Editor's Top Picks Sharing the Atmosphere of Jan of the Big Snows: ...

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The Devil's Riddle perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Charles M. Seay

At a race, My Lady, a horse belonging to Colonel Taylor, wins, but is injured so seriously that she will be unable to run again. Wilfred Warren wagers a large sum on the mare, but is cheated out of his winnings by Kelley, an unscrupulous character of the track. The next year, Colonel Taylor, being in straitened circumstances, breeds My Lady, and Blue Grass, a striking colt, is born. Another year and the Colonel starts to break and train Blue Grass. Another colt is born. Finances become tighter. In the meantime Warren meets Virginia, the Colonel's daughter, a love affair resulting. The Colonel, compelled to sacrifice the second colt, sends his son, Morgan, who, forced to accept a much smaller sum than expected, stakes the money on a "sure tip" and loses. In his anger the Colonel casts him off, ordering him out of the house. Kelley, in an effort to buy My Lady, meets Virginia and determines to get her, as he determines to get the mare. Just before the race in which Blue Grass is entered, the Colonel, badly in need of money, sells the mare to Kelley upon the latter's promise to sell her back, in the event of Blue Grass winning the race. The Colonel uses the money received for a side bet on his horse, and Kelley frames the race against him. Morgan, now Kelley's cashier, meets Warren, who. on learning Morgan's identity, brings about a meeting between him and Virginia, and caught red-handed by the Colonel, is forbidden to see Virginia again. On learning Kelley's intentions, Morgan quits Kelley. In the race, Blue Grass is left flat-footed by the bribed starter, but starts after the rest and wins. Warren, learning of Kelley's plot to steal My Lady, evens up old scores, bringing about a reconciliation and all ends as it should.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of Blue Grass perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Charles M. Seay

Circus dancer Babette learns from Zaidee, her fortune-teller mother, that her father is the respected businessman Ezra Butterworth, who had deserted Zaidee years before and then remarried. After Zaidee dies, Babette goes to live with Ezra, but he is so fearful that his second wife, as well as the townspeople, will learn of his less-than-upright past that he takes her in as his ward and forbids her to mention their real relationship. Still, gossip begins, and Ezra is forced to tell the whole story to his wife, who forgives him. Disgusted by the intolerant townspeople, Babette returns to the circus, as well as to her sweetheart Petey. In the end, Ezra publicly acknowledges her as his daughter and presents Babette and Petey with a farm as a wedding present.

Dir: Charles M. Seay

A prince loves a princess, but an evil force also desires her. A fairy queen helps the prince overcome underwater trials to rescue the princess with help from a creation and a goat. Good triumphs, and the lovers happily sail away.