Visionary Picks Drawn from the Same DNA as If Marriage Fails: Cult ...

Dir: John Ince

Ashton Kirk is a young man of high social position and great wealth; he is a deep student and learned in the lore of ancient tablets and forgotten books. His keen mind delights in those mysteries which have proven too shadowy for the police. He finds a joy in the hunt; there is a thrill in matching his intelligence against the craft of the criminal. His interest in the mystery of the house of fear, Cramp's house, was awakened by Pendleton, who, as a guest of Cramp, communicated to Kirk, his friend, the strange sense of mystery and fear surrounding Cramp's house. In Cramp's household lives Grace, his sister, Miss Hohenlo, his aunt, and Kretz, his servant. Kirk learns through his agent in Mexico that Cramp's father was an expert engraver in Mexico years before, and his astute mind connects this fact with the number of Mexicans in the vicinity. He also learns that, in a time of financial stress, Cramp's father forged some currency plates for one Alva, an unscrupulous Mexican, but at the last moment failed to deliver them. At the time of Kirk's visit, the plates rested securely under a great stone in the cellar of Cramp's house, and the presence of the prowling, murderous Mexicans, headed by Alva, was explained by this. The perplexing question, however, was how these intriguers managed to gain nightly entrance to the cellar in their search for the plates. It takes Ashton Kirk to resolve the queer markings on the string of a package sent to Miss Hohenlo into the message "tonight." That night, Kirk and his aides wait in the cellar as the unsuspecting Miss Hohenlo lets in her confederates. There is a big scene in which Alva and his men are overpowered, and it is learned that Miss Hohenlo is Alva's wife. Thus does Ashton Kirk solve the mystery of The House of Fear.

Dir: John Ince

A visual fragment from the archive: The thematic resonance of Blind Man's Eyes perfectly mirrors the editorial trajectory of our deep dive.

Philip Eaton is a passenger in a Pullman sleeping car headed to Chicago. However, he's not quite what he seems to be--he's actually Hugh Overton, who has just escaped from prison to clear himself after having been falsely convicted of murdering Matthew Latrone, a corrupt financier who cheated Hugh's mother out of her estate. It turns out that Latrone is still alive and sends out a killer to eliminate Hugh. Complications ensue.

Dir: John Ince

Cyril Maitland and Henry Everard, friends since childhood, are of contrasting temperaments, the former hot-headed and rather impractical, the latter cool-tempered and possessed of a sane viewpoint. Cyril, studying for the ministry, is engaged to Henry's sister Marian, and Henry, studying medicine, is engaged to Cyril's sister Lillian. Unable to resist temptation, Cyril ruins a girl of his parish, Alma Lee, and when a child is about to be born, her father swears to kill the man, but Alma conceals his name. On the night the child is born, Alma's father is found dead. Cyril, being about Henry's build, has worn his clothes, and witnesses see him in the vicinity of the woods where the crime was committed. Henry is convicted of the crime of which Cyril is guilty. Lillian alone believes him innocent, and is sent to prison. Alma declares him to be her child's father. Cyril, believing his calling in the church above all other things, keeps silent, but at the last moment, about to speak, is held back by his father, who thinks him unstrung. Cyril marries Marian, but his conscience tortures him almost beyond endurance and his life becomes a living hell. Finally Henry is released after 20 years in prison, and he attends the cathedral presided over by Cyril, who has become the great Dean Maitland, the most eminent preacher in the country. Cyril sees Henry in the congregation and there is a powerful scene. Cyril meets his son, with a letter from Alma asking for his education, then Alma dies, and her son, learning his identity, renounces his father. Marian dies, and Cyril's troubled soul is grief and conscience-stricken. Henry, seeing the terrible pain of recognition in the cathedral, and remembering his old love for Cyril, now so changed, writes a letter of forgiveness to him, when beyond all endurance, Cyril's pride now broken, repentance enters his soul. The next day, Sunday, his sermon is at first a trite appeal to repentance, and then a dramatic confession of his own sins, when, falling from the pulpit, he drops dead. And after the storm, the sunshine: Henry and Lillian live happy in their true and undying love.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Sealed Lips perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: John Ince

Shrewd crook Boston Blackie is determined to go straight. At a celebration held on the eve of his marriage to Mary Dawson, Fred the Count plants a stolen jewel and Blackie is arrested and sentenced to twenty years in jail. Fred the Count tries to win Blackie's fiancée, but the honorable Mary rejects him. Blackie's only hope for escape is from the hospital, so he manages to get into a weakened state. He escapes from the hospital, but is trailed by the warden. Blackie refuses to shoot the defenseless man, and the warden recognizes Blackie as an honorable person and allows him to escape. Blackie frames the Count, and leaves for Honolulu with Mary.

