Curated Recommendations Similar Cinematic Experiences to Her Unwill...

Dir: Paul Scardon

The Hawk, Count George De Dazetta, preys upon society with the aid of his beautiful wife. She seems to be in love with a young French nobleman, who is the real aggressor in this triangle. De Dazetta finds that the young nobleman's love for his wife is changing her for the better, that she begins to abhor his gambling profession and his inroads upon society. However, he continues to use her beauty as a lure to his gaming tables and wins heavily. In the meantime the nobleman breaks with a young woman aristocrat whom his mother wishes him to wed. During a transaction with an American from whom he borrows money to repay his gaming losses to De Dazetta the nobleman learns of the Hawk's love for his wife, and that she is helping her husband to win. Marina, the wife, washes her hands of the whole earning enterprise and is accused of infidelity by her husband, who tried to kill the nobleman. Failing, he leaves, and the nobleman protects the wife while attempting to locate the gambler and get his consent to a divorce. Finally this is effected, and Marina herself pleads for the divorce, that is until she learns that De Dazetta is now penniless, having lavished his every cent upon her and really loves her, and has consented to give her up only because he thinks it best for her future welfare. Her womanhood comes to the surface and she goes to him, renouncing the nobleman, her love for the latter having been without sin throughout.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of Rose of the South perfectly mirrors the editorial trajectory of our deep dive.

Mr. Curtis returns to his Alma mater and regales students with stories about the Civil War, which ended fifty years before. He tells them about his college friends, Dick Randolph and Watkins, who were at first rivals for Marian - who far preferred Dick - and then rivals on the battlefield. Watkins, a Union officer, captured Dick, a Confederate, but Marian helped her sweetheart escape. Watkins and Dick were then wounded in the same battle and died in each other's arms after asserting their friendship and forgetting their past differences. Back in the present, an aged Marian joins the group. She dies while listening to Mr. Curtis, and fifty years after she and Dick had been lovers in the flesh, her spirit goes to join his.

Dir: Paul Scardon

Hal Page, the weakling brother of Stephen Page, the town mayor, falls in love with Carline Shrefton, who throws over Burt Staley to entangle Hal in her self-serving schemes. Furious over her abrupt departure, Staley shows up at Carline's, and a jealous fight with Hal ensues in which Staley is shot and killed with Carline's gun. After Hal confesses to the deed, Stephen quietly sends him off to Spain. One year later, Stephen announces his engagement to Marion Hayward, the daughter of the district attorney, who is pressing charges against James Reed, a corrupt politician and Carline's new husband. To save Reed, Carline threatens Stephen with exposure, but he refuses to bend to her demands. Just days before Carline is to reveal her story about Staley, Hal appears and confesses to Hayward that Carline is the true killer. After verifying Hal's story, Hayward grills Carline, who finally admits her guilt. A matured Hal is restored to his family and Reed is sent away for his crimes.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of Transgression perfectly mirrors the editorial trajectory of our deep dive.

Jimmie Hallet is walking through a heavy fog one night when, seemingly out of nowhere, a girl appears, shoves a bundle of papers and a slip of paper with an address on it into Jimmie's hands, then disappears. Intrigued, he goes to the address on the paper, and is promptly knocked out by a blackjack. When he wakes up the next morning he discovers the dead body of a man named Greye-Stratton and learns that the "mystery girl" was Stratton's daughter Peggy. Jimmie soon finds himself questioned by the police about her father/s murder and mixed up with a gang of thieves and killers led by a mysterious thug named Ling.

