Hidden Genre Gems for Fans of His Birthright: Cult Guide

Dir: William Worthington

Monty Gray returns to the US after spending 10 years building railroads in China. As he enters a hotel he runs into an old friend from college whom he hasn't seen in years, and they begin catching up on old times. Monty notices a picture of a young woman that his friend is carrying and, bowled over by her beauty, he instantly falls for her. However, his friend tells him that he doesn't have a chance in a million of meeting the girl, who happens to be his cousin, because her mother rules the girl's life with an iron fist and is determined that she will marry royalty and not some untitled commoner. Monty is determined to have the girl, and devises a plan to win her.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of A Heart in Pawn perfectly mirrors the editorial trajectory of our deep dive.

Toyama's wife Sada secretly earns money as a Geisha girl to finance his studies in America, but she says that the money comes from her deceased grandfather. In America, Toyama becomes an assistant to Dr. Stone, studying cures for inherited vices. When Toyama learns that Sada has been sentenced to death for murdering a prominent banker who attacked her, Toyama disappears and gives in to his hereditary tendency to drink until Dr. Stone cures him. Unknown to Toyama, Sada's sentence is commuted to life imprisonment when she gives birth to their daughter. Meanwhile, Toyama marries Stone's half-Japanese daughter Emily to fulfill Stone's dying request. In Japan, after Toyama lectures women prisoners and recognizes Sada, he discovers that the child he and Emily adopted is really his own daughter. When Sada escapes and finds Toyama, he decides to commit harakiri, but as the prison guards approach, Sada drowns herself to save him.

Dir: William Worthington

A young man trades places with a lookalike boxer and learns to fight for what he wants.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of Twenty-One perfectly mirrors the editorial trajectory of our deep dive.

Jeffrey Wall, the dissipated grandson of a wealthy man, requests that a farewell party be given in his honor before he is disinherited. During the wild banquet, a Mexican dancer assaults Mary Drew and then shoots a man, but suspicion is cast on Jeffrey. At the death of her father, Mary is called home to her little village on the Mexican border but is followed by the lecherous dancer, who soon becomes the head of a gang of bandits. Jeffrey traces him and learns that the outlaws have taken control of a small rancho, shot its owner and kidnapped Mary. Jeffrey visits the rancho disguised as a ghost, and as the outlaws are fleeing in terror, the sheriff and his men arrive and arrest them all. Wall, Sr., pleased with the improvements in his son's character, comes West to bless the marriage of Jeffrey and Mary.

Dir: William Worthington

The Japanese Prince Maiyo is in London to avenge the death of his father who years earlier committed hara-kiri because he had been financially ruined by an English swindler. The Prince warns his friend, the Duke of Devenham, that the Count de la Mar is attempting to seduce the Duke's bored American wife, and then is told by his servant Soto that the Count is the man who killed his father. During a foggy night, the Count, planning to elope with the Duchess, is killed in a taxi with the sword that the Prince's father used to kill himself. Although the American sister of the Duke, Penelope Morse, who loves the Prince, pleads with him to leave before being arrested, he will not perform such a cowardly act. After Soto confesses murdering the Count because he wronged his daughter years ago, the Prince is freed, but because of the racial barrier, he bids a sad farewell to Penelope and leaves.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of Ghost of the Rancho perfectly mirrors the editorial trajectory of our deep dive.

Goro Mariyama uses the profits from his ethically run gambling house to help the poor. Gambler Blair Whitcomb accuses Goro of cheating, then shoots him after losing a $10,000 bet. Goro survives a punctured lung only through the efforts of nurse Gloria Manning, Blair's fiancée. When Goro confesses his love for Gloria, he is shocked to hear of her engagement. Following his recovery, Goro discovers that Blair has given him a bad check, and demands that the gambler pay his debt in person. Although Blair complies, Goro has him arrested for attempted murder. Gloria pleads for her fiancé's release, revealing that she can never love Goro because he is of a different race. The disappointed Goro enables Blair's escape as payment to Gloria for saving his life.

Dir: William Worthington

A wild man and genius becomes a master painter's disciple, but loses his divine gift when he finds love.

Dir: William Worthington

A visual fragment from the archive: The thematic resonance of The Illustrious Prince perfectly mirrors the editorial trajectory of our deep dive.

Stuart Adams, the advance-agent for a traveling burlesque troupe, arrives in Weston, Illinois, his hometown, to publicize the coming show, "The Girl and the Garter". The Purity League, led by banker James Richards, the father of Stuart's sweetheart Hazel, attempts to stop it from opening. After kissing Hazel in public - thus outraging the League members - Stuart builds curiosity about the show by having the newspaper print Richards' admission that he viewed it in New York "to see how shocking it was". He also attaches a banner which advertises the show to Hazel's roadster during a Purity League parade. After Stuart challenges Richards to a debate, Stuart helps detective Vera Vincent, whom he met on the train, capture two crooks trying to rob Richards' bank. During the debate, Stuart, knowing that the show has been canceled, offers to end the bickering by withdrawing the show. Richards then insists that Stuart, who plans to meet Hazel at the train station to elope, come to dinner. Fortunately for Stuart, Hazel had been locked in her room by her aunt, and is still at the house.

Dir: William Worthington

When Sasamoto commits treason during the Great War to pay off gambling debts, his twin brother Yamashito assumes his identity and tracks him down.

Dir: William Worthington

Only a seven-passenger motor and $100, to be spent exclusively for gasoline or repairs, was Arnold Baird's share of his father's property. Light-hearted by nature, Baird made the most of his legacy and started a "jitney bus" line. When James Bennett, general manager of the Consolidated Traction Co., learned Baird had been practically cut off in his father's will, he informed Baird that his daughter would never marry a pauper and to go out and make his fortune. Bennett's decision suited Mrs. Bennett, who was eager to shine in society and planned to gain her ends by marrying Ruth to Wm. Mott-Smith, who controlled the traction company. When Ruth got the chance to tell Mr. Mott-Smith what she thought of him, she left no room for doubt. Ruth met Baird secretly and she was first to know of Baird's jitney-bus plans. Israel Helmstone, leader of organized labor, decided that the employees of the Consolidated Traction Co. deserved an increase in pay. Bennett refused Helmstone's demands and the labor leader called Baird into consultation. Helmstone's daughter, Wanda, employed as stenographer by Mr. Mott-Smith, furnished inside information that showed the weakness of Bennett's defense. The car strike was called and traffic paralyzed. The next morning the "Social Rapid Transit Company" sprang into operation. Mott-Smith, Bennett and their associates were filled with consternation. Baird's pals in society entered their cars for public patronage and "jitney bused" the traction company to its knees. When strike-breakers were called in there was nobody to ride, for the public preferred the limousines. When Bennett cried for mercy, Baird was the intermediary. Fate decreed that Baird should be the one to rush to Mott-Smith's office to rescue Wanda Helmstone from the clutches of the drunken society leper. Settling with Bennett was no hard matter for Baird. His terms were $10,000 a year for becoming assistant general manager and six months' vacation to enjoy a honeymoon on which Ruth was to be the bride.