Dir: John Ince

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Thanya is a woman around whose presence there revolves an atmosphere of mystery. She is located in the Russian Capital, where she meets Vance Holden, an American artist. Although deeply in love with him, she is coquettish, and he, believing she is trifling with him, leaves her. Alexander Bagroff, Grand Duke of Russia, sees Thanya pass in her carriage and desires to know her. He arranges with a mutual friend to go to her apartment. He becomes infatuated with her but she dislikes him, not only because he is a man long past the prime of life, but for other and more important reasons. At midnight, after her guests depart, Thanya, in disguise, steals out to a small tavern where she meets Boris, her brother, leader of a club of social revolutionists. The gang is just about to choose a marked coin which will brand one as the man chosen to carry the next mission of death to a ruling power, in this case the most hated man in Russia, Bagroff. Boris draws the marked coin. Thanya falls in a swoon. In an agony of fear, she asks Boris to forsake his society. When he tells her it will be his pleasure to strike at the most hated man in Russia, the Grand Duke, Thanya is startled. Telling Boris of Bagroff's infatuation for her, she promises to assist him in his mission. Thanya is invited to attend a ball given by Bagroff. She notifies Boris to strike that night at twelve. Boris gains admittance into the grounds, but is discovered near the house. A shot is fired, the guests are terrified. Thanya surmises the cause, she controls herself. Boris, cornered, attempts to gain admittance into the house and lose himself among the guests. As he enters he is shot. Bagroff, believing someone among his guests has betrayed him, orders his soldiers to tie Boris to a pillar, strip him to the waist and lash him with the Russian pronged whip. As the blood streams down Boris' back, Thanya rushes to him, informing Bagroff that she is the traitor. They are both placed in a cell, where Bagroff offers Thanya her liberty if she will but become his mistress. He is rebuked, and both are sent with a train load of other prisoners to an exile in Siberia. During a storm, they escape and go to Paris. Vance, after leaving Russia, comes to Paris and here he and Thanya are brought together again, reconciled and married. Boris leaves for America. Vance encounters difficulties in selling his paintings. The following winter Bagroff comes to Paris. A Parisian doctor attending Vance, tells Thanya that he can bring her a client for Vance's pictures. He brings Bagroff, who tells Thanya that through the Prince Kenla he can make all the people of Paris patronize Vance, providing she pay the price herself. Desperate to obtain the welfare of her husband, Thanya resolves to give herself to Bagroff for a night. The Princess sits for Vance. He becomes popular as if overnight. The Princess, going to a week-end party to the country, implores Vance to accompany her. Thanya remains alone in the city and unbeknown to Vance, prepares herself for the terrible ordeal with the Grand Duke. The appointment is made. Bagroff dismisses his servants, Thanya comes, disrobes. As he looks upon his prey with the lustiness he has nourished for years, he is suddenly seized by Boris, who, upon returning from America, learns of Bagroff's presence there, and seeing his servants leave together, enters through a window in time to save Thanya. Pulling out his revolver, Boris makes short work of Bagroff, and immediately sets sail for America. The news of Bagroff's mysterious death causes the Princess to hurry back to Paris, and Vance returns with her. He finds Thanya in his den, prostrated. He raises her up, but, as she had promised Boris, she tells him nothing of her night's experience. Thanya and Vance open the window, and the sunlight pours into the room, an omen which prophesies a life of uninterrupted happiness for both of them in the future.

Dir: John Ince

A serious-minded fool named Stradivarious O'Day because his music-loving mother says he "fiddles his time away," acquires his nickname because of his motto of "one thing at a time and that done well." Falling in love when he first sees circus bareback rider Prairie-Flower Marie, O'Day, living off his inheritance, follows the circus until the pestered manager gives him a job cleaning his Ford. With the help of a manual, O'Day learns to drive and secures employment with the circus as a chauffeur. After strong man Gorilla Lawson, who also loves Marie, beats him up, O'Day contacts his friend, boxer Roughneck M'Dool, to teach him to fight. Lawson, frightened by O'Day's daily development, steals the circus receipts and the Ford on the day of their scheduled fight, but O'Day overtakes and whips him. After O'Day weds Marie, he unwittingly goes against his motto when he becomes the father of twins.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Blackie's Redemption perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: John Ince

Muriel Ashley is engaged to Ferdie Walton. Ferdie's father opposes the marriage; Muriel's parents favor it. The couple are married by a strange parson who wanders into the Ashley home, then after they leave for the honeymoon, Ferdie's father discovers that the clergyman is a crook. He notifies the hotel and the young couple are ordered out. They return to the bridal suite by way of a window, but the hotel catches fire and they escape. They go to the Ashley home where they learn they are actually not married. The "clergyman" who married them breaks into the house and is captured. Rev. Dr. Jenkins identifies him, however, as a genuine clergyman who has been suffering loss of memory; thus the marriage turns out to be legal after all.

Dir: John Ince

Wealthy, beautiful Juanita Holland leaves the comfortable surroundings of her home in the North and journeys to the Cumberland Mountains to educate the illiterate mountaineers. Finding herself in the middle of a fierce feud between the McBriars and the Haveys, Juanita urges the clan members to end the violence and settle their differences in the courtroom. She and clan leader "Bad Anse" Havey fall in love, and under her influence, he convinces his followers to let the law punish the murderer of Jeb Havey's father. After one of the McBriars is found guilty and hanged, "Old Milt" McBriar swears that his family will obtain revenge and organizes a party to go after Bad Anse. When they shoot the young man, seriously injuring him, Juanita seizes a rifle and opens fire. Fearing that Anse will not recover, she marries him that night, but he eventually regains his health.