Editor's Top Picks Sharing the Atmosphere of Law and Order: Cult Guide

Dir: Harris Gordon

A man named Chandler, claiming to be a novelist in search of local color, arrives at a town near the Mexican border, where he makes advances toward Jo, a girl living a solitary life on a desert ranch. Manning, a cowboy, suspects Chandler's motives, and his suspicions are strengthened when Chandler is caught cheating at cards. Following a gang of Mexicans to their mountain retreat, Manning learns that Chandler and the Mexicans are smuggling opium across the border. Two gang members are killed in the ensuing fight, but Chandler, wounded by Manning after a chase on the cliffs, escapes to Jo's home, where he denounces Manning as a smuggler. Manning arrives and dispels Jo's misgivings about him by revealing that he is a Texas Ranger, sworn to secrecy. Chandler is allowed to escape, and Manning and Joe are united.

Dir: Tom Mix

Wealthy Eastern railroad magnate Buchanan Atkinson sends his wayward son Timothy to Calm City, Arizona for safe keeping. Once there, Timothy falls in love with Alice Spencer whose father, the superintendent of the railroad in Calm City, is threatened with the loss of his position because of the great number of recent train robberies. To prove his love for Alice, Timothy decides to track down the bandits. Locating their hideout in a cave, he discovers that they are about to abduct Alice and escape across the Mexican border. Timothy rescues Alice, saves the loot and becomes the town hero. Accompanied by Alice, he returns East and is redeemed in his father's eyes.

A visual fragment from the archive: The thematic resonance of The Daredevil perfectly mirrors the editorial trajectory of our deep dive.

Dir: Kenneth Brampton

Two brothers, Dick and Jim Marsden, become involved with the bushranger, Captain Starlight. They romance two girls, work on the goldfields, and are captured by the police after Starlight is shot dead

Dir: Jay Hunt

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Robbery Under Arms perfectly mirrors the editorial trajectory of our deep dive.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

A visual fragment from the archive: The thematic resonance of The Night Rider perfectly mirrors the editorial trajectory of our deep dive.

Dir: Clifford Smith

Sergeant Tim Ryerson of the North West Mounted Police is commissioned to round up a gang that smuggles Chinese laborers across the border. While visiting his fiancée, Sylvia Sturgis, at her father's ranch, Tim becomes suspicious of ranch foreman Ferdinand Baird, who is the leader of the smugglers. One night, Tim catches Baird smuggling Chinese across the border to the U.S., but Baird escapes and flees to the Sturgis house where he abducts Sylvia. Tim pursues Baird to Vancouver's Chinatown, raids the smuggler's headquarters, and rescues Sylvia.

Dir: Denison Clift

Upon inheriting the H. C. Ranch, young Easterner Jane Hunter ventures West to take possession of her legacy. Soon after arriving, she appoints a cowboy named Hepburn as the foreman. Ranch hand Tom Beck suspects that Hepburn may be in league with the band of rustlers who are victimizing the ranch, but says nothing. An attachment springs up between Tom and his boss, and when Dick Hilton, Jane's former suitor, follows her West and begins making unwelcome advances towards her, Tom intervenes and orders him from the house. With Hepburn's resignation as foreman, Tom takes over the job and, after a quarrel with Jane, sets out to track down the rustlers. Captured by the outlaws, Tom is left to die in a remote canyon. As Tom struggles to free himself, the gang is apprehended and brought to trial. Jane is sentencing them as the escaped Tom appears in the courtroom. Overjoyed, she rushes towards him, and in the ensuing chaos, the gang escapes. A shootout follows and Tom wins both the fight and Jane.

A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward Sloman

When Wid Gardner, a friend of the "Sagebrusher" Sim Gage in Montana, advertises for a wife for Sim, he finds Mary Warren. Mary, who has recently lost her shop job in Cleveland, goes West under the impression that she is to be a housekeeper. By the time she arrives, she has become blind and cannot see the ugliness of the poor but honest Sim, who realizes that Mary is too refined for him. After some complications involving Frederick Waldhorn, who recognizes Mary as the girl whose legacy he has stolen, and Big Aleck, Mary and Sim are married. The young, handsome Dr. Barnes, who is working to restore Mary's sight, has also fallen in love with her. Eventually, Sim gives his life in rescuing Mary from a flood. Mary's sight then is restored and she confesses her love for Dr. Barnes. Finally, Mary's friend, Annie Squires, who accompanied her from Cleveland, becomes engaged to Wid.

Dir: Lynn Reynolds

Tex Benton, riding across the country, sees a turtle, catches a jack rabbit and tests out the old fable of the tortoise and the hare; when the rabbit wins, Tex vows to model his behavior on that style. In a border town, he rescues an Indian, "Bat," and the two become friends. In Wolfville, Tex enters a rodeo. Meanwhile, a stalled Eastern train carries Alice Marcum, the girl Tex decides he wants. Tex competes with an Easterner for the girl's attentions, but Tex, the "hare," loses to the Eastern tenderfoot, the "tortoise." Tex then concludes that he is not the marrying kind.