Editor's Top Picks Sharing the Atmosphere of Jan of the Big Snows: ...

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The Virgin of Stamboul perfectly mirrors the editorial trajectory of our deep dive.

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Charles M. Seay

Margot, the motherless daughter of a New England fisherman, reads society magazines and dreams of a better life. She falls in love with a photograph of Jack Rutledge, a wealthy heir residing on the other side of the cove. For rescuing her from a burning launch, Jack's mother takes in Margot, a situation that provokes the jealousy of Jack's sister Adele. Enamored of the guileless Margot, Jack proposes marriage, but Mrs. Rutledge intervenes, forcing her son to court a woman of equal social standing. Dejected, Margot begs to go home, but her father insists that because her mother was of high birth, she is worthy of Jack's attentions. Margot learns of Adele's affair with a married man, Alexander Gibson, and warns her against continuing the romance. Believing Margot to be interested in Gibson herself, Adele flies into a jealous rage, and the lover is accidentally shot in the struggle. Margot is accused of the murder and nobly accepts the guilty verdict, but Adele finally vindicates her and she is able to marry Jack.

Dir: Charles M. Seay

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

Circus dancer Babette learns from Zaidee, her fortune-teller mother, that her father is the respected businessman Ezra Butterworth, who had deserted Zaidee years before and then remarried. After Zaidee dies, Babette goes to live with Ezra, but he is so fearful that his second wife, as well as the townspeople, will learn of his less-than-upright past that he takes her in as his ward and forbids her to mention their real relationship. Still, gossip begins, and Ezra is forced to tell the whole story to his wife, who forgives him. Disgusted by the intolerant townspeople, Babette returns to the circus, as well as to her sweetheart Petey. In the end, Ezra publicly acknowledges her as his daughter and presents Babette and Petey with a farm as a wedding present.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of A Daughter of the Sea perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.