Recommendations
Senior Film Conservator

If the artistic bravery of William Desmond Taylor's work in His Majesty, Bunker Bean left an impression, the juxtaposition of artistic bravery and narrative makes it a cult outlier. Experience the United States influence in these recommendations that echo His Majesty, Bunker Bean.
By merging artistic bravery with cult tropes, it to elevate cult to the level of high art.
Bashful stenographer Bunker Bean ( Jack Pickford ), works for wealthy businessman Jim Breede by day and by night theosophist Prof. Balthasar, who convinces Bean that he is the reincarnation of Napoleon and, more remotely, of the great Egyptian king Ramses. His courage much bolstered by this revelation, Bean begins to deport himself with unaccustomed dignity and becomes a regular visitor to old Breede's estate, where he successfully courts the boss's daughter ( Louise Huff ), "The Flapper." With his $10,000 inheritance, Bean invests in a financial venture that nets him millions and purchases the alleged mummy of Ramses from the professor. After his marriage to The Flapper, Bean learns that the professor is a charlatan, and realizes that it is the belief in one's own strength of character that leads to success.
Based on the unique artistic bravery of His Majesty, Bunker Bean, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: William Desmond Taylor
A young girl, stifling on her father's backwoods farm, is reinvigorated by the arrival of an army regiment, come to train in the area.
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Dir: William Desmond Taylor
Stella Benton, a young society girl who has lost her beautiful voice through the death of her father, goes to live with her brother Charles, in the lumber camp. Charles Benton is having a struggle to make both ends meet, and when his cook quits, he makes his sister do the work for the hundred men in the lumber camp. Jack Fyfe, a neighboring lumber man, meets Stella and gradually falls in love with her, but love is not reciprocated. Seeing that she is being overworked, Fyfe offers to marry her, in spite of the fact that she does not love him. A child is born of this loveless marriage, and the couple are reasonably happy, until Walter Monahan, a wealthy lumberman, begins to make love to Stella. She gradually becomes tired of her husband, and when the child dies, decides to leave him. Her voice returns, and she makes a substantial success as a concert singer. Monahan, who has professed love for her, becomes indifferent, but she will not return to Fyfe, in spite of his pleadings. Monahan, jealous of Fyfe's success, sets fire to his holdings and is caught in the act. Friends telephone this fact to Stella, and she immediately returns to the lumber camp, and there, at their home she finds Jack, heartbroken, as his holdings are on fire and there is nothing but a heavy rain which could save them. She comes to him and offers to use her own money to retrieve his lost fortune, and as she goes into his arms, the heavy downpour of rain comes and they are safe.
Dir: William Desmond Taylor
John Humperdink Stover, otherwise known as "The Varmint" for his pestiferousness or as "Dink" when in special favor, was expelled from a boarding school and sent to Lawrenceville Academy. On the stage on the way to the school he meets a silent man whom Dink sizes up for a salesman and he proceeds to wax eloquent on the subject of his past career and the reason he was expelled from his previous school. The "salesman" is actually the professor of Latin known to the boys as the "Roman." Dink boasts that in a week he will have the boys at the school in his power. A strange uneasiness grips him when he sees that he does not make just the impression he expected. Little by little he succeeds in making himself the most thoroughly disliked and abhorred person on the campus. Dink rises a point in his schoolmates' estimation when he discovers on reporting to the Latin class that the instructor is no other than the traveling man of the stage on the day of his arrival, and in order to make good some of the many boasts he made on that day fakes the translation. The Roman, possessed of a good sense of humor, compliments "Dink" on his performance, much to everyone's surprise. The first girl to attract Dink Stover is the pretty daughter of the Roman, considerably older than he is. After a short and one-sided flirtation, Miss McCarty becomes engaged to another man and Dink is desperate until some new neckwear arrives at the local haberdasher's and diverts his mind from his agony. As a result of his neglect of study, Dink finds himself about to be dropped in school for falling off in his studies. He is to have a private examination at the Roman's house. Stover decides to cheat, and arranges with the Tennessee Shad and MacNooder to overturn a large water cooler outside the Roman's door and other devices to get him out of the way. To his utter dismay, the Roman goes out of the room and stays, thus putting him on his honor. Dink signs his name at the head of the blank paper and is dumbfounded when, upon the Roman's return, he seems to scan the blank sheets closely and says : "I think this will about pass you, Stover." The two discover that they had been friends from the first and Dink really comes into his own when the Roman explains that as he is now an upperclassman, he must set a good example for the younger boys.
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Dir: William Desmond Taylor
Young boxer Jack Ranney agrees to challenge 'Young Kilroy' and knocks him out with his first punch. When he is told that Kilroy is dead, Jack hurriedly heads West and finds a job on a ranch, boasting to all the fellows that he is a killer; unimpressed, they call him a greenhorn. Meanwhile, Jack's sweetheart Mary learns that Kilroy is alive, and she heads West to tell Jack the news, arriving just in time to see him single-handedly save the ranch from a raid by the notorious Lopez Cabrillo and his entire gang.
Dir: William Desmond Taylor
The adventures of Pasquale, an Italian immigrant to New York who runs a little grocery store.
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Dir: William Desmond Taylor
A Union officer exposes the several deceptions his sweetheart has been engaging in, which include spying for the Confederacy and posing as a boy to comfort her aging, wealthy, heirless uncle.
Dir: William Desmond Taylor
When a young woman deserts her rancher husband and, with her son Ben, goes to live with the drunken Tom Blair. Blair raises Ben as his son, but kills Ben's mother, causing the boy to return to his natural father. There, Ben falls in love with Florence Winthrop. Later, Ben gains revenge for his mother's death by killing Tom, but he loses Florence, who decides to live in the East. When Ben learns that Florence has become engaged, he goes after her and issues an ultimatum: if she does not take him back, he will kill her fiancé. After first resenting Ben for his demand, Florence realizes that she loves him and returns West with him.
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Dir: William Desmond Taylor
The adventures of Huckleberry Finn and Tom Sawyer.
Dir: William Desmond Taylor
The infant daughter of a wealthy couple is thought to be lost at sea, but she survives and is raised by a poor family.
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Dir: William Desmond Taylor
James Aldrich is a cinch to win the election as United States Senator until his opponent, Tom Ryan offers a big reward to anyone who can find a scandal in Aldrich's past. Newspaper editor Howard Duncan and his star reporter Ruby Sheldon accept the challenge and, after deciding that Aldrich is straight, decide to investigate his wife Agnes. Going back through the files, they discover that Agnes has been accused of murder and threaten the Aldrichs with exposure. Agnes explains her tragic story, and how she escaped from the drunken savage Steve O'Brien, whose life she had to take in order to save her own. The reporters are so moved that they decide to bury Agnes' past and the heart-breaking story only increases the love of Aldrich for his wife.
View DetailsAnalysis relative to His Majesty, Bunker Bean
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Johanna Enlists | Tense | High | 96% Match |
| Big Timber | Gothic | High | 86% Match |
| The Varmint | Gothic | Abstract | 85% Match |
| Jack and Jill | Surreal | Dense | 91% Match |
| Pasquale | Surreal | Linear | 90% Match |
This guide was algorithmically generated using the cinematic metadata of William Desmond Taylor's archive. Last updated: 6/22/2026.
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