Dir: Paul Scardon

Lieutenant Commander Colton, U.S.N., is in love with Caroline Austen, daughter of a prominent political power in Washington. Colton has a rival in James Archer, a journalist of prominence, unscrupulous and secretly in league with the Ruanian Ambassador, who is endeavoring to obtain for his country inside information as to the United States naval resources. Gilman Austen, Caroline's brother, receives an appointment to the Naval Academy. He is much in love with Ethel McMasters, daughter of a superintendent, and pays so much attention to her that his term marks in navigation are so low as to preclude his passing the semi-annual examination. He is told of this by Captain McMasters, and Colton, Caroline Austen and Ethel McMasters then get busy in Oilman's behalf, Caroline working with Colton, who is in love with her. and Ethel attempting to influence her father, but these two officers absolutely refuse to exercise any influence in Oilman's favor. Mr. Austen, Sr., then takes a hand in the game, but finds naval men a different proposition from politicians, and as a result Gilman is forced to leave the Academy. Mr. Austen uses his power and has Colton transferred to the command of a collier. Gilman Austen, however, grits his teeth and 'lists in the navy as an apprentice, and here we see him carried through all his training experiences. Colton being of an inventive turn of mind and realizing the weakness of the submarines is in the battery, invents a new battery. Archer hears of this and informs the Ruanian Ambassador, who offers the traitorous journalist almost any sum to secure these plans. Archer is prevented from securing them by Gilman Austen, who is now a full-fledged able seaman, serving under the name of Roger Brown. The Ambassador then determines upon a big coup. He directs Archer, who now is completely in his power, to have a Ruanian merchant ship lay a series of mines in the channel through which the warships must pass. Colton has been placed in command of the submarine flotilla, and Gilman Austen is on duty with the D-2. Through Caroline Austen, Colton learns of the plot, and as the ships are due to arrive that night, Colton takes command of the D-2, goes out and submerges his boat. Time is precious, and Colton realizes that he cannot take the D-2 through the mines, so he has himself shot out of a torpedo tube and swims through the mines, goes on board the merchant ship and blows up the mines just before the fleet comes in. Colton is badly wounded and is rescued by Gilman Austen and the submarine crew. For his work in this action, as well as his general reputation and good character, Gilman Austen is sent back to the Naval Academy. Colton marries Caroline.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of The Maelstrom perfectly mirrors the editorial trajectory of our deep dive.

A doctor transplants the brain of a girl who is in love with him into a girl he is in love with.

Dir: Paul Scardon

Polly Biggs helps care for her younger brother and sisters, while her widowed mother works hard as a seamstress to earn a living. Mayor Hoadley, Mrs. Biggs' brother, a crooked politician, calls to sympathize with her on the death of her husband, and Polly takes a dislike to him. Within a short time Mrs. Biggs dies and for the sake of appearances, Hoadley and his wife take the children to live with them. Oxmore, a reform candidate, opposes Hoadley's re-election. His son John, an artist, meets Polly and calls on her at the Hoadley mansion, where he saves her from the advances of Hawkins, a ward boss who "has something" on Hoadley. Hawkins threatens to "get" John for his interference, and the threat is heard by Hoadley. Polly and the children are treated so badly that they run away to the poorhouse, which later burns; Polly saves the children, and they wander to a bungalow in the woods, John, who owns the bungalow, finds them there, and permits them to stay all night. During the night Hoadley visits Hawkins and kills him in self-defense, using a cane that John has inadvertently left at his house, when John goes to town he is arrested. Polly and the children are his only alibi, and he cannot tell of Polly's presence. The evidence is strong against him, and if he is convicted his father will lose the election. Polly, who has been sent away by Hoadley, returns in time to straighten matters.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of The Hero of Submarine D-2 perfectly mirrors the editorial trajectory of our deep dive.

Gifted with charm of manner and a prepossessing appearance, Arsene Lupin, instead of employing his talents along legitimate lines, prefers to match his wits against those of the French police, with the result that he becomes the most celebrated crook of his time. Always after big game, he moves in the most exclusive circles of French society, and takes advantage of an opportunity to pass himself off as the Duke de Charmerace. Assuming the Duke's title and estates, he sets about the delicate task of stealing the rare works of art and the enormously valuable jewels belonging to a M. Guernay-Martin. As the first step in this direction he becomes engaged to Germaine, Guernay-Martin's daughter. Under the cloak of their hospitality he commits a series of audacious robberies, stealing old masters off the walls and always signing his name on the wallpaper to show he committed the theft. The distracted art collector calls in Guerchard, the shrewdest detective in Paris, but even under the nose of this sleuth, the thefts continue as before. Germaine's secretary, Sonla Kritchnoff, attracts more than the passing attention of Lupin and before he has finished with the Guernay-Martins he finds himself in love with her. Guerchard finally draws the net of suspicion so closely about Lupin that the latter is forced to leave the Guernay-Martin home and hide in his own apartment. Just before leaving he discovers that Sonia is also a thief, and the shock of this knowledge determines him to lead a straight life thereafter and take her along with him. Though Guerchard trails him to his hiding place he makes use of an ingenious concealed elevator and at the last exciting moment, slips from between the detective's fingers and escapes with Sonia to safety.

