The Cult Collection Comparable to the Style of Jack Spurlock, Prodigal: Cult Guide

Dir: Carl Harbaugh

Robert Booth travels to Pittsburgh both to negotiate a million-dollar war contract with a foreign prince and to marry his sweetheart Ruth Hunneywell. Robert's rival Chester Firkins hires thugs to kidnap Robert so that he can win the contract for himself. Robert, however, escapes from the kidnappers, and after a series of adventures, during which he is pursued by the police and nearly blown up by a stick of dynamite, the daring Robert rescues Ruth, saves the prince's life and obtains the prized contract.

Dir: Carl Harbaugh

A visual fragment from the archive: The thematic resonance of Bucking the Line perfectly mirrors the editorial trajectory of our deep dive.

John Montague Smith, a small town bank cashier forced to leave town when he is accused of bad business practices, catches a freight for the West. He rescues Jerry, a tramp, and both apply for work on a railroad construction gang but are refused employment by the foreman, Rand Barlow. John rescues Corona Baldwin from a runaway handcar, and as a result her father gives both men jobs. When John discovers that Barlow and Kinsey are delaying construction work to cause Colonel Baldwin to lose his franchise, he is promoted to foreman; and in spite of obstacles he completes the road. Barlow opens a drawbridge over which John is about to drive the first train, but he is foiled by Jerry. John rescues Kinsey and emerges from the battle victorious with Corona in his arms.

Dir: Carl Harbaugh

Celeste Hardin wants to set up her brother Henry, a confirmed bachelor, with her college friend Henrietta Downs, believing that she wold be a good wife for him. Henry and Henrietta discover Celeste's scheme and decide to play a trick on her--Henrietta will pose as Myra Haynes, an escaped lunatic and pretend to be in love with Henry. However, the real Myra Haynes attends a political rally, at which Henry declares his intention to run for mayor, and she becomes convinced that he is her long-lost lover, also named Henry. Complications ensue.

Dir: Carl Harbaugh

A visual fragment from the archive: The thematic resonance of All for a Husband perfectly mirrors the editorial trajectory of our deep dive.

Finding that marriage conflicts with his carefree life, Teddy Brant, a dissolute man-about-town, fakes his own suicide, thus freeing Rose, his self-sacrificing wife, and his baby daughter Helen from life with an irresponsible drunk. Learning of her husband's alleged death, Rose remarries. Years later, Teddy, now a hopeless derelict, wanders the country until, unable to find a place to sleep one night, he strays into the waiting room of a train station. Here he sees a young girl being accosted by an elderly gentleman who entices her home. Teddy thinks nothing of the incident until he finds a purse lying on the seat and learns that the girl is his daughter Helen. Teddy hastens after them and in the ensuing fight, strangles Helen's assailant and then flees. Helen is arrested for the murder, but is acquitted when Teddy staggers into the police station and confesses to the crime, takes his life in his cell.

Dir: Carl Harbaugh

Shirley Reynolds returns home from boarding school to find that her mother, weary of her husband's philandering, has filed for divorce. Hoping to effect a reconciliation, Shirley visits her father's apartment, where she interrupts a riotous party held in honor of his new mistress, Lola Wayne. Shirley prevents Lola's outraged father from killing her own father, but later, Wayne decides to wreak his revenge through Shirley and hires the lecherous Trask to lure her to ruin. On a particular evening, Wayne persuades Shirley to visit Trask's disreputable roadhouse, where Lola has arranged to meet with Reynolds. Suspicious, Shirley's sweetheart, Richard Ormsby, follows her to the inn. Reynolds hears Shirley struggling with Trask behind a locked door but is unable to assist her until Richard arrives. Trask, in his struggle to escape the two men, leaps from a window to his death, after which Wayne takes Lola home. Shirley then convinces her mother to forgive her remorseful husband.

Dir: Carl Harbaugh

A visual fragment from the archive: The thematic resonance of The Derelict perfectly mirrors the editorial trajectory of our deep dive.

Marie Grandon, one of the multitude that labor in a big New England oyster cannery, meets "Iron" Lloyd, millionaire financier and tenement owner, whose yacht is cruising off the coast near the town where Marie works. Lloyd is visiting the little city incognito. He gets into a fight and is injured. During his illness he becomes acquainted with Marie, and as he convalesces their friendship ripens into love. Marie tells him that if she had the means she would wage battle against the oppressive tenement lords and carry on a campaign of reform. To test her, Lloyd, whom she knows as Strange, has his lawyer transfer a fortune to her. Marie thinks the money is a legacy from a long lost relative. The girl goes to New York and does what she vowed she would do. She concentrates her fight on Lloyd and his tenements. Ogden Deneau, Lloyd's business rival, associates himself with Marie, claiming interest in her work, but really to crush Lloyd. But Marie also has old scores to settle with Deneau, and in her plan to ruin both of these financiers enlists Strange's aid. Strange, or Lloyd, helps her gladly, and on the evening of the day the grate coup is to be made, meets her. He tells Marie that Deneau is bankrupt. When she asks about Lloyd, he informs her of the deception he has practiced. At first she is furious. Later she hears his explanation of the test and finally agrees to start life over again with him, a life not to be marred with sordid tenements.

Dir: Carl Harbaugh

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Harbaugh

A visual fragment from the archive: The thematic resonance of Other Men's Daughters perfectly mirrors the editorial trajectory of our deep dive.

The film tells the story of a noble but poor woman who arrives at Boston in the 17th century. There she marries an old but quite rich doctor but does not become happy.

Dir: Carl Harbaugh

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Harbaugh

After Mary Page marries Fred Walton, she soon discovers that he is a womanizer. She tries to ignore Fred's affairs but, refuses to file for divorce even when Platt Sinclair, her husband's lawyer, urges her to do so. Mary does not realize that Sinclair is actually helping Fred, who is in love with his current mistress, Helen Lee, and wants to marry her. To escape her misery, Mary organizes a settlement house in the slums and there meets reporter Eric Mann, with whom she becomes very close. One night, as Sinclair goes to Mary's house to try to convince her to change her mind, he sees Eric through the window and informs Fred that she is seeing another man. Fred wants to sue Mary for divorce, but when Eric threatens Sinclair with disbarment, the suit is dropped. One night, Mary interrupts Fred during his evening with Helen on the same night that Jimmy Hope, a burglar, is robbing their house. The result of the night's activities are the death of Fred and the ultimate arrest of the real murderer who was obsessed with Hope.