Recommendations
Senior Film Conservator

Ever since Let 'er Go hit screens in 1920, fans have sought that same artistic bravery, the search for similar titles reveals the deep impact of James D. Davis's direction. These recommendations provide a deep dive into the same stylistic territory occupied by Let 'er Go.
Whether it's the artistic bravery or the thematic depth, this film to capture the existential zeitgeist of 1920.
On the usual thread of romance in this kind of Mack Sennett comedy, are hung a series of amusing situations, and one of the most original is where one of the "fighting gentlemen" attempts to keep the tail of the cow he is milking still by tying it to his suspenders. When the cow takes fright and decides to make her getaway it is easy to imagine what happens. This, however, is only the outcome of another funny incident in which the dog and a couple of his grown-up playmates are engaged in a game of "blind man's buff" and he who happens to be chosen "it" gets in the way of an old-fashioned swing in motion. He is knocked into the midst of several hives of bees, and his mad rush to escape the stings of the insects sets several other comedy properties in motion. An old automobile, a team of horses in a runaway dash, driven by a tiny baby boy, and various persons on bicycles and otherwise propelled enter the chase. Another amusing and original incident is where Louise Fazenda, in a perfectly modest bathing suit, is fished from the stream by the hook of a young man's fishing pole. - Moving Picture World, 12 June 1920.
The influence of James D. Davis in Let 'er Go can be felt in the way modern Short films handle artistic bravery. From the specific lighting choices to the pacing, this 1920 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of Let 'er Go, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: James D. Davis
Down on the farm old Pop Hebenezer had his troubles keeping his two daughters from spooning with his hired help. Luke loved Lucy, the younger daughter, and Billy loved Sally, the older one. The girls were serving their sweethearts with food but they forgot the food and made love. In the meantime the animal family, consisting of a goat, a donkey, a dog and a pig, were hungry, too. The dog spied the tray of food on the table, jumped through the window, grabbed the food and, ran away. Charlie, the oriental cook, the greatest little K. P. that ever was. He happened to pass outside of the window where the lovers were deeply engrossed, when they suddenly discovered the loss of their food, and blamed Charlie. They threw a pail of water over him for revenge. Pop invented a Nutt motor that would make anything on wheels stand as permanent as rock. The girls are keen about this, invention and all have a hand in perfecting it. When Pop looks around for his help he discovers Luke and Lucy on top of the barn on a see-saw. They had assigned the goat to beat the carpet and water the lawn, the donkey to put the hay in the loft, and the dog to mow the lawn. Sally and Billy camouflaged themselves like trees and were having a wild time all by their lonesome. Pop chases the lovers back to work and all is peaceful again. Two crooks are on their way to steal Pop's new invention, but the chief of police advises Pop of their arrival. The daughters put a lion in the case where the Nutt motor originally was, and the crooks steal this case and are very much surprised to find a not too loving lion staring them in the face. An uproarious chase follows, wherein the lion scares nearly everybody half to death.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: James D. Davis
Two men who seek the same girl are switched back and forth in the wedding ceremony.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: James D. Davis
An office boy is in love with his employer's daughter. A stolen necklace, a masquerade ball, and chase scenes at the close are some of the ingredients.
View DetailsAnalysis relative to Let 'er Go
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Lion Special | Gritty | Layered | 92% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| In the River | Gritty | High | 92% Match |
| Her Whirlwind Wedding | Tense | Dense | 97% Match |
| Don't Weaken! | Tense | Dense | 89% Match |
This guide was algorithmically generated using the cinematic metadata of James D. Davis's archive. Last updated: 5/25/2026.
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