Dir: Paul Scardon

Bob Deering on his way to business meets his sweetheart, Molly Sherman. He arrives at Milliken and Co., stockbrokers, his place of employment, just in time to save Herman, Zalmon Pinsker's 14-year-old son, from a very rough engagement with the other messengers in the office. For this act Herman takes him to his father's shop and obtains a suit at wholesale, and it is here that Bob meets Ike Mandell, who is in love with Dora, the daughter of Pinsker. Previous to this meeting Pinsker re-engaged Mandell after having hired and fired him at least ten times, and also just previous to Bob's arrival with Herman, Moses Hecht and Israel Classman had an argument with Mandell, who, trying to look after Pinsker's business, tried to force them to pay certain notes which had been endorsed by Pinsker. Mrs. Pinsker and Dora arrive and realize that if Pinsker keeps up this pace of unorganized charity they will have little if any chance of obtaining the new dresses for which they came. Later the stock market closes on account of the war, and both Herman and Bob are out of a job. Bob calls upon Molly, who is a telephone operator in a hotel. There he meets "Red" Dorgan, who interests him in war orders. Clothing, sweaters, and shirts are needed for the allied armies, so Bob goes to Pinsker and agrees to get him a contract that will at once make him a rich man. Pinsker is overjoyed. Bob returns to Dorgan, and it is arranged that the manufacturer shall meet the commission. Ike Mandell has a cousin, Abie Lefkowitz, another clothing manufacturer, and he feels that if he can give Pinsker the double cross and get the business for Lefkowitz he will be able to marry Dora. Ike arranges with Dorgan to switch the order to Lefkowitz, who has to give Ike an advance commission of $8,000 for his work. Bob apprises Molly of what he has done for Pinsker, but she has her misgivings about Dorgan. The contestants for the big war order is requested by the commission, which has quarters in the hotel in which Molly is a telephone operator, to have samples of their goods at the commission's offices. The different clothing manufacturers comply, and when each at different times receives most encouraging reply concerning their samples each refuses domestic orders so that all time possible may be devoted to the commission's order. The hotel detective becomes suspicious and after a short conversation with a Scotland Yard man who has been on Dorgan's trail for months, they, with Bob, examine the commission's quarters. They are now firmly convinced that the scheme is a fake, and Bob conveys this information to Pinsker. He is greatly discomfited over the revelation, but Bob gets an idea which will net Pinsker a considerable sum. All the other clothing manufacturers are refusing domestic orders pending advices from the commission, so Bob helps Pinsker to corner the home market. This scheme is successfully executed. Ike Mandell, jealous, is busy instituting a strike among the employees, but his plan is soon frustrated by Bob. Lefkowitz scenting that something is wrong, goes to the hotel, where he is told of the fake affair. The crooks are captured. It is then that Lefkowitz tells of a $6,000 check and that it was made out to Bob. The police now go with Lefkowitz to the shop of Pinsker, where they try to fasten the check upon Bob, but he has given it to Dorgan, and Pinsker agrees that if his is the only signature on it, he, Pinsker, will make good for Bob. Molly goes to Pinsker, who introduces her to his new partner, Bob Deering, and assures her that she need not "hello" any more if she will marry this live businessman. Molly is pleased, and is further glad to know that Mandell has lost out with Dora, who is going to marry Glassman, who is now making his fortune through Bob's methods of wide-awake business.

Dir: Paul Scardon

Stanley Ormsby, a dramatic critic, runs foul of an author and dramatic company who have just put on a new play which he announces as "rotten." On his way home from the play, after waiving aside the author's pleas for a merciful criticism, his adventures begin. He interferes between a couple quarreling on the street and is rebuffed. Later he gets an assignment from his editor to go to a certain apartment house to interview a singer. Entering the place he is diverted from his mission by a woman falling apparently dead at his feet, before the door of Apartment 29. Carrying her inside he finds her to be the woman of the quarrel, and there finds also her husband shot. There alone, he realizes suddenly that circumstances are against him and wishes to flee. The playwright, who lives in the same building, offers refuge, but in return asks a large sum of money, which Ormsby is only too glad to give. A girl in the playwright's apartment hides him while the police search the place. He has a dozen hairbreadth escapes and is finally shocked as the playwright demands a bribe to keep him hidden. Finally Ormsby escapes from the house with the girl, only to run into a nest of thugs, who attack him. He is then rescued by the very police, who then charge him with murder, after which...well, it winds up all right, but it was a hair-raising experience, mates.