Essential Cult Cinema Drawn from the Same DNA as Knight Duty: Cult ...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Arvid E. Gillstrom

A visual fragment from the archive: The thematic resonance of Smiles perfectly mirrors the editorial trajectory of our deep dive.

When their father is reported missing at the front during World War I, Jane and Katherine are stamped and sent by parcel post across the country to their Aunt Lucille Forrest in New Jersey. The two girls manage to smuggle their dog into the mail bag as well. Aunt Lucille is in love with Lt. Tom Hayes, but she is angry with him after he resigns his commission at the start of the war. She does not know that Tom is in the Secret Service, and she becomes jealous of a female spy whom Tom is trailing. Jane and Katherine's mischievous pranks finally assist in capturing the spy and the secret plans, and getting Aunt Lucille back together with Tom.

Dir: Arvid E. Gillstrom

After a busy day of playing pranks on their father's servants and guests, Harry Williams' daughters Jane and Katherine tumble into bed and fall asleep. Having seen a film depicting World War I fighting in Europe, little Jane dreams that two armies, consisting entirely of mechanical dolls, are advancing against each other in battle. While Trik leads the German troops, who are guilty of committing a score of atrocities, Trak heads the Allied army, which ultimately wins the war. In the end, Jane awakens with a start to find that it has all been a dream.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Tell It to the Marines perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Arvid E. Gillstrom

A visual fragment from the archive: The thematic resonance of The Amazing Quest of Mr. Ernest Bliss perfectly mirrors the editorial trajectory of our deep dive.

Billy is forced to become a messenger and through this he gets a position as leading man. However, his seriousness spoils the play and nearly results in disaster.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.