
Thought to be "the worst woman in Hollywood" because of her vampire roles and lurid publicity, Inez Laranetta actually is more concerned with shielding her younger sister, Fay Bartholdi, from the life she knows--especially the devastating impulses of men. Stewart Cuyler, a wealthy and socially prominent New Yorker, is the only man Inez respects, but she refuses even his attentions.


The 1920s was a decade defined by the tension between the burgeoning liberation of the 'New Woman' and the lingering, suffocating constraints of Victorian morality. In the center of this cultural hurricane stood the 'Vamp'—a cinematic construct of predatory femininity that both fascinated and repelled the American pu...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Alfred E. Green

Alfred E. Green
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" The 1920s was a decade defined by the tension between the burgeoning liberation of the 'New Woman' and the lingering, suffocating constraints of Victorian morality. In the center of this cultural hurricane stood the 'Vamp'—a cinematic construct of predatory femininity that both fascinated and repelled the American public. Inez from Hollywood (1924), directed by Alfred E. Green and penned by the formidable trio of Adela Rogers St. Johns, J.G. Hawks, and a young Dorothy Arzner, serves as a seari..."

Ray Hallor
Adela Rogers St. Johns, J.G. Hawks, Dorothy Arzner
United States


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