
Young Hugh Jordan, the nephew of the man who robbed the Winthrop children, is earning his living out west when he comes into the millions of his thieving old uncle. Hugh goes east and settles down to a life of ease and enjoyment.

William Addison Lathrop
United States

In the flicker of 1920 celluloid, A Bachelor's Children arrives like a half-remembered dream soaked in bourbon and desert dust: a morality play that refuses to preach, a love story that tastes of iron ore and rusted guilt. William Addison Lathrop’s scenario—deceptively tidy on paper—unfurls onscreen as a chiaroscuro...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Paul Scardon

Paul Scardon
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" In the flicker of 1920 celluloid, A Bachelor's Children arrives like a half-remembered dream soaked in bourbon and desert dust: a morality play that refuses to preach, a love story that tastes of iron ore and rusted guilt. William Addison Lathrop’s scenario—deceptively tidy on paper—unfurls onscreen as a chiaroscuro fever. From the first iris-in on Hugh Jordan’s sun-cracked boots to the final clinch beneath electric candelabra, the picture interrogates the very marrow of American aspiration: ..."


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