Cinematic Discoveries Resonating with the Themes of Inez from Holly...

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Alfred E. Green

Patches, a beautiful girl, lives with her foster-mother Liza Biggs, who dresses her in rags. She is surprised to see Judas, the overseer, give Liza a locket. Jack Merry arrives to purchase cotton from Colonel Silverthorne, a Southern gentleman of the old school, who looks after his dead brother's estate for his niece and nephew, Juliet and Lee. Col. Silverthorne tells Merry that years ago his brother chastised a field hand named Judas, and that little Selma disappeared. Her mother died of grief, while her father had not been seen since, on one occasion, he rowed to a houseboat, and was supposed to have been murdered; and that according to his will, the entire estate was to go to his missing daughter Selma if found within 20 years; if not, the estate was to be divided between Juliet and Lee. That night Judas demands money from Lee on penalty of disclosing the whereabouts of Selma. In the meantime, Merry meets Patches and kisses her hand, exclaiming "May the Princess of Patches have a happy reign." He leaves with Col. Silverthorne, the money for the cotton, and Lee steals it. Lee claims that Waggles, a tramp friend of Patches, is the thief, but Patches believes Judas has the money and he is captured with part of it in his possession. Col. Silverthorne, despite the protests of Juliet and Lee, invites Patches to become one of the family. Years pass. Patches returns from a fashionable school and again meets Merry Judas, who has escaped from prison, also returns, as does Waggles the tramp. Waggles asks Lee where he can find the "Princess of Patches," as he wishes to return a locket which she lost. Lee recognizes the locket as the one proving the identity of Selma, and upon his promise to deliver it to Patches, Waggles surrenders it. This is the locket Judas gave to Liza, and which Patches afterwards secured. Patches, among the daisies, plucks the petals and murmurs "He loves me, he loves me not." "He loves you dearly," exclaims Jack Merry behind her, as he takes her in his arms. Lee is dumbfounded to see Judas, who tells him unless he helps to keep him out of jail, he will produce proofs that Patches is Selma Silverthorne. Lee gives money to Judas and tells Juliet what he has learned; she tells him he must marry Patches. Waggles overhears Judas and Lee and informs Patches. At midnight they secrete themselves on the houseboat and hear Judas tell Lee that he stole Selma, and that the baby clothes he produces are proofs of her identity. The money Lee offers Judas is not satisfactory, and as the two fight, Waggles secures the proofs. They discover the loss, and suspecting someone else is on the boat, light the fuse connected with a box of gunpowder. Lee springs overboard, and Patches confronts Judas, exclaiming: "I know everything and you shall be punished." Judas overpowers the girl and Waggles, binds them, and swims ashore. Patches finally frees herself and releases Waggles. They spring into the water just as the explosion demolishes the houseboat. On reaching the shore, Waggles overpowers Judas, who confesses Patches is the real heiress; and repeats the confession to Colonel Silverthorne a few minutes before Lee and Juliet would have come into possession of the property. Lee, implicated by Judas, disappears and Patches is happy in the love of Jack Merry.

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Alfred E. Green

While on vacation from college, William Bankinton is shipwrecked. His mind a blank, he is picked up by a derelict ship upon which there are only a lion and a stowaway named Broot. After Broot commits suicide, Bankinton and the lion are cast adrift upon the shores of Africa where they exist in a primitive state for several months. One day, when Nakhia, the daughter of the Bedouin chief Ali-Es Hadji is out riding, she is beset by danger. Bankinton comes to her rescue and gradually he and the girl fall in love. Ben Saada, the bandit chief, desires Nakhia, and tries to kidnap her. The lion and Bankinton once again come to her defense, and in the ensuing fight, Bankinton is struck on the head and his memory is restored. He then proposes to Nakhia, and the couple set sail to America where they are reunited with Bankinton's family.

A visual fragment from the archive: The thematic resonance of The Princess of Patches perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Alfred E. Green

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.