomes insanely jealous. Enraged, he is choking her when a small boy rushes into the room and collapses. James leaves Lucille, who returns the boy to his tenement home. While there, Lucille discovers that the child is James's son, born to a woman who died in childbirth. Finding that James has long forgotten Grace, however, Lucille is reconciled to her husband.

Dir: John M. Stahl

Around 1903, in czarist Russia, William ("Willie") Eckstein is at boarding school when he receives a letter from his mother describing how their prosperous Jewish family has been forced by government edict to pack up their belongings and move to a poor village. Willie joins the Eneckva, a secret Nihilist society that meets on the outskirts of town, and quickly becomes a leader because of his speaking ability. In the meantime, Cossacks kill Willie's father for defending a tavern waitress. At school, a teacher finds one of Willie's pamphlets and turns him in to local authorities, who ransack his room and throw Willie and two friends into jail. Other boys come to their rescue, however, and they escape down a cliff. Willie hurries home to his mother, to tell her he is fleeing Russia, and she gives him a peasant suit that will allow him to travel without being molested. He flees to America, where he claims he will "live free from the law." After reaching the United States, Willie makes his way to Salt Lake City, Utah, where his uncle owns a clothing store. He starts his new life as a newspaper boy, but becomes a hoodlum and ends up in the hands of truant officers. Summoned to the Parental Court of Judge Willis Brown, Willie at first defies the judge, but later realizes that Brown sincerely wishes to help him. Supported by local progressive women who see the need of moral education for wayward children rather than punishment in a reform school, Judge Brown is given an 800-acre farm for the purpose of building a community for juveniles. He chooses eighteen young felons, including Willie, and drives them to the farm to start building "Boy Town," and Willie is soon elected mayor. At Boy Town, the youths practice discipline and self-government, learning how to farm the land, deal with troublemakers, and earn a profitable living. Many of the boys grow into successful, law-abiding adults. Judge Brown sends Willie to an Eastern college, and then to a university in Missouri, where Willie studies agriculture. Finally, Judge Brown makes him the manager of a large private farm, and the young man becomes a U.S. citizen. He also sends his mother one of his regular letters with a money-order enclosed, along with a photograph of himself, and then dreams of her joy in receiving it. The judge comes in, presses Willie's hands, and assures the sleeping youth that his belief in a square game will help him prosper and be an example for other boys.

A visual fragment from the archive: The thematic resonance of The Woman Under Oath perfectly mirrors the editorial trajectory of our deep dive.

Dir: John M. Stahl

Comedy about a negligent housewife who restyles herself as a flapper and almost loses her husband when an admiring friend is quite taken with her new appearance.

Dir: John M. Stahl

When Rosamond, a convent girl, discovers that her mother is Baby Brabant, a notorious queen of Petworth's gambling house, her ideals are shattered and she denounces her mother's life. Following her daughter's departure, Baby leaves the gambler and resorts to opium in her remorse. Rosamond becomes a successful actress and falls in love with Ned, the foster son of a wealthy man, Brabazon, who advises Ned to treat her as a plaything, but he refuses to drop her. Brabazon then learns that Baby Brabant is his former wife and that Rosamond is his own daughter. Ned and Rosamond are united after her mother dies.