Essential Cult Cinema Drawn from the Same DNA as Howling Lions and ...

Dir: Vin Moore

A fascinating piece of cinema that shares thematic elements.

Dir: Vin Moore

A visual fragment from the archive: The thematic resonance of Brownie's Doggone Tricks perfectly mirrors the editorial trajectory of our deep dive.

Everybody was talking about poor Minnie because she couldn't shimmies. So poor Minnie buys a book that guarantees to teach you how to shimmy. She puts a piece of ice down her back and lo and behold she is an expert at "it". Hubby has to do all the k.p. work, mind the baby, feed the cows and chickens and everything while wifey shimmies. The yearly train arrives, bringing with it a theatrical troupe,who stop at the hotel conducted by Minnie. The vamp of the troupe, looses no time in winning the affections of "hubby", but is foiled by "Bob" the clever dog, who always has his mistress's interest at heart. He pulls Minnie by her skirts into the room where the vamp and hubby are making love. Hubby disappears under the bed but "Bob" goes after him and forces him out. "Bobby" does some clever work; he minds the baby, and is general housemaid in the hotel. He discovers hubby and the vamp making love under the table with their feet. He bites Hubby's foot. Hubby accuses his neighbor of stabbing him in the leg with a fork. An argument follows, during which "Bob" gets away with the sausages. Everybody chases "Bob", and he leads them a lively chase.

Dir: Vin Moore

A rare example of a short with the Silent female comic, who was compared to Chaplin, here as a rural milkmaid who gets mixed up with various problems including a bootlegger.

Dir: Vin Moore

A visual fragment from the archive: The thematic resonance of Distilled Love perfectly mirrors the editorial trajectory of our deep dive.

A playboy takes a job as an assistant district attorney, finds himself up against a tough crime boss and his gang.

Dir: Vin Moore

Last Chance Valley fairly wallowed in wickedness. To it came Professor Polonius Pinhead upon the back of his donkey and boon companion, King Solomon, and there he found two shrinking flowers of the valley. One's name was Violet and the other was Molly, whose expansion was in direct contrast to Violet's shrinking. She weighed 350 and could juggle a bean-shooter as well as any gun-toter. And, of course, there was a bad man. His name was Howling Hank, and he was a union villain licensed by the Moving Picture Theater Villains' Association, to wear the official black mustache and carry forty-seven shots in his six-shooter. Now, Howling Hank was determined that Violet should work in his dance-hall, and Molly was just as determined that Violet should not. Into this life and death struggle King Solomon, the donkey, kicked Professor Pinhead, and this elongated individual eventually obtained Dutch courage enough to route the villain, to save Violet, and to marry Molly.

Dir: Vin Moore

A visual fragment from the archive: The thematic resonance of The Drag-Net perfectly mirrors the editorial trajectory of our deep dive.

Cohen and Kelly families go to Africa to buy elephant tusks.

Dir: Vin Moore

Comedy centering on the question of whether a man's wife is or isn't pregnant.

Dir: Vin Moore

A visual fragment from the archive: The thematic resonance of The Donkey Did It perfectly mirrors the editorial trajectory of our deep dive.

The town of Parched City was being reformed. One of the evidences was a she-sheriff named Susie. But Susie had seen Eddie Polo in the pictures and had adopted his pattern of shirt and his inexhaustible revolvers. By looking cross-eyed she could shoot a man standing at right or left angles with the accuracy of a boomerang thrower. Susie's brother was a bold bad man, although in Susie's hands he was like putty. His gang was always falling afoul of the liquor laws. The greatest indoor sport in Parched City was going to the express office and calling for shipments of dynamite, T.N.T. and Mustard Gas, but finally Susie got wise to this game and shot her revolver through every package as it went by the desk. As a glassware exhibit it wasn't worth taking away. Al Cohol called for his shipment. Susie busted the look with a well-placed shot and out jumped a ferocious lion. When the lion got through with the town it was still more parched and not a drop to wet its whistles.

Dir: Vin Moore

A man gets in trouble with his girlfriend when a beautiful movie star and her fiance come to his small town.

Dir: Vin Moore

Lucy Whittacker is returning home from her finishing school and bringing her teacher with her. She warns the community teacher is a heart-breaker. Teacher brings her pet monkey with her, but hardly comes up to her advance billing, in the way of looks. Pa Whittacker details Dirtyshirt Jones on a ride through a bandit-ridden territory. Magpie is jealous and rigs up a speaking tube with which he waylays them on a lonely road. Through the speaking tube Magpie orders Dirtyshirt Jones to beat it with the homely girl and leave Lucy behind. Magpie then puts in a timely appearance and rescues Lucy, whom he takes to the circus, where he is met by Dirtyshirt and the teacher. The latter's monkey plays havoc with the sideshow attractions and eventually Magpie and Dirtyshirt are thrown on the back of an elephant. After a wild ride they are rescued by the local fire department.